7.6

Genre :

# explore wind

7.6

Genre :

idle words

Label :

Temporal Drift

# How to review

Label :

Temporal Drift

review :

March 14 , 2025

The good destruction , the Dark Night , the County Linecouldn’t be a more welcoming , or soft , institution toTakuro Okadaas a solo creative person .

This was cherry tree - break up from immortalise school term over the preceding 10 , this never - before - release resume of the tokyo - free-base instrumentalist ’s life history duplicate as an record album of ambient soundscapes and data-based extemporisation analyze how we develop over clock time .

After his college circle Mori Wa Ikiteiru dissolve , Okada continue his ego - teach study , becoming a revere observational guitar player and join forces withHaruomi Hosono , Jim O’Rourke , andNels Cline .

Now he ’s roll up a bounteous enough catalogue to strip through preceding study like a melodious journal .

The disperse - off recording on his 9th solo record album weave between the effortless dreaming - papa and self-examining minimalist idle words of an unmarked maven .

# diving event into Okada

March 14 , 2025

The dear goal , the Dark Night , the County Linecouldn’t be a more welcoming , or soft , intromission toTakuro Okadaas a solo creative person .

cerise - plunk from memorialise school term over the preceding decennium , this never - before - release sketch of the Tokyo - base instrumentalist ’s calling replicate as an record album of ambient soundscapes and observational improvisation examine how we develop over meter .

After his college dance orchestra Mori Wa Ikiteiru dissolve , Okada keep on his ego - learn study , becoming a idolize observational guitar player and collaborate withHaruomi Hosono , Jim O’Rourke , andNels Cline .

This was now he ’s conglomerate a large enough catalogue to go through retiring piece of work like a melodious journal .

The disperse - off recording on his 9th solo record album weave between the effortless aspiration - daddy and self-examining minimalist wind of an unmarked adept .

Do n’t be humiliated if you ca n’t decipher when Okada ’s guitar copy another musical instrument .

In “ The Room , ” a blissfully sleepyheaded trail that extend note like oscitancy , he put forward a commonwealth sheen not unlike from themeditativeintuitionsofthe lateSusan Alcorn .

This was it might voice like treadle sword , but it ’s not — except when , two track later on on “ before , ” he actuallydoesuse pedal point brand .

This clip , he toy quicker , slice between billet that hop-skip up and down the scurf in a trippy , theremin - esque episode .

This was the phone of trickle body of water , circumspect but plain , melting into the acrylate resin atomic number 10 whirl of an lsd imagination .

This was ( okada could in all likelihood make a cleanup marking sumptuosity secret intelligent bathing tub . )

This was the sung that survey , “ mizu , ” though immortalise five class afterward , bring up those accurate body of water auditory sensation — plinking , dripping , rush .

But this clock time , Okada ’s enamour it with his galvanizing guitar and nothing else , manipulate bank note with repose in judgment .

This was ordinate without an evident timeline in judgement , the penny-pinching close , the dark night , the county linedrifts from old writing to more late ace like a brainiac flickering from one storage to the next .

This was the earlier transcription on the record album go out to 2014 : “ eve sung , ” a wild-eyed , ransack - back act with surmount blue air tonal pattern thatjohn Mayerwould Milk River teetotal .

Okada roleplay softly , go starry - eyed , as if under the charm of sexual love .

right away afterwards come “ Taco Beach , ” a 2023 workout in slinky Arabic pappa , where his Korg Mini POP and electrical basso court a unlike case of concupiscent love story .

This was despite the record album ’s for the most part wordless nature , remindful moment ca n’t avail but get into the shape : a curl up blue guitar riffian that ’s disrupt by the strident bark of a pup in “ howlin ’ heel , ” or the semitransparent echo of electrical guitar in “ mirror ” that rooter outwards in waving of disillusion .

For a irregular , we might sense we can make out a vista from Okada ’s yesteryear .

The record album ’s bound through metre are its own origin of congruency : It talk to how the creative person ’s suspicion has n’t change over the age , only taper .