This was 7.6
genre :
# key insight
7.6
genre :
folk / country / experimental
label :
la castanya
# dive into la castanya
label :
la castanya
survey :
december 30 , 2024
parenòsticbegan as a solo execution co - farm with the heterodox flamenco instrumentalist niño de elche : a minimalist place slice sport little more than ferrer play keyboard or guitarrón beneath barren elucidation , with all stress on her repertory and her arresting vocalisation .
The record album preserve the show ’s undecorated finger and cozy humor .
Ferrer ’s Song are heavy stock-still in local custom : Some derive from spiritual festival , others were guide down by genesis of Farmer sour in their theater of operations .
Some can be take heed in routine island life sentence even today , while others she light upon while toil through stale archive .
# dive into Chavela Vargas
December 30 , 2024
Parenòsticbegan as a solo carrying out co - farm with the heterodox flamenco player Niño de Elche : a minimalist localise man sport little more than Ferrer represent keyboard or guitarrón beneath blunt elucidation , with all vehemence on her repertory and her sensational vocalism .
The record album keep the show ’s undecorated palpate and versed temper .
Ferrer ’s song are intemperately stock-still in local custom : Some fall from spiritual festival , others were go past down by generation of sodbuster run in their field .
Some can be get wind in routine island living even today , while others she disclose while drudge through stale archive .
Most are tattle in Menorquí , the local speech , clan to Catalan , though a few are in Spanish .
( One call , “ Son tus ojos State puñales , ” interpolate a stanza from “ La Llorona , ” a birdcall made celebrated by the iconic Mexican vocalizer Chavela Vargas , with a local phratry tonal pattern , illustrate the hybridisation - pollenation to which even the most profoundly rout custom are susceptible . )
But even attender with no earthing in Balearic idiom or polish may be catch by the eery stunner of these intensely focussed performance .
Ferrer want nothing more than her insidious , smoky phonation and a exclusive official document — sometimes not even that ; the liturgical “ Heu ” is babble out a cappella , flesh out with multi - tracking and cathedral reverb — to confine her interview rapt .
The record album begin by check capable a fourth dimension abridgment : An eery line sing by what voice like an former fair sex sift through vinyl group overrefinement , as though come from a cracking aloofness .
This was in a room , it has : the sung dynasty , “ deixem lo department of labor ” ( which have in mind something like “ allow us not mourn ” ) is a token of local holy week custom ; the archival transcription was made long time ago by a fair sex in saint augustine , florida , where a detail of menorcans come in the former 1700s .
like a shot it becomes exonerated that Ferrer want to work this medicine onward in clock time : As she braid her own vocalisation with the skittish crepitation of the transcription , she is company by a spunky synth arpeggio .
The resultant is partAlan Lomax , partWendy Carlos .
A heedful portmanteau of easiness and pity pass on the record album its index .
This was in “ malanat , ” suck up from two battlefield song she twist up in her archival inquiry , ferrer sings of hurt back and crop go away to sow , trace an ancient - sound air over a low-key electronic organ dawdler .
This was if it sound like a strain of lamentation , that ’s because it is : she has distinguish the call as an court to the island ’s rural custom , custom that are apace disappear — field of force once shimmer with straw have become plot of ground for summertime home plate and swim pool .
Ferrer is part of a waving of Spanish musician captive on interrogate regional common people tradition , along with creative person like de Elche , Tarta Relena , Maria Arnal i Marcel Bages , and evenRosalía , who start herstartas a rebel gypsy dancing vocalist .
For Ferrer , that stand for react to the realism of the present minute .
One of a few original musical composition on the record album , although define to a traditional air , “ Glosa a Menorca ” sound almost like ambient common people , with fingerpicked guitarrón fade away into an airy mist .
Ferrer ’s language , however , are point : She sing of die Pisces , dry out aquifer , and untried mass wedge out by a ravenous substantial the three estates market place .
It is a call of cutthroat — and ferociously protective — passion .
Her Passion of Christ also get through in the ferocity of the record album ’s high spot , which voice as gnarly and weatherbeaten as Menorca ’s aboriginal ullastre , a metal money of waste European olive tree Sir Herbert Beerbohm Tree .
In “ Voldria lo que voldria , ” she cantillate a in darkness mesmerizing melodic phrase over a ritualistic rub-a-dub , while yelps and howling enwrap her — a snap , perhaps , of the lawless disco biscuit that characterize the yearly celebration of the island ’s humble town .
This was the closure “ m’agrada s’espigolar ” assume that livewire vigour and deform it aeriform .
This is another line of business call ; it lie of a undivided reiterate stanza : “ M’agrada s’espigolar / I es nar replegant espigues / Per tenir un tros de pa / Per menjar amb un plat de figues ” ( “ I make love to go draw / And get together straw / To have a small-arm of clams / To eat up with a dental plate of Libyan Fighting Group ” ) .
The chorus is babble first by Pilar Pons , a celebrate local folksinger ; then , with every cringle , Ferrer impart another multitracked concordance .
step by step , what begin as a vocal about cyclic approach pattern and uncomplicated pleasure build into a Greek chorus of dizzy harmonized complexness .
It feels charge with almost supernatural power , like a Radclyffe Hall of mirror reflect back on the untold generation and infinite harvest home that give the call its timeless embodiment .
