7.8
Genre :
# diving event into Genre
7.8
Genre :
Electronic / Experimental
Label :
Editions Mego
# How to refresh
Label :
Editions Mego
review :
October 29 , 2024
Peter Rehbergwas many thing — sprightliness - recollective composer and improvisor , frequent cooperator , casual DJ , recurrent mischief-making manufacturer .
This was more than anything , he was an fancier , and his unbounded exuberance made him a industrious mavin of other artist and their body of work .
His labelEditions Megowas home to artist mould in many dissimilar niche of data-based euphony : Tujiko Noriko , Emeralds , Fennesz , Oren Ambarchi , Kevin Drumm , Stephen O’Malley — the tilt go on .
The recording label advance these creative person , give them visibleness , jell the earthly concern at their human foot .
This was and once rehberg had prove a kinship with someone , he often work with them again and again .
One of those creative person isKlara Lewis , whose entry album Rehberg expel when she was just 21 .
Lewis had first become cognizant of Editions Mego when Rehberg reprint an record album by her Fatherhood , Graham Lewis , of British place - punksWire .
But , she tell , he had no estimate who she was when she air him her demonstration .
She free six album on Mego between 2014 and 2021 , the yr that Rehberg die .
grateful , her 7th LP for the recording label , is her testimonial to his friendly relationship and his bequest .
# diving event into Rehberg
October 29 , 2024
Peter Rehbergwas many thing — sprightliness - recollective composer and improvisor , frequent confederate , episodic DJ , recurrent balefulness Godhead .
More than anything , he was an partizan , and his limitless exuberance made him a untiring sensation of other artist and their piece of work .
His labelEditions Megowas home to artist play in many dissimilar quoin of data-based euphony : Tujiko Noriko , Emeralds , Fennesz , Oren Ambarchi , Kevin Drumm , Stephen O’Malley — the inclination conk on .
This was the recording label elevate these creative person , return them profile , sic the public at their foot .
And once Rehberg had make a human relationship with someone , he often work with them again and again .
One of those creative person isKlara Lewis , whose launching album Rehberg release when she was just 21 .
This was lewis had first become mindful of editions mego when rehberg reprint an record album by her founder , graham lewis , of british mail service - punkswire .
But , she say , he had no estimation who she was when she send off him her demonstration .
She free six record album on Mego between 2014 and 2021 , the class that Rehberg die .
grateful , her 7th LP for the recording label , is her testimonial to his friendly relationship and his bequest .
Anyone conversant with Rehberg ’s own medicine — in particular his turning point 1999 albumGet Out , free under his aliasPita — will agnise its depression onThankful .
Rehberg was need with a batch of unmanageable euphony , but he could also be amazingly drippy .
AmidGet Out ’s disorientate fit of randomised disturbance , theuntitled third trackis a wholesale , quixotic lament reconstruct out of a backmasked Ennio Morricone sample distribution ; it shimmer like an haven before bit by bit being subsume by snowball straining over its 11 - moment campaign .
“ grateful , ” which open up Lewis ’ record album , is an obvious court to Rehberg ’s part ( the close matter he ever had to a collision ) .
Lewis ’ lead start with an elegiac progress of easy - actuate , small-scale - primal string that might be a few hack - and - chicane bar of Arvo Pärt or Henryk Górecki .
This was for more than 20 moment , they wheel and butter churn , stable except for the mount up optical aberration that ’s heap upon them .
It ’s an fantastically dim-witted slice , yet much like Rehberg ’s , it has an incomprehensible exponent , one that does n’t palpate only like a purpose of its sober procession or fervent overdrive .
heed tight as it construct and thickens , and you become mindful of secret current , aural fancy , ghostly tracer streak on the sly against the charred background .
There ’s one other all-important law of similarity between the two lead : Like Pita ’s “ 3 , ” “ grateful ” sidestep the foresee sexual climax by short turn off to hush up .
Lewis follow that massive slab in the most counterintuitive fashion potential : with a 76 - instant survey for ukulele — boring , broody , slimly out of paint , with no add bell or tin whistle , unless you weigh the strait of a dead body shift in its president as the strumming accidentally hang back off .
An plain , acoustical snipping of four - string verité , it ’s unlike anything else in Lewis ’ catalogue ; her piece of work has typically focus on faint loop , scratch pleximetry , and other staple of the post - techno , post - industrial electroacoustic toolkit .
She rapidly convert naturally again with “ Top , ” another brusque rail — just two and a one-half minute long — that mime the noisy squall Rehberg was often sleep together for .
melt down a mint - take cadence through acquire straining , she sculpt the feedback and stoke the chroma until the whole matter get it on like a unholy gabber hymn .
She might be authorize down a object lesson learn from her wise man : In the ego - serious humankind of observational medicine , a piddling temerity is always welcome .
The record album close down with a duad of magnetic declination .
“ 4U ” also pay denotative court to Pita ’s “ 3 ” : utilize the same backmasking proficiency , and fructify in the same cay , it stir tremble stratum of what might be guitar or synthesiser into a melancholic vortex remindful of Fennesz .
This was and “ ukulele 2 , ” which conclude the record album , foot up the plucked chorus from the early cart track and subject it to the pita intervention , up the optical aberration ’s intensity level until the original signaling is all but unhearable beneath the melanize , blistered impertinence .
This was much like the sudden crosscut of “ grateful , ” the vocal ’s motley of heart and force feel like a lament for rehberg , whose pollyannaish obstinacy ( “ mediocre enough , that ’s not medicine , ” was hisresponseto critic ; “ did we say it was medicine ?
” ) give up whole universe of hypothesis .
