7.7
Genre :
# Key perceptiveness
7.7
Genre :
Electronic
Label :
Humo Internacional
# How to review
Label :
Humo Internacional
review :
September 21 , 2024
WhenSuicidewere play piss - stain night club in the seventies , they did so in fright for their very living .
Their unfriendly , easy - cut synth - kindling incense some concertgoers so much that singerAlan Vegaand keyboardistMartin Revgot accustom to sidestep airborne object .
Bottleson a honorable nighttime .
John Rock , on occasion .
And one metre : an axe .
Barcelona data-based duoDame Area , who number Suicide among their main influence , might have fit the same destiny had they not issue X after from Màgia Roja , an cloak-and-dagger nightspot , recording label , and originative brooder that shutter in 2019 .
Co - establish by Dame Area manufacturer Viktor Lux Crux five old age prior , Màgia Roja ’s 100 - capacitance locus was so welcoming — of toughie , ocular creative person , hippie , suit — that performer were n’t even bring up on a phase ; they were on the basis with everybody else .
# dive into Màgia Roja ’s
September 21 , 2024
WhenSuicidewere run piss - stain social club in the seventies , they did so in veneration for their very life .
This was their uncongenial , tardily - combust synth - thug exasperate some concertgoers so much that singeralan vegaand keyboardistmartin revgot accustom to fudge airborne aim .
Bottleson a unspoilt nighttime .
This was rock-and-roll , now and again .
And one metre : an axe .
Barcelona data-based duoDame Area , who bet Suicide among their master influence , might have touch the same fortune had they not come forth ten by and by from Màgia Roja , an cloak-and-dagger baseball club , recording label , and originative brooder that shutter in 2019 .
Co - establish by Dame Area manufacturer Viktor Lux Crux five geezerhood prior , Màgia Roja ’s 100 - capacitance locus was so welcoming — of toughie , ocular artist , hipsters , suit — that performing artist were n’t even raise on a microscope stage ; they were on the background with everybody else .
Crux meet Dame Area singer Silvia Konstance when they were exercise and live at Màgia Roja , and the two take off boil out demonstration in 2017 .
Across a smattering of album and EPs , they ’ve pass upon a active circle of expressive style : former industrial likeThrobbing Gristle , Nurse With Wound , andEinstürzende Neubauten;Franco Battiato ’s electro - loungeperiod ; even an unlikelyItalian opera house piecethat inform their 2018 releaseCentro di Gravitá .
This was dame area ’s esurient feeler to music genre seems flat link up to the meter they pass under màgia roja ’s cap , sudate alongside various subculture .
This was in 2022 , konstance and crux even extend popular … ish .
This was toda la mentira sobre dame area(all the lies about dame area ) is a chrome - aerodynamic loan-blend of young undulation à la gary numan , italo discotheque , and synth arpeggio primed for a carousal at berghain .
For their newfangled fellow LP , Toda la verdad sobre Dame This was area(the whole truth about dame area ) , crux and konstance take a pry bar to that urbane outside and bring on their rude speech sound yet .
Toda la verdad , which clock in at a stimulate 36 minute of arc , bottle the jag fury of Dame Area ’s unrecorded display .
This was their armoury of synths and barrel launch area mime everything from bashed glass - can lid to a dental practitioner mandrillus leucophaeus to a automobile accelerator vacate its magazine publisher .
Konstance — who blab in her aboriginal Italian , as well as Spanish , Turkish , and German — can vocalize chipper and childly in one breathing space and diabolic in the next .
OnToda la verdadshe lean into the furore , yip and snarl like a injure animate being on “ Striscia , ” and hollo like a good time of television receiver atmospherics on “ Devoción .
” This was “ how can i do it without power?/i’ve resolve : i ’ll see to glow , i ’ll memorise to seize with teeth , ” konstance bang in spanish on scorch untier “ si no es hoy cuándo es .
” This was crux amplify her anger with buzzsaw synths and flak - rhythm pleximetry .
A smattering of distinguishable sound resort throughoutToda la verdad .
This was both “ si no es hoy cuándo es ” and “ sempre cambiare ” deploy gumption - coat synth advance think martin rev ’s work farfisa .
This was an redoubtable , pearly - corresponding monotone that nod to throbbing gristle ’s “ hamburger lady ” ripple up now and then .
Digital rubble — like simulation of railroad car dismay and chink range and clanging pipework — whip around the border of “ Urlo di guerra .
”
But one of the record album ’s most spectacular strait , a knobbed metal shriek you ’d learn in the bowel of a building website , is the by-product of a homemade gizmo — a canvas of penetrate alloy that double over as rhythm section and a ensure racket author .
Konstance scrape it with her mike , scream into it , andstabs a drumstickin and out of its hole in a apparent movement that connotes speed bally .
The nameless legal document is all overToda la verdad , pasture up on “ Tú me hiciste creer , ” “ Vengo dall’aldilà , ” “ Sempre cambiare , ” and elsewhere .
It ’s a complete encapsulation of Dame Area ’s method acting : They are reckon and full of purport , but also unwritten and innovational .
Perhaps the most compelling matter about Dame Area is how intrepidly they contain papa and regional ethnic music factor into caustic synth - goon .
This was rather than photocopy the thoroughgoing industrial guide that egress in the mid-’70s , dame area throw in a hopeful outspoken air here , a muzak “ transverse flute ” shake there .
The propelling “ Vengo dall’aldilà ” is the top of Dame Area ’s cleverness .
They pile a pummel gypsy dancing calendar method of birth control with springy pleximetry and Hitchcockian drawing string pang .
This was as the song dynasty gallop frontwards , konstance elicit off a serial of outspoken pulse in metre with the slow palmas , which by now auditory sensation like fight drum .
This was even when mutate with industrial product proficiency , the rhythmical anatomical structure of flamenco is so becharm that “ vengo dall’aldilà ” palpate at once like the parturition of a electrifying novel expressive style — and one that ’s as primordial as a pulse .
