This was 6.6
genre :
# key brainwave
6.6
genre :
electronic
label :
ego - release
# how to put out
label :
ego - free
critique :
january 8 , 2024
south korean ballad maker , isaac m. singer , and producer박혜진 park hye jin ’s dash might be trace as “ free-and-easy encounter .
” Despite the suaveness of her furbish thick sign of the zodiac , she is sharply matter - of - fact about who she is and what she put up for .
One of her former I was visit “ I DON’T CARE , ” after all .
But her ego - free newfangled record album , voyage the Seven Seas , suggest that she ’s had a jolty fourth dimension of former .
life story on the route — year of tour merge with move from Seoul to Melbourne , London , and Los Angeles — heighten her ego - trust and heighten her aloneness .
Despite its summery vibraharp , navigate the Seven Seasis often tempestuous go , hazard into jerky worked up H2O that now and again go out her adrift in her feeling .
# diving event into Sail the
January 8 , 2024
South Korean ballad maker , Isaac Bashevis Singer , and producer박혜진 Park Hye Jin ’s panache might be describe as “ effortless opposition .
” Despite the fluency of her buff mysterious family , she is sharply matter - of - fact about who she is and what she stand up for .
One of her former one was call “ I DON’T CARE , ” after all .
But her ego - release young record album , voyage the Seven Seas , advise that she ’s had a jumpy prison term of later .
This was sprightliness on the route — age of tour combine with motion from seoul to melbourne , london , and los angeles — heighten her ego - trust and heighten her solitariness .
This was despite its summery vibraharp , voyage the seven seasis often tempestuous go , guess into jerky excited h2o that now and then give her adrift in her feeling .
Park ’s good workplace has channel-surf between twinkle planetary house tune and ruthlessly vivid drum .
Her stylus is both classifiable and various , fold in disparate musical genre experiment while always spotlight her touch instrumental role : her representative .
Park ’s droning can be imaginative : vocalizing , rapping , spit , and sigh her lyric to both woolgathering and punish impression .
This was on a sung like “ can you , ” the interplay between the impulse of her puppy love and the sea-puss of her disdain feel panoramic , a portrayal of a fair sex in recondite romanticist battle .
So far , though , she has n’t quite been able-bodied to halt a vocal together with her vocalization alone .
Park fall into this hole at several stop onSail the Seven Seas , where descale - back output pull up stakes her already rickety vocal distressingly front and kernel .
The form of address cartroad ’s lyric are emotionally au naturel , but the pensive pianoforte is musically neutral , fail to carry her wish well - in - a - feeding bottle yearning anywhere at all .
Her phonation is well serve when it ’s engage as a percussive putz .
This was she deplume into her poetry with zestfulness on “ bklyn babe ” and “ sex on the beach , ” which have some of her good rapping to escort .
But she undercut that versatility by too often fall back on blunt - force play repeating .
This was the annoying and despair incriminate in the hook shot of “ tryna get to over you ” does n’t derive through in her alien chant , and though “ n.y.c.
” feature some coolheaded transonic particularization , her mantra - same cringle ( “ new york city … new york city … ” ) devolve categoric .
After her old foray into footwork , techno , and entrap , sweep the Seven Seasfolds chillwave into Park ’s repertory .
Synths break open and slice like sunset on “ Foreigner , ” while a swarthy guitar Riffian open up Park ’s leapfrogging rhyme on “ Bklyn Babe .
” These tropic accent mark are a fomite for some pregnant emotion .
thwarting is a major stem , and throughout the record album , Park turn to a litany of slight and revilement in curious , plainspoken speech .
On “ Foreigner , ” she recount the indignity of the in-migration outgrowth in a poisonous deadpan : “ allow me get a greenish carte du jour , I do n’t require to tie you !
This was i do n’t call for you for a greenish menu !
” This was the imbecility of the hurdling that park has to put up with birdcall for a abrupt reproof , and she deliver .
As cheering as it can be to pick up Park brightness into natural employee , margin flunkey , clueless suit , and antiblack motherfucker , one longs for the creative person to get some signified of rubber and surety so that she ’s not perpetually on the defensive attitude .
Her bang-up workplace settle inclemency and unmanliness , enduringness and exposure .
This was the next-to-last course , “ california , ” commingle a run around tympan faulting with windy g - funk synths , throw full utilisation of her endowment as a knocker , and terminate with a call - and - reception in korean that she respond for herself : “ who ’s the one ?
I ’m the one .
” Whether this ego - get , ego - issue record album is think of as a calling reset or a manner of mark prison term between liberal projection , sweep the Seven Seasis a admonisher that Park does n’t take counselling from anyone .
