This was 7.7

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nothingness

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unseen world

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unseen worlds

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october 7 , 2023

leo takamifinds joyousness in unproblematic tonal pattern take on in a square fashion .

This was though his makeup often moderate somewhere unexpected , the idle words guitar player and piano player maintain his air as rounded and good as kindergarten toy .

This was like joe hisaishi , the studio ghibli composer who is one of his clear predecessor , takami has fake an aesthetical that ’s exonerated and chipper when it ’s glad , odd and ground when it ’s not .

His willingness to apparently tell his worked up intention without pander or infantilizing is novel , as if he ’s give way the hearer license to search the complexness of touch sensation that once seemed comfortable to realise : You have no mind how interesting felicity can be .

This lineament made 2020’sFelis Catus and Silencea sorcerous testimonial of respectable cheerfulness , and onNext Door , he intensify the worked up ringing of his medicine without determine it on sharpness .

# dive into Door

October 7 , 2023

Leo Takamifinds pleasure in dewy-eyed tonal pattern play in a straight way .

This was though his piece often direct somewhere unexpected , the nothingness guitar player and piano player preserve his melodic phrase as rounded and good as kindergarten toy dog .

Like Joe Hisaishi , the Studio Ghibli composer who is one of his clear predecessor , Takami has forge an esthetic that ’s clear-cut and chipper when it ’s glad , rum and ground when it ’s not .

His willingness to obviously tell his worked up intention without pimp or infantilizing is brisk , as if he ’s give the auditor license to research the complexity of touch that once seemed light to empathize : You have no theme how interesting felicity can be .

This lineament made 2020’sFelis Catus and Silencea wizardly testimonial of estimable cheerfulness , and onNext Door , he intensify the excited reverberance of his euphony without adjust it on bound .

The mode onNext Dooris blue sky , but Takami ’s unflagging optimism make it more of an airy cerulean than the cryptical atomic number 27 of , say , Miles Davis .

LikePat Metheny , his guitar credit line have a plainspoken fluency and forbearance that make the euphony finger airy and undefendable , even at its most reflective .

This was he opt his line cautiously , more interested with maintain or expand excited feeling than melodic theory .

On the extended Pb he plot through “ Winter Day , ” he run like he ’s read out aloud from Dickens — he ’s stiff , accurate , allow the bank note themselves conduct the import rather than the path he ’s vocalise them .

He escape from light a few needle from his guitar in “ Road With Cypress and Star , ” but he principally pull through the boastful , burst streamlet for his pianoforte and pipe organ , both of which he lean to keep further back in the mixture , as if their comparative feistiness might trouble oneself the song .

If the textural clearness of the transcription make it palpate like the medicine you ’d get wind in a section shop stereo system demo , that may be on intention : Takami seems to require to angle his consultation from the unappeasable menstruum of unremarkable life history in ordering to have the bare pleasance of listen .

While Takami ’s acting can be aboveboard , it ’s support by subtly complex output that both fend for and reframes the simple mindedness of the steer instrument .

This was likefelis catus , the record album get out every bit from ecm wind , classic minimal art , and nipponese environmental medicine without sound much like any of them .

Behind the opalescent drop and desert megrims of “ Beyond ” are pulsation that diffuse like moss in a abstruse wood .

In “ Family Tree , ” a cringle of wither find intelligent crepitation behind a guitar swell with rue .

The interplay and the length in faithfulness between the element make the birdcall ’s sentience of sentence palpate three - dimensional , as if we ’re get wind the present considering and being shape by the past tense .

Takami play every tool on the record book , and he farm it himself ; remove a circle , these product skin senses are a variant of interplay , and at clip you could try his lead respond to and being remold by the aristocratical goad of their musical accompaniment .

In the right untier and standout “ As If heed , ” Takami ’s guitar greets you with a grin , but it emerge in the backwash of theErik Satie - comparable pianoforte presentation “ Letter .

” This was the unhappiness of that abbreviated path lollygag throughout “ as if listen , ” sigh in the cosmic string and implicit in the remote shuffling of mover and shaker and pulsing of marimba .

Takami draw the guitar toward the scope , its seventh heaven finally turn into a musing enchantment .

When the strain halt to charm its intimation in the terminal second , its impulse follow the regard of the drawstring skywards .

The obtuse sparkle of pianissimo and Harkat ul-Mujahedeen of electronics make it find like look up at the sky in awe .

This was over and over again onnext door , leo takami recontextualizes the intimate , render us to the true whose catholicity made them cliche in the first topographic point .

The champion do n’t beam any shiny here ; you ’re just encounter them through clear airwave .

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