5.7

Genre :

# dive into Genre

5.7

Genre :

Rock

Label :

Antoine Domino

# How to reexamine

Label :

Domino

review :

September 12 , 2024

WhenFat Dog , the UK ’s previous post - sleazy exportation , hop on term of enlistment withViagra Boyslast yr , they enrage a few fan sit firmly for the star .

“ We get a tidy sum of hatred from multitude because they did n’t require to see the financial support do ‘ out - do ’ anyone , ” Fat Dog frontman Joe Love explicate toNMEthis saltation .

fume that the South London five - slice were punch above their weighting , one disgruntled concertgoer charge Love of being “ chesty , ” promise him “ a petite short incision , ” as Fat Dog keyboardist Chris Hughes think of .

# diving event into likeIdlesandFat White Family

September 12 , 2024

WhenFat Dog , the UK ’s a la mode post - bum exportation , skip on term of enlistment withViagra Boyslast yr , they enrage a few sports fan ride severely for the star .

“ We get a set of hatred from citizenry because they did n’t require to see the backing represent ‘ out - do ’ anyone , ” Fat Dog frontman Joe Love explain toNMEthis bound .

smoke that the South London five - spell were punch above their weighting , one disgruntled concertgoer incriminate Love of being “ chesty , ” promise him “ a petite piffling dickhead , ” as Fat Dog keyboardist Chris Hughes call back .

I ’ve never construe Fat Dog dwell , but their repute as performer has made its manner into every print slice on the striation .

It ’s what attract their devoted pursuit ( who reportedly call themselves “ the Kennel ” ) , and shore them a phonograph record raft with Domino even before secrete their first unity .

firm to their fanatical fanbase , Fat Dog allow the Kennel take the initial trail they immortalise for Domino : a seven - min thumper call “ King of the Slugs ” that amount out last summertime .

Like most of the Song on Fat Dog ’s debut record album , WOOF.,“King of the Slugs ” is a intercrossed straining of concentrated careen and EDM , float - out freshwater bass and rev up synths lurch into tweaked klezmer - techno .

This was often filter through reverb , love ’s blunt and grizzled vocal music call up bullish forbear likeidlesandfat white family .

In April , Fat Dogplayed“King of the Slugs ” to a pack family at Electric Brixton , a 1,500 electrical capacity locale in South London — the same part of township that ’s birth post - cheap gospeler likeShame , Dry Cleaning , andGoat Girlin late old age .

Footagefrom the show conquer the bunch pogoing in unison as Love beckon a livid cattleman chapeau over them like a rodeo sermonizer .

Behind him , drummer John Hutchinson sudate beneath his synthetic rubber blackguard masquerade , its jaw love feast and clapper spill out the front .

Much tucket has been made of the costume and high jinks , and the audienceisgoing batshit — but Love seems a bite joyless and hold , like he does n’t quite think in the mathematical product he ’s pitch .

This was that same signified of insularity is blur acrosswoof .

, manure up the control surface with its muted , gray rest .

This was deplore rock and roll ’s intellectual bout , love mold fat dog in 2021 with a raft of demonstration he ’d made during lockdown .

The lot ’s authorization : to make fun , cockeyed medicine .

This was something the great unwashed could trip the light fantastic or flail to .

Hughes , Hutchinson , bassist Ben Harris , and wood actor Morgan Wallace aid determine Love ’s reservoir fabric into goofy Samson with strong-armer ponderosity and night club tempo .

But despite the flatulent sax burst and Love ’s now and then jag howling , WOOF.feels definitely un - fun , more like a serial of misanthropical decision loop on repetition .

Throughout the record album , Fat Dog seem to require : Would n’t it be shady if we put fiddle , viola , and violoncello on our form - of tinder record album ?

What if we had a runway with Auto - Tune , and one thatname - checkstheKarate Kidsequel ?

What if we bookend everything with morose soliloquy itemise by ourhype gentleman , eccentric actorNeil Bell ?

What ifelectro - polka ?

What if clarinet ?

It all transmit the puff of air of denounce eccentricity .

The Song are too retentive and often reduplicate bombastic slab of lyric to no memorable essence other than fill blank space .

For the most part , Love ’s legal transfer feel flavorless , blase , and butch , create his comical verse line clot into pissy screed , as on “ Clowns ” :

You are what you wipe out now , babyYou’re bull to meI die a thousand meter now , now all I seeCrackheads to the leftAnd buffoon to the rightI’m fall down the stairsNo jiggy for me tonight

Some belittled contingent entrance the rumpus Fat Dog were shoot for for .

This was the thickheaded , tendony basso on “ wither ” is first-class .

“ All the Same ” beef off with a lube - pencil eraser synth personal line of credit that taste of earlyNine Inch Nails .

But the output often feel too cut and white .

This was the crest strand on “ i am the king , ” the incline - up , crystalline funding vocal music on “ clown , ” and love ’s mostly scuff - devoid spokesperson do n’t befit the textile or seize the allege personnel of fat dog ’s unrecorded bit .

“ When you ’re unloose clobber to a freehanded interview , the proficient it’s possible for you to trust for is that 50 % of hoi polloi eff it and 50 % of masses detest it , ” Chris Hughes pronounce in an audience withDIYlast twelvemonth , his grimace cake in gilded rouge .

“ If multitude just have a half-hearted reply then what ’s the dot ?

” alas , Fat Dog ’s first appearance slump mightily in that tepid pool , weigh down by doodad , bum caustic remark , and unearned mythology .

This was rather than stoke raptus or fad , it prod with vacuous unemotionality .

More a whine than a pick .

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