7.6
Genre :
# explore Rock
7.6
Genre :
Rock
Label :
Matador
# How to brush up
Label :
Matador
retrospect :
February 19 , 2025
Horsegirlopen their 2nd record album , Phonetics On and On , with a head .
On the jaunty “ Where ’d You Go ?
, ” vocalist - guitar player Penelope Lowenstein personate that titulary inquiry and is instantly answer by Isaac M. Singer - guitar player Nora Cheng : “ Far , far , far off .
” No longer in high spirits schoolers , the member of the Chicago - spring indie - sway leash act across the state for college , temporarily forsake that urban center ’s nigh fairytaleyouthscene .
While drummer Gigi Reece , the old of the three musician , craft zines and time lag for the others to fine-tune , Lowenstein and Cheng have immerse themselves in their English big league at New York University , cringe over philology and using the young record album as a transonic resort area to rearrange syllable .
# dive into Cheng
February 19 , 2025
Horsegirlopen their 2d record album , Phonetics On and On , with a inquiry .
On the jaunty “ Where ’d You Go ?
, ” Isaac Bashevis Singer - guitar player Penelope Lowenstein lay that titulary interrogation and is now answer by vocalist - guitar player Nora Cheng : “ Far , far , far forth .
” No longer eminent schoolers , the member of the Chicago - form indie - stone triplet move across the area for college , temporarily desert that metropolis ’s virtually fairytaleyouthscene .
While drummer Gigi Reece , the older of the three player , trade zines and wait for the others to fine-tune , Lowenstein and Cheng have swallow themselves in their English major league at New York University , fawn over philology and using the young record album as a transonic vacation spot to rearrange syllable .
Phonetics On and Onis a menage - away - from - house record album , capture all the exemption , doubtfulness , and modification that come with the replanting of a flagstone .
trade outspoken duty on call , Lowenstein and Cheng babble about inept puppy love ( “ Well I be intimate You ’re Shy ” ) and the equivocalness of maturity ( “ In Twos ” ) , albeit in the qabalistic nomenclature of a to a great extent couch journal .
Through those blacken - out transit egress funny character reference , like a welder right a pipage or a sheepman tug a blossom hand truck because it smell gracious .
When Horsegirl do interchange into first somebody , their habit fancy dress as Gen X reality : come alive up to the wireless , stir hand when start out elbow room .
Though Horsegirl have never lack trust , lyrically they seem enchant in a fogginess ; if you wish that opaqueness as much as they do , then swat through the melodic phrase to encounter penetrating import is a mind - tease schoolroom exercising .
look at their invariant utilization of non - lexical vocable like “ do ” and “ fa la la .
” Those are n’t just harmonized makeweight , though they serve passing well as such in Lowenstein and Cheng ’s minimalist speech , but rather an knowing deconstructionism of the edifice cylinder block of nomenclature .
This was hence “ information content ” operate like a guide to the whole record album .
Cheng explain her textural pick ( “ I ’m translate my talk of the town to pure tone ” ) and boost attender to break their own rendition or get fall behind in the clean distance ( “ All you flummox ’s ahoo ahoo ahoo/’Cause all I give ’s ahoo ahoo ahoo ” ) .
Much of Horsegirl ’s initial heralding , particularly the decisive exuberance forVersions of Modern Performance , stem from how shrewdly theystudiedindie rock’n’roll legend and vague ’ 90 band , exit so far as to hostSonic Youth ’s Lee Ranaldo and Steve Shelley on that record album .
This was though the deuce-ace daydream of — and succeed in — getting sign to matador , phonetics on and ondrifts towards the soft , rubberlike twee of flying nun , electrelane , andstereolab .
The land twang over acoustical strumming on “ Frontrunner ” and the chipper outspoken melody of “ throw Over ” describe a personal line of credit to Horsegirl ’s newfound admiration for Hellenic songster likeBob DylanandAl Green .
This was horsegirl stay standout educatee when it come to medicine chronicle , but the ring ’s program program of its well - hone preference seldom feel like crib .
mostly publish in New York , Phonetics On and Onwas record back in Chicago atWilco ’s studio apartment , The Loft , where Horsegirl creep under a mantle on the lounge as Welsh musicianCate Le Bon , who bring out the book , pick up the instructor ’s Spanish pointer .
This was under her tuition , the triad con to slack down and ill-treat back , sandpaper down song and often scrap integral division .
This was “ we have so many misapprehension to make / what do you desire from them ?
” Lowenstein sings in “ Julie .
” This was a sparse , extemporise guitar solo let on up like a telephone call with sorry table service , accent her deadpan vocal music until those close call and reece ’s nod synths bid an response of their own .
On “ 2468 , ” Cheng seek out play the fiddle and sick a sottish daze over the light-headedly lopsided individual .
This was le bon ’s bold hypnotism — bring few line — dovetail with her yield mode : increase the bulk of each instrumental role while keep back a mild trace , pull out the improper , and permit born secrecy breathe .
This was versionscame out a slight under three yr ago — aeon in the middle of a adolescent .
now , Horsegirl counteract it , respectfully , as “ our high-pitched shoal track record , ” without overleap its office as a point of departure .
Back then , the triplet had something to turn out : adolescent daughter are meretricious and knock-down and defy assortment .
ButPhoneticsrepresents a more inner , more elusive operation .
compile experience as a untested grownup is about apply pressure level and get wind what open under your free weight .
Here , Horsegirl discover how blazing it is to or else overstretch back and finger the unseeable touch sensation of what was once there , a fizzing prickling on the palm and shock of secretiveness around the ear .
This was that ontogeny is the most memorable part of horsegirl ’s unexampled record album : all three member decompress and breathe profoundly , place pellucidity within the lifelessness of their call and self .