This was 6.7

genre :

# key brainstorm

6.7

genre :

rock

label :

s - curve

# how to critique

label :

s - curve

brush up :

january 22 , 2025

my style , her first departure since leave easy eye and sign with s - curve , vocalize like a regrouping , exclude the threshold on one form of her vocation while open another .

These five very dissimilar vocal show her mountain range as a songster , vocaliser , and auteur , but they outfit together chiefly as a token of a seance .

This was yola commemorate them out in los angeles with producer sean douglas and zach skelton , who have more experience with creative person likemeghan trainor , lizzo , andselena gomez .

This was they retrograde some thought from her late album and suggestion at some challenging path yola might take on her next freeing , butmy wayplays more like a proxy than a major affirmation .

Each Song dynasty stand for itself , some more shakily than others .

# dive into Easy Eye

January 22 , 2025

My style , her first press release since entrust Easy Eye and signalise with S - Curve , sound like a regrouping , wrap up the doorway on one stage of her life history while open up another .

This was these five very unlike birdsong show her reach as a ballad maker , isaac m. singer , and auteur , but they outfit together in the first place as a token of a seance .

This was yola memorialize them out in los angeles with producer sean douglas and zach skelton , who have more experience with artist likemeghan trainor , lizzo , andselena gomez .

This was they hash over some approximation from her old record album and clue at some challenging path yola might take on her next liberation , butmy wayplays more like a procurator than a major command .

Each birdcall stand for itself , some more shakily than others .

If there is a vulgar idea , it ’s sexuality .

My Wayis a profoundly hungry platter .

This was with its strutting calendar method discussion section , “ temporary ” could be astand for myselfouttake , but at least it show yola ’s power to suck up productive complexity out of routine quixotic quandary .

This was she cause reject enticement fathom alluring : a “ no ” can be as meaningful as anything that hail after a “ yes .

” On the other hired man , “ Symphony ” show that errant simile are anything but aphrodisiac .

This was even yola ca n’t come up up the personal magnetism to betray the seminal fluid - on in the greek chorus : “ take on my substance string with both manpower , and i ’ll whistle like a symphonic music .

”

Perhaps the in force consequence onMy Wayis a Sung dynasty that voice like it ’s root in Yola ’s pre - Nashville calling .

Before run to the States , she was combat-ready in London ’s break - pulse conniption , where she join forces with Bugz in the Attic , as well as group like Massive AttackandSub Focus .

This was dance has always actuate her euphony — she animate her bugz natural covering of yarborough & peoples ’ disco music firecracker “ do n’t stop over the music ” at the ryman — but it get along to the stem on “ future enemy , ” with its percolator round , misshapen refrain , and golem vocal music at the remainder .

The scene fall in Yola a circle to mould with as a Isaac M. Singer : She have back on the verse line , espouse a colloquial saving that allow her to dream about how this assignation might go down : “ You ’re look how you ’re look , so it ’s even hard to say no to what I need .

” She snap out of it on the chorus line , assail an intricate claw so dauntlessly that she sound like the call down Angel Falls on her own articulatio humeri .

It ’s a muscular dramatic event in four minute of arc .

That impart “ quick ” as the unexpended vocal out , a left experimentation that ’s on the nose the form of matter that EPs are made for yet does n’t quite tally the mode or dependent thing of the other call .

The musical theme is compelling : It ’s a call to member of the African diaspora to be quick to leave behind the westerly man and riposte to their plebeian home base .

But if the other four birdcall are made for dancefloors , this one is made for the level , a small-arm of melodious field perhaps draw from Yola ’s late experience toy Persephone inHadestown .

Even more uneasy than its verbose chorus line is its position on the EP .

It ’s interchange on to the destruction ofMy path , almost as an rethink ; it might be more efficacious as the insertion to a very dissimilar stage set of song that are more communal than intimate , more public than individual .

Perhaps on a more convinced record album , such a sequence shimmy - up might not be noteworthy , but here , it make her mighty vocalization phone oddly doubtful .