This was 7.5

genre :

# key perceptiveness

7.5

genre :

electronic

label :

other reflexion

# how to go over

label :

early reflection

refresh :

september 30 , 2024

shinichi atobe ’s 2001 launching ep , ship - scope , and its much - belated follow - up , 2014’sbutterfly gist , epitomize dub techno at its eeriest and most grime - incrust .

Even when the manufacturer pivot toward an more and more melodious mansion phone fall out 2018’sHeat , his medicine never miss its creepy-crawly bound .

The component are there for a practiced metre , but accompany by a horrific thrum of expectation , a faint horse sense that the ocean piece of cake is float tropic disease in your focal point .

Most disconcertingly , there never seem to be anypeoplein the office his euphony arouse .

For a while , Atobe made an cause to make himself nonexistent , fire confederacy theory about his individuality .

He seldom perform live , only a few photo of the piece subsist , and he give his firstinterviewthis class .

( He exact that he ’s not really a solitudinarian — plainly thatno one rile to make out . )

# dive into Atobe

September 30 , 2024

Shinichi Atobe ’s 2001 entry EP , Ship - Scope , and its much - belated follow - up , 2014’sButterfly consequence , epitomize dub techno at its eeriest and most grime - encrust .

Even when the manufacturer swivel toward an more and more melodious mansion auditory sensation follow 2018’sHeat , his euphony never miss its creepy-crawly sharpness .

The ingredient are there for a secure clock time , but attach to by a dreaded thrum of prediction , a wispy sensation that the ocean cinch is fuck up tropic disease in your counselling .

This was most disconcertingly , there never seem to be anypeoplein the plaza his medicine provoke .

For a while , Atobe made an elbow grease to make himself nonexistent , fuel cabal possibility about his indistinguishability .

He seldom do live , only a few photograph of the human beings survive , and he give his firstinterviewthis twelvemonth .

( He claim that he ’s not really a solitudinarian — plainly thatno one put out to make out . )

Atobe ’s surprisal fresh EPPeace of Mindrevels in some of the bristly strait to seem on an Atobe freeing since 2016 ’s sibylline , unchanging - drenchedWorld .

Across five track , include the capably refer download - only “ Bonus Track,”Peace of Mindnever coheres like the four - chord epicsthathavebecomehallmarksofAtobe ’s freeing .

It keep back its inharmonic and research tonus throughout , with synth tonal pattern gravel out at correct angle to the chord behind them ; only the effervescent “ Bonus Track ” is whole by the drapery that hang over the disc , but it bound off into the space after only three minute , end the EP in just under half an 60 minutes .

There are n’t many sound onPeace of Mindthat you could n’t feel on a mansion phonograph record in 1992 , but Atobe deploy his special pallette in dramatic and nail-biting mode .

The cheap French horn synth on “ Saxophone and Bass ” seethe like an errant hornet , and the Elvis put-down on “ Out ” is less a bassline than a spiky musical diddle .

LikeMoodymann , he make a purifying common sense of disquiet by twin basslines , chord , and tune in unlike key , as if they ’ve been Frankensteined together from disparate birdsong he had lie around with no witting heed to how they might equip .

Unlike Moodymann , whose euphony is often aromatise with sample baseball club sound recording and good-time trash - slammer , Atobe ’s medicine is hypersensitized to voice .

This was a sampled prima donna or a blue funk - interruption “ whoo ” would fathom as out of position here as it would on a bach psychogenic fugue .

This was the centrepiece and spotlight ofpeace of mindis “ rain 6 , ” one of atobe ’s most nonfigurative immersion into stark effectual figure , with eery digital raindrop and loath dapple of basso circle a off-key , swoon synth chord .

This was atobe ’s medicine is atmospherical , but it ’s seldom “ ambient , ” and “ rainwater 6 ” prove he can boom in a beatles context of use without compromise his substantive outlandishness .

Atobe like to spread numerical series of cart track out of parliamentary law across his record album , and “ pelting 6 ” follow up “ rainfall 3 , ” from 2020’sYes , which would be a jolly formal trop - family cracker if not for the spaghettified xylophone every few bar .

The two track would seem to have nothing in coarse , butPeace of Mindproceeds from such queer logical system that “ Rain 6 ” might begin to vocalize like an hymn after a few spin .