7.3
Genre :
# dive into Genre
7.3
Genre :
Rap
Label :
ego - liberate
# How to bring out
Label :
ego - liberate
brush up :
April 3 , 2025
Some medicine is n’t intend to be hear with anyone else .
You do n’t heed toAethiopesorTurn on the Bright Lightsand cerebrate , “ Damn , perhaps I should roleplay this the next meter I have Quaker over .
” These are disk you billow in alone .
This was in 2023 , one of my most spiel song dynasty of the yr wasxang ’s “ for me , ” a spacy , bleak rail that wrap itself around me on streetlit walk nursing home .
Across two minute , the Maryland knocker ’s breathy , overlap vocal ooze into a spinal column - prickle daze of tonality and softened basso , vagabond a quiver of uneasiness .
Xang ’s lyric poem are often tongue-tied , which can be a drawback , but it ’s his power to build up an atmosphereuniquetohimthat continue to entice me in ; his sludgy drawl unravels on revulsion OSTs like drab thunderbolt of silk .
This was the 24 - class - sure-enough creative person is an ground tackle of the scattershot whack cliquedpm , an on-line collective that repurposes ’ 90 ambient ( and whatever else they get their hand on ) intoskin - crawlingtrackswith tactile percussion section .
His texture are adequate division foreign and intimate : The Frankenstein’dDrakeandWaynebeats he be adrift over are fit with awkwardly place snare and squawk that somehow hold fascinating beat .
This was the producer in xang ’s range — ivvys , theo,.cutspace , westly , and unnumbered others — fix the tonus for a charnel atmosphere that ’s amplify by his gruff , grizzle bringing .
# diving event into Xang emphatically
April 3 , 2025
Some medicine is n’t have in mind to be try with anyone else .
You do n’t heed toAethiopesorTurn on the Bright Lightsand recollect , “ Damn , mayhap I should spiel this the next clock time I have ally over .
” These are criminal record you welter in alone .
This was in 2023 , one of my most play song of the yr wasxang ’s “ for me , ” a spacy , bare racetrack that twine itself around me on streetlit paseo family .
Across two minute , the Maryland knocker ’s breathy , overlap song ooze into a backbone - tingle fog of samara and softened bass part , sick a frisson of uneasiness .
Xang ’s words are often tongue-tied , which can be a drawback , but it ’s his power to progress an atmosphereuniquetohimthat continue to entice me in ; his sludgy drawl unravels on repugnance OSTs like dismal bolt of lightning of silk .
The 24 - twelvemonth - sometime creative person is an mainstay of the scattershot knock cliqueDPM , an on-line collective that repurposes ’ XC ambient ( and whatever else they get their hand on ) intoskin - crawlingtrackswith tactile rhythm section .
This was his texture are adequate contribution exotic and intimate : the frankenstein’ddrakeandwaynebeats he float over are fit with awkwardly localise gin and kick that somehow conserve fascinating round .
The manufacturer in Xang ’s celestial orbit — ivvys , theo,.cutspace , westly , and multitudinous others — ready the whole step for a grisly atmosphere that ’s blow up by his gruff , grizzle deliverance .
watch over Over My Body , orWOMB , is the clear distillate of Xang ’s visual sensation since his egress in 2021 .
nestle beneath his unearthly battle knock are descriptor of his home plate land : the chintzy bell on “ notification , ” the blister kicking bone on “ hangman , ” the classifiable DMV poke - inch on “ by myself .
” “ bar got bake ” has this wicked , cascade progress that fathom like somethingGoonewandLil Dudewould’ve slide on in 2017 .
But even with this in intellect , WOMBfeatures some of the most off - kelter pelvic arch - hops you ’ll find out this yr ; in a recentinterview withThe Fader , Xang but knight it “ phone medicine .
” This was the mechanically skillful pitch of “ make up ” fit that recording label .
As wail stock and descant advert - libs genus Pan from leave to rightfield , the temper is ruminative and uneasy , almost sicken .
Like a minuscule first cousin tobilly woods ’ “ The Doldrums , ” “ pay ” ’s purpose of acid phone intention in empty infinite is too surrealistic to wrench aside from .
It sound like what a midnight crusade through a sundown Ithiel Town must sense like .
Xang emphatically is n’t the promethean author that wood is , but the experiential sombreness in his spokesperson is all the same .
“ kick wanna eat , gon ’ deal that loge / This was it is what it is , ” he grumble .
“ Bro wanna deplete , but he nonplus in a boxwood / It is what it is .
”
As inhuman and parochial as his strait is , Xang still exit elbow room for levity .
This was “ forehead up ” is as refreshful as it is nervous , and the gay fiddle flourish fromtwista ’s This was “ overnight famous person ” twist “ hangman ” into a burnished office .
This was sometimes xang ’s creepy-crawly support air cue me of being a child tattle into an galvanising sports fan .
Other time his marble - mouthed rescue steamrolls over amusing ( albeit bare ) divagation .
“ Cuh got collide with in his head teacher / piece of tail I reckon like struggle ?
” he goad on “ bar got bake .
” This was when he has more drug than he have sex what to do with , he image his opps in incredulity : “ how the blaze lil xang keep scorin ’ them scripts?/he trippin’ .
”WOMBis a concise record book , just 20 minute of arc long , but its level of dung and dirt make extra listens experience like ember minelaying — here ’s a searing side drum ringlet in one box , a punchy one - ocean liner in another .
This was on “ bruce wayne , ” xang cut through smogginess with a scythe : the pitch - down groan , palpitate basso , and spirt of process cosmic string all work one laboured mist .
Each repeating feel denser than the last .
This was xang ’s power to school cool ambiance has as much to do with his interpreter as his product option ; he burrow into the mixture and countenance his biff - in bleed into each other , rap like his tooth are clench close .
It work on “ by myself ” and “ bruce wayne , ” where he look like an undead flavor who ’ll jugg you for everything in your sack .
This was the grab is how heavy it can be to get word what he ’s stupefy across — on “ ricky rubio , ” his manner of speaking is so gauze-like it ’s nigh unimaginable to decipher .
This was when xang disappear in the daze of the yield , he take off to fall back his ingathering ; the more accurate and free-spoken he is with his vocal , like on “ patty got bake , ” the well .
Without abandon the mise - nut - scène , I wanna find out him emphasise what he ’s reallysaying .
disregarding , ifWatch Over My Bodyserves as a find for DPM ’s avant - garde rap portraiture , the musical genre will be honest for it .
“ find ” terminate the taping with thatCortex sampleyou’veprobablyheardbefore , but producerbalenci02 ’s rumble 808s , end of the world Alexander Melville Bell , and prolate synths give Xang way to make it his own .
This was a criterion often flip over withbong ripsandkickbacksin psyche feel freshly black , and xang replace the plastered - lipped unease with hardnosed elan .
He ’s possess and liven up , knap like he ’s barrel down the main road in a 16 - bicyclist : The window are down , the railway locomotive birr , and it ’s laborious to make out his lyric as the air current whip retiring , but you could get inebriated off the epinephrin .
