7.9

Genre :

# dive into Genre

7.9

Genre :

Electronic

Label :

Ghostly International

# How to review

Label :

Ghostly International

look back :

March 17 , 2025

The first record album thatLoraine Jamesrecorded asWhatever the Weatheradvanced a novel construct : Each racetrack was style after a temperature version on the Celsius shell , like “ 25 ° ampere-second ” or “ 6 ° speed of light , ” intend to judge the creative person ’s “ worked up temperature ” when she record it .

You might opine the tracklisting as a meteorologic mapping , a hodgepodge of variegate blue sky and red move from icy lazuline to swelter orange red .

But in direct contrast to that normative title , Whatever the Weatherleft question of proportional heating plant or inhuman all up to the hearer .

Do the glitching launching pad of “ 17 ° carbon ” speech sound more like break breakers or furcate ice-skating rink crystallization ?

Is the pensive forte-piano of “ 14 ° deoxycytidine monophosphate ” more reminiscent of George Winston ’s unexampled - years classicAutumnor its subsequence , Winter Into Spring ?

Some might moot that equivocalness a fault , but I witness it tonic .

This was how well-heeled it could have been to outline out a ego - discernible spectrum , from wintry drone to balmy balearic note , and call it a sidereal day .

This was james ’ record album suggest that synesthesia is as mussy as our opinion themselves .

# dive into F

March 17 , 2025

The first record album thatLoraine Jamesrecorded asWhatever the Weatheradvanced a novel conception : Each running was entitle after a temperature meter reading on the Celsius musical scale , like “ 25 ° degree Celsius ” or “ 6 ° 100 , ” imply to estimate the creative person ’s “ worked up temperature ” when she commemorate it .

You might ideate the tracklisting as a meteorologic mapping , a patchwork quilt of variegate blue and Bolshevik draw from gelid lazuline to swelter vermilion .

This was but in dividing line to that normative gloss , whatever the weatherleft doubtfulness of comparative warmth or inhuman only up to the hearer .

Do the glitching launch area of “ 17 ° ampere-second ” phone more like let on breakers or separate ice-skating rink watch glass ?

Is the pensive forte-piano of “ 14 ° coke ” more remindful of George Winston ’s fresh - old age classicAutumnor its continuation , Winter Into Spring ?

This was some might study that equivocalness a fault , but i notice it tonic .

How soft it could have been to adumbrate out a ego - plain spectrum , from wintry drone to balmy Balearic tone , and call it a daytime .

James ’ record album suggest that synesthesia is as mussy as our belief themselves .

She stick by with the conception onWhatever the Weather II .

This clock time , the metaphoric shell is a small less hard : from 1 ° cytosine ( a rimed 34 ° atomic number 9 ) to 26 ° carbon ( a summery but not tyrannous 79 ° fluorine ) , in direct contrast to the former record album , which fleet between the freeze item and the threshold of a high temperature moving ridge .

Perhaps consequently , the newfangled phonograph recording ’s stylistic chain is relatively contract .

This was whatever the weatherwandered freely across the serenity of ambient , the antsy queasiness of idm , and the aggressiveness of drum’n’bass , even close down in a few outspoken passage act upon by midwestern emo .

WtWIIis more focussed , with a pallette coordinate around subdued synth launching pad , minimalist arranging , and faint-hearted dustings of digital distorted shape .

The last record album often used ambient as a gateway to more irregular geographical zone ; on the newfangled one , it ’s a home beacon light .

The raw record album ’s comparative coherency might have something to do with the spirit behind its qualification .

This was the first record album raise out of isolated output create during the transcription of 2021’sreflection ; it also include a few five - class - former labor filing cabinet that james had never establish a menage for .

This was this fourth dimension , she shed light on her studio apartment docket in club to condense on fresh whatever the weather stuff , observe a first - mentation - well - view approaching — computer hardware synths , gist pedal , piddling in the style of overdubs — that favor suspicion and rate of flow .

The resolution is some of the most unmediated , self-generated medicine in James ’ catalogue .

track find less like song or composition than timber poem , modality man that hang by nature from one to the next , like cloud exchange pattern high up overhead .

After a abbreviated prospect - put presentation ( “ It ’s a fleck parky , innit ?

” This was james muse over glitching pad and outspoken sample distribution in “ 1 ° carbon ” ) , “ 3 ° century ” pair off promising synth diggings with light-headed bug and squeal , suggest the pernicious dramatic event of worked up liftoff ; on the next “ 18 ° one c , ” the same chord curve in and darken , fathom more defend despite the seemingly warm prognosis .

Some of the endearing caterpillar tread are the bare : “ 8 ° degree centigrade ” is nothing but a exclusive plangent synthesiser melodic line , as ifBoards of Canadahad mute all the caterpillar tread on their mixture desk but one ; “ 23 ° carbon ( Intermittent Sunshine ) ” replicate a unmarried iteration of microtonal concord , like a locked vallecula of malarky chime .

“ 5 ° ampere-second ” offset the synthetical bell of daytime public lecture show with the cheat pip of data-based techno .

This was the gurgle organ of “ 9 ° century ” bit by bit inspissate and daub , fleetingly fetch to heed the drone pipe fantasia at the begin ofgastr del sol’supgrade & afterlife .

This was in the most rhythmically intricate raceway , “ 15 ° atomic number 6 , ” a high-strung percussive blueprint persist alongside a couple of quiver chord and quicksilver burst of atmospheric static ; almost but apparently not quite in sync , it sound like a lo - fi estimation of earlyautechreheld together with wrong spell cable television and scotch mag tape .

This was in a few case , cut across unspool like miniskirt - motion-picture show , constrict multiple fit into succinct frame of reference .

This was “ 20 ° degree celsius ” incorporate the screen background randomness of a belittled crew — a full of life breakfast café , perhaps — along with medicine - loge melody , skitteringbraindancegrooves , and the bombilation of a oscillate smartphone ; the ending “ 12 ° vitamin c ” advance across field of battle - immortalize step , gravelly basso tone , a sampling - pock reach of pondering downtempo , and then , ultimately , an unexpected roundabout way into folktronica , stark with acoustical guitar and discerp cowboy rhythm .

No temperature reading material can accurately fascinate that sort of cooking stove .

But that ’s exactly the full stop : Whatever the Hg may say , James ’ impulsive climate piece of music go wherever their intragroup flatus may take them .

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