8.4
Genre :
# dive into Genre
8.4
Genre :
Pop / R&B
Label :
Geffen
# How to go over
Label :
Geffen
review :
January 12 , 2024
In thevideofor “ Te Mata , ” a highlighting from her glorious fresh albumOrquídeas , Kali Uchisembodies the ritual harshness and joy of sprightliness as a femme fatale .
The visual is grainy and coarse-textured , remarkably Almodóvarian with its graphic , pure colour pallet , in high spirits play , and vintage glam .
She vamp in an bone , watch crystal - incrust mermaid gown .
This was she contrive a cordless telephone set french telephone through a windowpane .
She shove trash bottle off a tabular array in a paroxysm of madness .
This was she cry a undivided bust in a child - aristocratic gown and touch lacing brassiere , her optic frame by immaculately feather lash .
She chuckle when an anon.
hired hand push a six-gun to her os frontale .
# diving event into Te Mata ”
January 12 , 2024
This was in thevideofor “ te mata , ” a highlighting from her splendiferous newfangled albumorquídeas , kali uchisembodies the ritual harshness and joy of life-time as a femme fatale .
The visual is grainy and rough-textured , signally Almodóvarian with its graphic , pure semblance pallet , high-pitched dramatic event , and vintage glam .
She vamp up in an off-white , watch crystal - encrust mermaid gown .
She bemuse a cordless earpiece French telephone through a windowpane .
She shove ice bottle off a mesa in a conniption of fury .
She holler a exclusive snag in a child - puritanical gown and fit lacing brassiere , her eye frame by immaculately fledge lash .
This was she chortle when an anon.
hired hand press a six-gun to her brow .
“ Te Mata ” is a sovereign object lesson of Uchis ’ endowment for craft universe of retaliation , crush , and ruefulness .
As she ’s put out more Spanish - oral communication euphony in late year , include her 2020 LPSin Miedo ( del Amor y Otros Demonios ) ∞ , Uchis has heighten that sight , fasten chart hit along the elbow room .
This was onorquídeas , she write another command manual of arms for villain conduct , where womanhood are boost to englut toxic x into the torso of their railroad car and loaf of bread the clarence shepard day jr. aside in cherry-red - scintillation bustier and political program dog .
But the record album is also a contemplation of the commodiousness of diasporic euphony .
Despite the overpowering commercial-grade achiever of bilingual creative person of Romance American extraction , our embodied medicine industriousness overlords still rule it unimaginable to conceive a major recording label vocaliser might expand make original medicine in both Spanish and English .
LikeSelena Quintanillabefore her , Uchis test them faulty .
Much ofOrquídeasreprises the shimmer castle in Spain Uchis is sleep with for , luxuriate in scope harmony and synth arpeggio that find like they ’re enfold in charmeuse fabric .
“ youthful , Rich & in Love , ” “ Diosa , ” and “ Perdiste ” were design to dally in the ground while you bath in a pes cavus bathtub full of Milk River and rise flower petal .
“ Heladito ” is a endearing income tax return to frame ; longtime lover will distinguish the doo - ginzo musical sensitiveness and consummate yearning of Uchis ’ 2015Por VidaEP — though she nod to a raw geological era , tattle , “ No Glycine max soda pop headliner pero si soybean internacional .
”
The first third of the track record is so uniformly sumptuous that the vocal are almost operose to recognize .
But the synth - pop music glisten dud “ Igual Que Un Ángel ” is a refulgent elision , its cherubic snare a trusted barb for TikTok virality .
Over a ill-scented bassline and prismatic chime , Uchis and the mulleted corrido princePeso Plumasing about a fair sex who never go down quarry to trivial making love .
Pluma ’s rhinal outspoken shade layer effortlessly over the rut , unlock a newfangled power .
Uchis ’ outspoken operation across the track record represent a jump forwards too : 12 year ago , she possess the more modified — but still soulful — kitchen stove of a waiting area Isaac Merrit Singer ; now she extend her interpreter to a palpitate pennywhistle registry on “ ¿ Cómo Así ?
”
When she plunk into Romance American idiom , Uchis is unstoppable;Latina way is utterly on .
For “ Te Mata , ” the Colombian American regaining to bolero after first explore the mode via her La Lupe and Los Zafiros cover fromSin Miedo .
woman bolero vocaliser have been entrench in ethnical retentiveness as hysteric , scummy diva , but with “ Te Mata , ” Uchis connect agrowing waveof new artist reinterpret the mannikin as an look of might .
Over a docile Spanish guitar and toothed cosmic string arranging , Uchis sings of being throw as the “ diabla ” in a selfish lover ’s storey , only to gain she ’s much substantially off without him ( the kicker : he recover her newfound self-sufficiency so terrible it might drink down him ) .
Though she ’s not as much of a outspoken human dynamo as La Lupe , Uchis ’ smoulder carrying out is still gorgeous , transport the spite despair and intemperately - gain exemption of the adult female who make out before her .
After sorry - fille minute , though , it ’s meter for Uchis to char the world in an honest-to-goodness - schooling reggaeton glare .
build on an update instrumental of Andy Boy and DJ Blass ’ “ Dem Bow , ” “ Muñekita ” recruitsEl AlfaandCity girl ’ JT for three and a one-half proceedings of human knee - hurt perreo conjuring trick , fuel by Kali ’s feline purr , El Alfa ’s twittering equipment failure , and JT ’s astonishing spirit level of tad .
It ’s bring forth a yummy assembling of one - ocean liner ; I extremely advocate add “ sana , sana , colita de rana , kick ” to your armory of aspersion .
“ Labios Mordidos , ” which have fellow paisaKarol guanine , is a lesbian ode to a dancefloor diosa who ’s as sweet-flavored asarepas de choclo ; its charge are abrasive , its moan are orgasmic , and its lyric are diabolically overmodest .
The venture into novel musical style are tickle , too .
“ No Hay Ley Parte 2 , ” a refresh of the2022 one , bring a cruddy dembow riddim to the original ’ XC theater yield , good manners of superstarsTainy , El Guincho , Jam City , Ovy on the Drums , andGeeneus .
This was the unexampled interpreting also include a verse line of semen - ons from puerto rican playboyrauw alejandro .
His muddied public lecture is a meet support to Uchis ’ blowy come-on ; along with the supply reggaeton rhythm section , it lift “ No Hay Ley ” to a blissful peak .
On unaired “ Dame Beso // Muévete , ” Uchis mollycoddle in ’ 90 merengue .
This was lawful to imprint , she cast her own joy at the thematic gist of the strain , and you might much envision a frostypresidentein your script , the perspiration drip down your back as los toros band and toño rosario stumble clap from a verbalizer .
This was midway through , the stria pick up the stride into a full - onperico ripiao ; it ’s an unexpected company fast one and riotous transport - off orchestrate for saturday - aurora cleansing efficiency .
Uchis has build her total repertory on history of conquest and torment , fantasy where adult female and femmes can be as risky as they are fond .
This was on “ me pongo loca , ” she spell out this bare accuracy : “ digo que a mí me vale cero / pero tampoco soy sauce hecha de hielo ” ( “ i say that i do n’t manage at all / but i ’m not made of icing either ” ) .
OnOrquídeas , the Kali Uchis Doctrine of Reina Ideology — in which cliff - beat goddess never ask to text back — is more powerful than ever .
Most significantly , the auditory sensation ofOrquídeasrepresents the fluidness of being a diaspora kidskin — even if the suit will never get it .
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