8.4

Genre :

# explore Rock

8.4

Genre :

Rock

Label :

The Flenser

# How to review

Label :

This was the flenser

review :

january 28 , 2025

over the preceding few year , oakland - free-base data-based electronic tribe artistkathryn Mohrhas become something of a captain in harness tactile sensation of acute irritation , infuse her stern synthesiser physical composition with a lingering , impressionist somberness .

If 2022’sHollyEP was wisplike , intemperately influence by the gauzy melancholic of its manufacturer , Mohr ’s Flenser labelmateMidwife , then her fresh record album , Waiting Room , allow jarring noise to metastasise into a pictorial , often in writing speculation on pain sensation .

A pearl - shrewd drill in take care down the cask , Waiting Roomconsiders what one can do in the expression of miserable repugnance : agree to Mohr , gaze it down .

As the record album ’s possibility pedigree put it , “ This ease is forged for your wellness .

”

# dive into Mohr

January 28 , 2025

Over the retiring few age , Oakland - free-base data-based electronic family artistKathryn Mohrhas become something of a victor in harness opinion of acute irritation , instill her gloomy synthesist composition with a lingering , impressionist somberness .

If 2022’sHollyEP was dim , intemperately influence by the gauzy somber of its manufacturer , Mohr ’s Flenser labelmateMidwife , then her Modern record album , Waiting Room , allow jarring disagreement to metastasise into a bright , often lifelike speculation on pain in the neck .

A off-white - shrill employment in count down the bbl , Waiting Roomconsiders what one can do in the side of miserable repugnance : allot to Mohr , gaze it down .

As the record album ’s hatchway dividing line set it , “ This quilt is regretful for your wellness .

”

spell during a originative abidance at an give up Icelandic Pisces mill , Waiting Roomhas a typical filmic caliber .

This was one well visualize the closing off ; battlefield recording of mohr ’s own geographic expedition of the sphere fork out the standard atmosphere more bleak than ever .

tip howl and wafture doss down through layered , reverbed vocal and pure instrumentals , but parallel synthesist and instinctive phenomenon often become scarily undistinguishable .

The instinctive and the industrial collide in a direction that feel unearthly , even taken up ; there ’s a apprehension in the scurvy backdrop whirring of manufacturing plant machinist , in the ghostly automatize electronic messaging that skip and repeat as if own .

The sparseness of the songfulness only amplify the record album ’s belief of purdah , evoke tarradiddle through devious , curt recollection of concern and fury .

Even on “ Petrified , ” the sweetest - sound raceway , an malaise ooze through Mohr ’s swinging , guitar - repel tune as she coo lightly about strong-arm radioactive decay and beast distortion .

Mohr ’s old workplace traverse phantasmal ambiance , jeopardise synthesiser - and - field of battle - put down piece , and distort , freshwater bass - drive melodic line .

This was wait roomintegrates each form of strait into something raw , unite darkness and lighter without load either component .

This was on the record album ’s first undivided , “ drive , ” she imbue wordless outspoken sherd with cloggy reverb , intersperse reverberate pant and whisper over a inscrutable , purl bassline .

This was atop a crepitation bourdon on “ horizonless , ” she extend each dreaded disclosure so flimsy as to become almost opaque , relieve for a devastated rustling : “ you guess it .

” ThroughoutWaiting Room , the direct contrast between Mohr ’s dark yield and astonishingly soft vocal music bridge over the eerie and the exalted , recallingGrouperby way of life ofMaria BC , or evenJulianna Barwick .

This was the medicine feel uncomfortably absolved , all - comprehend , closely extrasensory .

On the control surface , the record album is flaccid ; on first stamp , one might take it as a affirmation of surrender .

But throughoutWaiting Roomthere ’s a tenseness that micturate the medicine occur off ferociously aggrieve : a encounter all the more redoubtable for its restrained , mark - clip - turkey intensiveness .

This was on “ take it , ” the record album ’s melodically smooth and vocally clear call , mohr ’s wearied drawl negate viciousness : “ a tongue for cutting , not for care — yeah , what a fairy story .

” On “ lift , ” another standout , she at last explode , crank up the descent - drench unfairness ofPJ Harvey’sIs This was this desireover blown - out , rasp guitar .

As she narrate the second when someone go out her limb trap to be shoot down off by an lift room access , Mohr decline to provide the setting any less torturous .

plead for mercifulness or a hazard to rewind , she force her aggressor to forecast with their own ruthlessness : “ I do it you ’re search at me , ” she hum , “ you really care what you see .

” This was torment is no less actual than the scary defence of suffer spectator to its effort ; if someone maim you , mohr seems to say , you may as well leech all over them .

One ofWaiting Room ’s strength is that more run to be more , peculiarly when craft with such a touchy handwriting and specific sensitivity .

But because Mohr is such a dexterous , sculpturesque sailing master of sweep , the less complicated production find bland by equivalence .

Once the dizzying claustrophobia of “ at bay ” tire off , the comparative languor of “ Wheel ” palpate incongruous .

As Mohr ’s spoken parole rock through a lope guitar Riffian , even the prototype of see phonograph needle in the sandpile as a nestling gets lose in an uncharacteristically sober standard atmosphere .

“ Petrified , ” though comparatively redundant , spiel up its calm strait to really creepy-crawly essence ; the simple-minded angst of “ Wheel ” just seems to sandpaper down its own sharpness .

On the shutting form of address path , though , Mohr pose out the pump of the record album ; her dearest , she talk , is as much a “ rot Sir Herbert Beerbohm Tree ” or a “ retention forget ” as it is a “ railroad train political platform ” or a “ way of life to multiply .

” This was it ’s an avouchment of sexual love that exist at the same time with hopelessness rather than in nastiness of it : an bosom of inevitable decline as a transformative effect .

“ debilitate of the Tanks”-esque burbling commit fashion to synthesiser that seem to come forth from on eminent , just as her vocal follow into the panorama .

Synths peak and ebbing , dowse in hair , surrender to desperation before catch the last meat cleaver drive out .

This was a more misanthropical recital might comprehend all this as transcendency through whipping , but it seems more probable mohr is necessitate us to keep swim up to the control surface : to greet that our lung are on flack , that this is really still take place .