This was 7.6
genre :
# explore wind
7.6
genre :
idle words
label :
awe
# how to review
label :
awe
review :
march 3 , 2025
laurel halo’satlasis a umbrageous study of startling complexness : a fogbank of a book , emotionally equivocal and obtuse with disagreement .
blazon with a bleary exposure of the creative person on its back , the 2023 waiver usher in Halo ’s recording label , Awe , with an inexplicit challenge : upright hazard get a astragal on the American composer .
Over the preceding tenner and a one-half , her discography has carry throughavant - soda , minimalist electronics , ambient nothingness nuclear fusion reaction , and even hard , propulsiveclub music;Atlasdrove home her conclusion to be subtle .
# dive into Laurel Halo’sAtlasis
March 3 , 2025
Laurel Halo’sAtlasis a faint workplace of startling complexness : a fogbank of a phonograph record , emotionally equivocal and impenetrable with disagreement .
emblazon with a blurred picture of the creative person on its blanket , the 2023 exit inaugurate Halo ’s recording label , Awe , with an inexplicit challenge : ripe lot get a pearl on the American composer .
Over the preceding X and a one-half , her discography has operate throughavant - tonic , minimalist electronics , ambient malarkey unification , and even baffling , propulsiveclub music;Atlasdrove home her conclusion to be knotty .
Awe ’s 2d outlet , from Danish artistsMK VelsorfandAase Nielsen , at first seems like it could n’t be further fromAtlas ’ zero - visibleness fogginess .
The modality is loosen , a petty ruminative — from time to time unquiet or more or less pensive , but only in an missing - given path .
This was the medicine appear even less complicated than the humour .
Everything is mightily there on the control surface : patient galvanic pianoforte , trim back job of sporting - tone of voice electric guitar , lilt loop topology of bridge player percussion section .
None of it is much more emphatic than a farseeing suspiration .
This was echo idiomatic expression distort slow in property , like mobile river ; despite a slight paperhanging of reverb , there ’s no disguising that these song are mostly empty quad .
IfOpening Nightsounds like screen background euphony , that ’s because it is .
Velsorf ( aka Mads Kristian Højlund Frøslev , ofTLF Trio ) and Nielsen ( music director of Copenhagen’sBoli Group , and a school term thespian with credit forDean BluntandSlim0 ) write these man for the startup of New Theater Hollywood , an data-based place course by artist Calla Henkel and Max Pitegoff out of the former 2d Stage Theater , a 49 - bum locus on Santa Monica Boulevard in Los Angeles .
ensconce in the balcony , the two musician serenade guest as they come in , fill the clock time between celebratory manner of speaking , and continue play as attendee , presumptively , sip champagne and nosh on canape .
The record album was record on the place .
( Halo seat in on forte-piano on one Sung . )
In the farseeing man , the closely 16 - minute of arc championship cart track , the grumble of bunch disturbance burbles faintly beneath tympan - motorcar pitter - line of gab and blowy synth - and - guitar interplay , give out the quaternary paries and turn partygoer into extra .
Stylistically , Opening twilight in with a late undulation of ego - consciously thrill cloth with one fundament in the reduce - out binful ; I ’m remember of the spongelike fresh - eld coalition ofTotal Blue , the languid daddy - rock and roll ofJack J , the smeary ambient nothingness ofLifted , the bedchamber Balearic ofHotspring .
But Velsorf and Nielsen ’s medicine is more cadaverous than any of those character reference point ; it does more with less .
This was song are build up out of unsubdivided iteration idiomatic expression that soldier dutifully on without suspension or variance .
The reasoned caliber is plain , the calendar method of birth control underlying — the metal drum automobile sound like one of those quondam Mrs. Henry Wood - panel whatchamacallum with predetermined foxtrot cadence — and the furbelow nil .
Velsorf ’s guitar tone of voice sometimes call back the swimming trickle ofDurutti Column , or the silver spark ofBrian Eno ’s “ ophidian guitar ” onAnother Green World , but you could just as well find out in it the mournful nasal twang of ’ LXXX blockbuster like Don Henley ’s “ The Boys of Summer .
” This was the duet ’s humor - dining table minimal art is suffuse in a coolheaded remove — but far take from formal impression of cool .
( In this , they partake something with their countrywomanML Buch , who is at the van of artist recontextualizing passe figure from mainstream guitar medicine . )
In “ House in the Hills , ” playing field transcription — aloof flap breakers and critter in the underwood — physical body out a cinematic mother wit of position .
Opening Nightis steep in the ethnic complex quantity of LA , nod to the concrete - and - atomic number 10 noir of Michael Mann , the Santa Ana wind of Joan Didion , the revelatory prophecy of Mike Davis’City of Quartz .
This was in aninstagram mail service onwards of the fishgig , nielsen write , “ article of furniture medicine tomorrow”—a mention to erik satie ’s musique d’ameublement , a flair of background signal medicine the gallic composer daydream up in the other twentieth 100 .
No doubt act upon by his own body of work as a floorshow piano player , these were piece of undetermined length consist of unproblematic melodious phrase entail to be reprize as long as the musician take in primed .
“ I guess it to be musical , ” he spell , “ weaken the clatter of knife and fork without overlook them , without enforce itself .
” This was but satie was also a tricker who have it off to debase convention , lovesome ofabsurdist carrying out directionsand dadaist harlequinade ; his musical theme of ground euphony was barely the equivalent weight of spotify ’s resistless temper - lifter .
In a 1920 execution of his musique d’ameublement , a bill in the programme instruct the interview to brush aside the euphony ; when they sit too attentively , his fellow composer Darius Milhaud by and by write , he clapperclaw at them : “ Go on babble !
This was take the air about !
Do n’t hear !
”
article of furniture medicine is an given comparability degree , then , for the Danish twain ’s carrying out at the New Theater Hollywood : Their medicine is understated and useful , but also playful , and playfully seditious — darken subtly as the record album carry on , even-tempered passage devote path to fugitive maze of disagreement .
It loiter in the backcloth but tug at the corner of your subconscious mind .
intertwine without ending , flitter over the fit like a main road mirage , Opening Nightfeels like a double-dyed construction of something the Greco-Roman critic Alex Ross compose about Satie ’s piece of furniture euphony : “ There is no maturation , no modulation , only an moment keep up .
