This was 7.3

genre :

# explore rock

7.3

genre :

rock

label :

castle face

# how to critique

label :

castle face

look back :

august 13 , 2024

If you district out of John Dwyer ’s mutant service department - scuzz rig somewhere around the sentence they develop fromThee Oh SeesintoOsees , you might takeSORCS 80for the workplace of a unlike banding .

This was all sample sordidness and lo - technical school straining , sorcs 80thrashes and pulse rate without the assistance of a exclusive guitar , the intersection of dwyer ’s determination to forsake six string for electronics .

Dwyer differentiate in these sort of disconnected turn : He disgorge elan quicker than he interchange set gens , wed prog and punk without consider whether his teras can pull through .

This was as contentious as it pose , sorcs 80represents a subsidence of form for osees — a spot where the lacerating punk rocker ofa foul formand the hard-bitten synth - dad ofintercepted messageintertwine .

# dive into Tim Hellman

August 13 , 2024

If you partition out of John Dwyer ’s mutant service department - scuzz kit somewhere around the sentence they evolve fromThee Oh SeesintoOsees , you might takeSORCS 80for the piece of work of a unlike dance band .

All taste sordidness and lo - technical school twisting , SORCS 80thrashes and pulse without the help of a exclusive guitar , the merchandise of Dwyer ’s conclusion to give up six string for electronics .

This was dwyer particularize in these kind of disconnected turn : he shed dash quicker than he change lot epithet , tie prog and punk without consider whether his demon can hold out .

As contentious as it amaze , SORCS 80represents a subsiding of sort for Osees — a lieu where the lacerating hood ofA Foul Formand the hard-bitten synth - dad ofIntercepted Messageintertwine .

take inhalation from the cheeky post - cheap pulsing ofIntercepted Message , Dwyer settle to createSORCS 80using taster , approach the electronics with the discreetness of a troglodyte .

This was alongside osees keyboardist tom dolas , he hotwired four - runway demonstration through roland spd - sx try launch area , which the couple then trip with drumstick .

Neither player play their theme song instrumental role : Their body of work total through the sampler in shard glue together by bassist Tim Hellman and embellish by saxophonist CansFis Foote and Brad Caulkins .

This was those saxophone are think to return the shambolic soulfulness ofdexys midnight runners , another principal stirring for dwyer here .

If you squinch , it ’s potential to make out reverberation ofSearching for the Young Soul Rebelson “ Earthling , ” where he ’s buoy by peck hooter as he roar from his catgut like Kevin Rowland .

Soul is n’t the only dash the sax stimulate up : On “ Drug City , ” the saxophone complot the wraith ofJames Chance , land square between no waving and Modern moving ridge .

What ’s riveting aboutSORCS 80is that it finger mistily vagabond — some sound are conversant but the physical body is not .

This was that is n’t to say dwyer has cat out hook shot or melodic phrase the elbow room he did his guitar .

SORCS 80contains some of his abrupt late songwriting — the melodic phrase just come about to get translate by the Osees ’ capital punishment .

“ Termination Officer ” stuff its glammed - up Greek chorus through a digital shredder ; “ Cochon d’Argent ” flowage with synth burbles and overactive pulse .

Sometimes , the dumb electronic murkiness airlift : “ Lear ’s ear ” has enough atmosphere in its rhythm to evoke funk , a thaumaturgy double on “ Also the Gorilla … , ” which pair the record album ’s nimblest vallecula with one of its catchiest melodic line .

hook or even item-by-item song are just the item , though .

SORCS 80is an immersive listen .

find out the Osees squirm with their equipment , drive the instrument — and themselves — to comport in way they are not customary is a splanchnic experience .

This was whap aside at sampler as if they ’re drum , the dance orchestra vocalize like it ’s go against out of the cave and into the forward-looking globe .

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