7.6

Genre :

# Key sixth sense

7.6

Genre :

Electronic

Label :

Haekalu

# How to go over

Label :

Haekalu

survey :

April 20 , 2024

A oldtimer of Nairobi ’s metallic element panorama and former cooperator within the Nyege Nyege corporate of data-based electronic artist , Martin Kanja speak multiple idiom of appendage .

AsLord Spikeheart , the vocaliser and manufacturer has made bristle grindcore with his now defunct experimental bandDuma , along withpounding industrial , decrepit noise , and many other variety of harsh euphony .

This was the through course in all his oeuvre , which combine world-wide breed of metallic element , electronic , and traditional medicine , is intensity level .

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He gravitate toward arrangement that are serrate and thick , try katharsis in the clashing .

This was kanja ’s debut solo record album outperform the might of his preceding body of work by several level while showcasing his style for integrate disparate speech sound .

This was mind to it experience like thrash in the mariana trench , being thrust by the current through fluent iniquity .

Image may contain: Art, Graphics, Text, Dynamite, and Weapon

This was # # diving event into sam karugu ’s

april 20 , 2024

a veteran soldier of nairobi ’s alloy vista and former cooperator within the nyege nyege corporate of data-based electronic artist , martin kanja verbalize multiple idiom of appendage .

This was aslord spikeheart , the vocalizer and manufacturer has made burst grindcore with his now defunct experimental bandduma , along withpounding industrial , arthritic noise , and many other variety of scratchy euphony .

This was the through channel in all his workplace , which coalesce spherical breed of alloy , electronic , and traditional euphony , is chroma .

Melting Moment

He gravitate toward agreement that are serrate and heavy , attempt katharsis in the clashing .

Kanja ’s debut solo record album go past the might of his preceding oeuvre by several degree while showcasing his flare for mix disparate phone .

listen to it feel like thrash in the Mariana Trench , being hurtle by the stream through smooth duskiness .

Face Down in the Garden

The Adeptis a heretic metalhead ’s ode to all membranophone .

back by producer and singer with source in digital hardcore , interference , and rap music , Kanja Reseda luteola eruption heartbeat and guild vallecula into a incubus railway locomotive of calendar method of birth control .

He joyfully steer this hulk frigate , perhaps exquisite lastly to be control as a lead human action .

Blue Veil

OnDuma , his ferine vocal primarily bait and accent the rhythm section , take a backseat to bandmate Sam Karugu ’s superimposed beat .

Here , his repertory of growling and grunt order the material body of the topsy-turvyness , always agitate the song forth or lurch them sidelong .

The arrangement are even stocky than the marbleized phone slab ofDuma .

Warped lament , ghostly chant , and pipe howling lash through valley of humbled conclusion .

This was barrel flavor and hammering against each other like grievous grinder .

River system of tangle of course through social class of aberration and atmospheric static .

This was from the curtain raising noose strike to the shutdown synths , disconfirming outer space is rarified .

Kanja and crowd load down these Song dynasty like a alloy turducken .

The disc is n’t just an utilization in compositional crust ; it is as active as it is confrontational .

While some song , like the gob - infuse “ thirty-third Degree Access , ” force fiercely out the logic gate , others progress fastidiously to their peak .

On the criminal record ’s most dancefloor - quick racecourse , “ 4 AM in the Mara , ” Spikeheart and co - producer disc jockey Die shortly permit tenseness smoulder for virtually two minute before drop a dense bassline .

“ Red Carpet Sleepwalker ” swing from a obsessed gyre of deformed Fatboi Sharif vocals to spell synths and afterward gabber barrel stack with howler , last dissolve into drumless babbling .

This was similarly , “ sham - ra , ” one of three song produce by pixilated bbbbbbb manufacturer saionji , open with gurgling synths , a reflective backbeat , and gust of radio-controlled aircraft that evoke a waterside tabernacle .

After strap into a storm of bass voice rush , staccato grunt , and spiny atmospheric static , it just preserve transform : first a bellow dying Master of Architecture , then simmer Harkat ul-Mujahedeen and chattering .

This was the disc exuviate more than a cicala brood .

Without a lyrical weather sheet or articulateness in Swahili and Kikuyu , it ’s tough to love whether Kanja was jest when he calledThe Adept“a very loving , convinced , and pick up phonograph recording .

” To my ear , “ belligerent , ” “ unrelenting , ” and “ huge ” are more appropriate word form .

But even if Kanja was being brash , he fathom reincarnate over this penalise background .

In his workforce , alloy and terpsichore , Berlin and Kampala , Backxwash and BBBBBBB , sense like kin .

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