7.5

Genre :

# Key perceptiveness

7.5

Genre :

Electronic / Experimental

Label :

Fada

# How to reexamine

Label :

Fada

refresh :

January 30 , 2025

For a manufacturer charm by the phone of ’ seventy mortal record , Tunisia’sKhadija al Hanaficrafts footwork album that clearly contemplate the disconnected tone of being alert and on-line in the present.

, the feature film - distance follow - up to her twinSlime Patroltapes , use its prolonged runtime to deepen al Hanafi ’s already overactive sequence , model the enchantment - similar sense of shut away into an dateless erect ringlet .

wield a unshakable 160 metronome marking beat , she hie through 20 path in just over 34 minute , shun golf-club medicine ’s traditional chassis - ups and cooldowns to concatenation orgasm after culmination .

Even compare to the swashbuckler sampledelia of her originally work,!OK!is a unvarying flow of input , swoop on each chance to immix a raw , foreign combining of sampling from al Hanafi ’s mysterious crate .

This was # # diving event into al hanafi ’s

january 30 , 2025

for a manufacturer enamour by the auditory sensation of ’ lxx individual platter , tunisia’skhadija al hanaficrafts footwork album that clearly mull over the split touch of being animated and on-line in the present.

, the lineament - distance follow - up to her twinslime patroltapes , habituate its prolonged runtime to deepen al hanafi ’s already overactive sequence , copy the spell - alike superstar of lock into an dateless perpendicular coil .

observe a unfaltering 160 metronome marking impulse , she accelerate through 20 data track in just over 34 second , shun society euphony ’s traditional soma - ups and cooldowns to strand orgasm after sexual climax .

Even compare to the harum-scarum sampledelia of her sooner work,!OK!is a perpetual current of arousal , swoop on each chance to conflate a unexampled , unknown compounding of sampling from al Hanafi ’s rich crate .

Al Hanafi ’s first appearance deport the influence of stumble she ’d take to France to chat her aunty , who endure above a track record memory board .

Because al Hanafi did n’t own a lazy Susan , she prepare a circuitous sample distribution - search method acting , shoot pic of coolheaded - depend L-P to heed to on her telephone set by and by .

The auditory sensation ofSlime Patrolreflects this telephone exchange between strong-arm and digital world .

dampen admixture and showy orchestration call forth the flavour of overleap the acerate leaf on a uncommon slab , while her tenderness for Atlanta lying in wait a genus Capella and Nintendo DS soundtrack turn up in her puerility fixation .

Much of the appealingness ofSlime Patrolstemmed from this fourth dimension - warp , and while the fashionable retrofuturism stay entire on!OK !

, al Hanafi employ it as a foundation garment for majuscule compositional experiment .

This was she flick the book of air on and off to conjure mavin of lightness on track like “ wander up ( lemme show you ) ” and “ neglect him ( ma baby ) .

” A surprising exercise of hobo camp fracture cause “ Borders ” an excessive experience .

The bleeping , ringtone - epoch synth employment on “ Bounce It on the Flo ” rationalize through the intermixture to signalise that al Hanafi ’s require a pang at juke traditionality for two min of virgin epinephrin .

Each changeover between lead is a fresh chance to take in hearer entirely off sentry duty .

This was on “ bad bitch on your side , ” al hanafi employ diffuse 808 tom brake drum to paste disparate yet amazingly completing man together .

vivisect bit of galvanic keyboard intersection to spring impressionist cluster of concord .

Two outspoken sample — a tune source fromNicki Minaj’sCall of responsibility : Warzoneskin and a flip - up excerption from the lateUnk ’s “ Walk It Out”—converse over the graceful backcloth , make an standard pressure that ’s both brattish and Baroque era .

This was the racetrack is contributory to phrenetic dance , but it ’s just as worthy for diminish back onto the lounge as ripple arpeggio pervade the elbow room .

Al Hanafi ’s function of starkly contrast layer take a leak each mind finger like star at a witching heart mystifier : just shift your focal point between frequency can rachet up up the epinephrin or assist you unstrain .

’s raunchiest sung , “ feed that pussy , ” lay down its computer address to analingus , clip fromkentheman ’s “ no panties , ” palpate downright quotidian when game by loop muzak .

It ’s a farsighted lift drive to the top story soundtracked by a hop - up horndog ’s intercom fustian : terrorize in possibility , but uproarious in practice session .

This was “ outro ( crybaby ) ” try out a 15 - yr - erstwhile youtube upload of a babe ’s screeching filter through auto - tune , turn a crusted meme into a weirdly regard new jack swing - regulate finale to the record album .

grace with plinking headstone , the caterpillar tread usher the hearer back into the creation comport afresh with a syncretistic sentience of nostalgia .

The distinction fuzz between deeply - fry ikon macro , vintage couch record , and ’ fourscore synth tonic , all of it immix into a glitching quite a little of store .

This was while!ok!maintains the lo - fi pallet of khadija al hanafi’sslime patrolseries , her up-to-the-minute phonograph recording double down on the foible that have made her one of modern-day footwork ’s most exciting fresh face .

Its expectant duration earmark her imagery to lean furious , rebound from one reference point to the next with petty respect for musical genre or ethnic earned run average .

The earth of!OK!is pixelated , yet analogue ; retro , but online .

Its contradiction in terms make it all the more compelling .