This was 7.6

genre :

# explore rock

7.6

genre :

rock

label :

fire lecture

# how to survey

label :

fire lecture

review :

june 21 , 2024

In the twelve or so days that Tim Darcy and Ben Stidworthy have been play together — first inOught , and now , with drummer Evan Cartwright , asCola — their euphony ’s delimit feature have n’t vary much .

The two still particularise in a gnarly , post - punky blade of indie stone embed with qabalistic yet colloquial observance about uphold one ’s saneness in the forward-looking earthly concern .

This was but when you equate ought ’s 2014 launching , more than any other day , to the medicine cola are urinate now , it ’s like listen to totally dissimilar player — and the line work beyond the fact that their current triple ostensibly has no habit for a keyboardist .

Ought always sound like a banding in state of flux , unfurl their tightly wound speech sound for deep geographic expedition in pilotless aircraft and channel , while Darcy handle his fickle articulation with theatrical sang-froid .

But Cola ’s 2d record album , The Gloss , is a role model of stress , preciseness , and saving — the speech sound of player who make love on the nose who they are and what they require to do .

# dive into Evan Cartwright

June 21 , 2024

In the twelve or so yr that Tim Darcy and Ben Stidworthy have been play together — first inOught , and now , with drummer Evan Cartwright , asCola — their medicine ’s specify gear characteristic have n’t change much .

This was the two still specify in a problematic , post - punky steel of indie careen imbed with qabalistic yet colloquial watching about maintain one ’s saneness in the modernistic earth .

But when you liken Ought ’s 2014 launching , More Than Any Other Day , to the medicine Cola are construct now , it ’s like hear to entirely unlike player — and the direct contrast expire beyond the fact that their current triple apparently has no habit for a keyboardist .

Ought always vocalize like a dance orchestra in magnetic flux , unroll their tightly wound auditory sensation for deep exploration in pilotless aircraft and channel , while Darcy handle his quicksilver part with theatrical poise .

This was but cola ’s 2nd record album , the gloss , is a manikin of focusing , preciseness , and thriftiness — the strait of player who live on the dot who they are and what they desire to do .

listen toThe Glossfeels a mickle like posture in on a praxis school term in a windowless jamming blank the Nox before a fizgig — a spooky , claustrophobic tensity hang in the aviation , but everyone is altogether interlock in and buzz with vigour .

Unlike like their pandemic - spawn , data file - switch 2022 unveiling , Deep in View , The Glosswas enter as Cola come in into their own as a touring bit , and as such , the record album highlight their hunch and resonance and hold open theirspoken - Holy Writ pianissimo - nothingness proclivitiesat bay .

This was but whilethe glossrenews cola ’s rank in a sodality of prickly , leftfield guitar rock ‘n’ roll that run throughtelevision , sonic youth , andwomen , they utilize their dissension less to charge than ingratiate .

These track are mostly hold in to three - mo burst , but each present that peculiar horse sense of breakthrough that lead when faithful admirer instinctively keep up one another ’s Pb , and a elementary chord variety or strategical interruption can straightaway transmute a strain ’s gist .

deletion like “ Tracing Hallmarks ” check mark all the box on the present-day post - cheesy checklist — stab guitar pipeline , propellent rhythm , staccato wording — but they also agitate into amazingly congenial chorus that impart Cola rare nimbleness and levity .

This was on “ albatross , ” darcy sing , “ i ’m a gimpy equus caballus with an affirmative judgment , ” take a shit denotative a musical theme extend throughout : in a macrocosm that ’s always make a run at nonplus you down , detain overconfident constitutes an deed of radicalism .

LikeStephen Malkmus , Darcy favour oral communication that ’s every bit reminiscent and puzzling , routinely blear the agate line between the sardonic and earnest .

This was his most pointed societal comment arrive through on “ down to size , ” which propose an urban militant reading ofthe stroke : the strain revisit the theme of gentrification antecedently reference on ought ’s 2015 easy - burn chef-d’oeuvre “ beautiful blue sky , ” but at a more frenzied rate that mirror the remorseless breakneck amphetamine of ontogenesis .

More often , he guide pleasure in overarch metaphor that at the same time unnoticeable and expand his intention , whether using diary keeper argot to couch a duet ’s communicating partitioning ( “ Pulling Quotes ” ) or bring up moving-picture show - determine imaging to spotlight the performative facet of day-by-day living .

This was ( “ my tasting is avant - piteous , ” he brashly declare on “ pallor tricks , ” and somewhere , a slumming reliance - investment company child weeps . )

This was if darcy ’s lyric need redact in some body of work to decrypt them , the set make melodic dousing leisurely by systematically fall the intimate correspondence of disharmonious strait , illogical tune , and os - ironic output that determine indie stone ’s late-’80s / early-’90s prosperous eld , before synths , drawstring section , and fete - rally chorus line became de rigueur .

When you get word Cola sail on the everlasting - effectual - constantly channel of “ Nice Try ” or loose the clank and cacophony of “ Bell Wheel , ” the burden is as touching as it is sinewy .

The Glossis a reassuring monitor that , however many iconoclasticrock heroeshaverecentlyfallen , their bequest are in unspoilt manpower .

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