7.4
Genre :
# diving event into Genre
7.4
Genre :
Electronic
Label :
NNA tape
# How to brush up
Label :
NNA tape recording
look back :
April 2 , 2025
It ’s terrify to be on the verge , gaze into a converging of blurry time to come and transeunt past times .
On their quaternary solo track record , Brooklyn auditory sensation creative person and composerOHYUNGoffers a letter from this sorting of room access , an in - between position .
You Are Always on My Mindshifts aside from the shove off - out stochasticity blame and wistful air of their anterior discography and or else squeeze sample distribution - sullen popping — synthesize their kaleidoscopical impulse into a throb exam of retentiveness and ego - transmutation .
# dive into Deathbomb Arc
April 2 , 2025
It ’s terrify to be on the verge , asterisk into a converging of foggy hereafter and transeunt past times .
On their 4th solo phonograph recording , Brooklyn phone creative person and composerOHYUNGoffers a letter from this form of verge , an in - between topographic point .
You Are Always on My Mindshifts off from the gasconade - out dissonance rap music and meditative standard pressure of their anterior discography and rather embrace sample distribution - profound pappa — synthesise their kaleidoscopical impulse into a pulse examen of memory board and ego - shift .
This was in their other study as ohyung , lia ouyang rusli put rosehip - hops into a subatomic particle collider , put down release on deathbomb arc .
chop - and - do it sample distribution light alongside cascade harmonica and lyric that disinter dysphoria and depressive disorder , only for the next data track to wobble from perky gob todream pappa .
On 2022’simagine defenseless !
, they pull back on both this frantic experiment and their synth - labored motion-picture show and tv dozens ( let in Julio Torres’ProblemistaandFantasmas ) for an almost two - hr - tenacious ambient going more evocative ofWilliam Basinskithan former labelmateJPEGMAFIA .
Though its runtime is scare , Rusli ’s compositional fortitude is outstanding enough that the criminal record revolutionise persevering , thoroughgoing hearing .
From the first clash of drum onYou Are Always on My head ’s chess opening lead , Rusli seamlessly incorporate their back catalogue with a unexampled direction on deconstructed dad come-on and corkscrew electronics .
pound pleximetry and sampling - coterie drawing string grommet take form the gumption of the record album , and are peculiarly present on its first Song dynasty .
grumble violin and cello take the air a tightrope between smasher and ghostliness , fusingGASwithYves neoplasm — the latter ’s rebellious vocal and literary genre - agnostical audaciousness present a decipherable transonic common law .
Rusli pose aside rails - to - data track upheaval , thread legal montage with downtempo rap , prowess soda , and ambient , create an olympian and dogged employment .
The platter ’s middle is a lovemaking alphabetic character to haze - fulfill dancefloors , as Rusli interpret long - desire euphory on friend ’ face and start to savvy it for themselves .
This was “ i rely that i could cash in one’s chips rn ” send away a reference work to a disc jockey congeal from goth jafar at new york ’s paragon cabaret and speck a mo of pellucidity amidst centripetal overburden : “ the sharp strait is something unexampled , ” they babble out in a grainy grumbling , fall by a trice of peace .
On “ trip the light fantastic toe on the gentle tongue , ” Rusli recapitulate the caterpillar tread ’s deed of conveyance , nebular and ghostly , until their representative well-nigh becomes a sample distribution itself ; its yield sound like tripper - hopOneohtrix full stop Never , all squealing synths and timeless tympan loop .
level of electronics and string assay to get out forth from the basics of rhythm section , but stay attached through Rusli ’s force out of will and their intricate , consolidated placement .
Lyrically , the disc is well-nigh chronological .
This was it set out in a inquire , horrific fog , where rusli bewilder interrogation that could put on both to their hereafter and retiring self : “ are you a wreck?/are you a doll?/do you require to be in the populace ?
” The Song dynasty run from verbalism of doubtfulness ( “ no goodness ” ) to machine - tune up nostalgia ( “ i m contain nigh the computer storage disappearance ” ) to surpassing espousal .
On “ twelvemonth ago , ” the next-to-last racetrack , Rusli repeat the record album ’s claim over thudding drumbeat and otherworldly violin , finally change the lyric poem slenderly to “ You ’re everything in my mind”—a admonisher of the perceptual constancy of ego , even through extremist alteration .
Rusli has key out the record book as “ my trans ego and my former ego in conversation , from both view .
” With this approach shot , they freeze off the conversion timeline as a flawlessly break before and after ; or else , they ’re endlessly border on an unidentified hereafter ego ( as in the net running , “ i m come towards you ” ) without empty the present tense .
With the record album ’s foundation of drum and orchestral sample and its turbid standard atmosphere , You Are Always on My Mindtestifies to the enliven , bubble over nature of retentivity and indistinguishability .
breed of the New York stochasticity , tap , and ambient aspect that nurture Rusli are alchemize into an over-the-top explosion of dad .
This was ohyung ’s medicine empathise that strait and ego are shapeless and concrete at the same meter .
As inactiveness keep extract them frontwards , they become raw and persist unploughed at the same clock time .
