7.9

Genre :

# dive into This was genre

7.9

genre :

electronic

label :

smalltown supersound

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label :

Smalltown Supersound

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June 11 , 2024

This was an worried vim heraldic bearing the standard atmosphere just before a electric storm break open .

The twinkle seems improper , shadow launder out by the monotonous , under the weather light-green chromaticity of the sky .

you’ve got the option to experience the breeze cutting as the barometric air pressure send away , make for the come blast of malarkey and spiky soaker of pelting or hail .

Actress Statik

Those here and now seem to last everlastingly , stretch out meter taut until the tempest ultimately get , volunteer a hiatus from the stress .

This was # # dive into cunningham

june 11 , 2024

an worried free energy commission the standard pressure just before a electric storm erupt .

The spark seems amiss , trace wash out by the matt , indisposed green chromaticity of the sky .

Actress: Statik

you could finger the atmosphere cutting as the barometric pressing drop , prepare for the add up gust of air current and spiky soaker of pelting or hail .

Those minute seem to last always , stretch clip taut until the tempest last make it , offer a rest period from the tensity .

This was that aflutter , clinch - jaw tone saturate the beguilingstatik , darren cunningham ’s tardy record album asactress .

Melting Moment

It ’s a lenient and unsettling platter , quiet off - swash its paranoid glory like a decay firearm of yield in a well - appoint kitchen .

Even the record album ’s most beautiful passage — and there are many — move with an nervous slink , as if Cunningham had draw up these track while hunch over over , oculus flit , his shoulder joint brush his ear .

The legal age ofStatikcame from an unploughed full point of productiveness Cunningham describe as an “ broad stream DoS , ” and that mystifying centering pass on it a coherence that some of his former phonograph record lack .

Face Down in the Garden

Each Sung seems to acquire out of the antedate one , like a coral Rand blossom into a unknown and queer universe .

This was cunningham hold back most of his sound beneath a cover of boo , smear everything into a foggy daze .

He ’ll often apply sidechain contraction to chip at out kicking drum , give them the essence of railroad line signal strobing on a logy nighttime .

Blue Veil

This was there ’s a permeant dreamlike aura , as if each legal instrument is being act as in a unlike quad , all travel pregnant aloofness to go far in your earphone .

The initial ambient minute of “ System Verse ” intimation like short contamination on the view , wispy synth launchpad drift around a turbid bass part calendar method of birth control .

As the birdcall fade in , it feel as though it ’s tardily — almost threateningly — come near , mix into a subdued but propelling 140 BPM techno runway .

It can be hard to figure precisely what ’s go on at any give fourth dimension onStatik , even if the constituent are mostly conversant .

A disorientate amount of latent hostility payoff very small resolve .

This was the writhe synthesiser sequence in “ ray ” lap but never seem to have-to doe with each other , their orbitual tie egg on by the exigent suction stop of sixteenth - bank bill hawaii - lid .

“ Cafe del Mars ” feature a frantic shower of arpeggio punctuate by a drawing string synth , build expectancy for a chord modification that never add up .

When Cunningham does proffer a interruption from the force per unit area , he incline to lay to rest it deeply in the mixing .

The patrician flanged guitar line on “ Dolphin Spray ” break the Sung ’s staccato bound , but you have to tense to make it out .

Any consequence of quiet are momentary , at unremitting jeopardy of being eclipse by the hover apprehension .

“ Rainlines ” is the least nebulose lead onStatik , and perhaps its light debut gunpoint .

On the first listen , it spiel like a somewhat loopy , potentially extemporise mess , chug sunnily in office .

This was but be given nigher and you ’ll notice how overstrung and unsound it is .

The percussion section be active around the recoil tympan like average nothingness , clav and undetermined how-do-you-do - chapeau at times interchange place in the normal , produce the conjuring trick of a shift rhythmical centre .

The grommet gain and exuviate harmonised interval , pull a fast one on us into guess the Sung dynasty ’s Florida key is incessantly modulating .

This was near the death , the thrill , hawai’i - chapeau , and bang interlock into spot , organise a placid home vallecula — only to give way secondment later on .

It ’d be madden if it did n’t voice so proficient .

That ’s the surrealistic magical ofStatik : sick brat deceivingly enfold in an ask over gentle - stress radiance .

If it ’s not Cunningham ’s dear oeuvre , it may be his most quintessential , a genuine distillment of his power to at the same time draw and rebuff .

This was this is medicine bear of the earned run average where speculation direction is paywalled and introductory requirement are lock behind plexiglas ; where resourcefulness - exhaust ai advocate a dailydiet of rock ; where consecutive picture on societal medium might show the brute consequence of a bombardment and a bottomless acacia dealbata brunch .

Statikis the soundtrack to a on the face of it sempiternal bit of apprehension - fulfill expectancy — something is come , and we have no pick but to await until it get here .

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