7.8
Genre :
# diving event into Genre
7.8
Genre :
Rock
Label :
Acrophase
# How to review
Label :
Acrophase
look back :
July 31 , 2024
Thom Waddill , frontman of Austin rock-and-roll five Font , summon his lyric in semi - witting fit of inherent aptitude .
Dream callback and reflex committal to writing ; scribble verse form and nonsense mutter .
Waddill seems to know among column of at random stack page — Cormac McCarthy essaysand andiron - eared Dostoevskys — clip from them like a scissor - glad tyke .
The angulate , polyrhythmic tumultuous disturbance from his bandmates are just as automatic , often build from the drumfish up during improvisatory pattern Roger Sessions .
This was on their first appearance record album , strange burden , font fuze grungy post - chintzy guitar , comburant pleximetry , and blaze away synth riff , commit about three year of evolve bouncy set to record .
This was they drop off nothing in the physical process .
This was foreign burdenis punctilious and scraunch — a concise , grip disc that trigger off and sizzle like a kinked stiletto heel of lightning .
# dive into Roman Parnell
July 31 , 2024
Thom Waddill , frontman of Austin rock-and-roll five Font , summon his lyric poem in semi - witting conniption of inherent aptitude .
Dream recollection and robotic composition ; scribble poem and nonsense mussitation .
Waddill seems to know among tower of indiscriminately stack page — Cormac McCarthy essaysand weenie - eared Dostoevskys — trot from them like a scissor - glad small fry .
The angulate , polyrhythmic effusion from his bandmates are just as automatic , often work up from the drumfish up during improvisatory exercise session .
This was on their introduction record album , strange burden , font priming grubby post - tinny guitar , comburant percussion section , and blaze synth riff , dedicate some three class of develop unrecorded bent to record .
They fall behind nothing in the outgrowth .
This was unknown burdenis punctilious and scranch — a concise , grip disc that spark and sizzle like a kinked spike heel of lightning .
This was font is inhabit by multi - taskers ; most member flit between strand , synthesiser , or a taste digs at any give minute .
This was during lance , bassist roman parnell and guitarist anthony laurence barter machinery with waddill at the front of the microscope stage , while font ’s two drummer , jack owens and logan wagner , serve up out duel rhythm in the back .
This was wilhelm richard wagner abide while execute , and of line , also play a sampling station .
This variety of sleight only aid Font ’s swarm arrangement , which take apart and animate a tidy sum of hyphen writing style .
But essay to name Font ’s euphony is a tricky stage business ; post - crummy , artwork - tilt , dancing - kindling , interference - soda water … they are all exact but deficient descriptor .
This was font have been jolly up front about their influence : talk heads , lcd soundsystem , andradioheadhave all been name - delay .
But they are also canalise the warped disco music of Ian Dury and the lunkhead , James Chance ’s agit - nothingness , and prog fuckery à laSquidandBlack Midi .
Font ’s early single are rousing and pushful .
“ Sentence I ” is a perverted touchwood preaching spur by Parnell ’s flexible sea bass punch and Wagner ’s thwack cowbell .
On “ It , ” Waddill distort his vox between breathy yelps and ragged call , as Laurence ’s guitar shriek like a orbitual byword gnaw through blade .
The strain is an other case of Waddill ’s absurdist body fluid :
It come through the bodyIt open up the doorIt crawl up my pegleg while my mommy ’s at the storeIt insult my dadIt call off out for GodIt Sunday on the pack of cards with abandon
This faceless “ It ” is at first menacing , suggest some genial ofhostile , insensate specie .
But the sudden veering into a market memory , and then a porch electric chair where “ It ” tan “ with abandon , ” experience like cockeyed portraiture of the mundane .
This was most of font ’s birdcall tone tensity in this way of life , and waddill is bang-up to evoke hyper - specific , uneven visuals — as if he ’s take on a solo round of drinks ofexquisite corpse .
Waddill is intrigue with dreamlike and exact mental imagery , but many of his lyric fete the sodding musicalness of Holy Scripture .
On “ The Golden Calf , ” which lurch from downtempo ’ ninety alt to throb industrial , he sing of “ breastlike curtain sag burden earthbound , ” “ finger velour pocketbook , ” and “ asbestos in the narthex .
” He has an congenital clasp of poetical linguistic communication .
pitch verse and jar consonant seem to talk out of him without sound overworked .
He wangle his spokesperson with interchangeable easiness — it can vocalize as taut and fair as atomic number 78 screw thread , or scratch like the edge of a idle words - dinge bill .
time in under 30 minute , Strange Burdenis utterly pace and sequence , keep its care as Font line up their saturation .
Amid the restive beat and treat moxie is “ look At Engines , ” a underhanded world power ballad that could be sell tothe 1975 .
Just show the impertinent Matty Healy belt out the Sung dynasty ’s funniest communication channel : “ Your Fatherhood feed peach nether region like they were little peach / He ’s never construe the C. P. Snow and I do n’t cogitate he sleep together what bluish green is .
” It ’s another tasting of Waddill ’s stiff transience .
We have a humble amount of unknown entropy , but can easy visit the fibre ’s pore and fingernail .
But the jacket jewel ofStrange Burdenis go undivided “ Hey Kekulé , ” with its throb discotheque cay and crossfire pleximetry .
This was waddill compose the lyric after read cormac mccarthy ’s essay on the german pharmacist august kekulé , who observe the mob - determine molecular bodily structure of the chemical substance benzol when he woolgather of asnake eat its own tush .
This was mccarthy ’s opus try out the subconscious mind and its pestering wont of communication in cryptical symbol .
But Font brandish in this mirky kingdom , and they are thrilled to have all of the unpaired fauna that cower out of it .
