This was 8.0

genre :

# explore rock

8.0

genre :

rock

label :

dead oceans

# how to brush up

label :

dead oceans

look back :

july 18 , 2024

In March 2022,Cassandra Jenkinswas pose up with COVID at a Homewood Suites in Aurora , Illinois , drown her rue inWayne ’s Worldwhile her tour of duty passenger vehicle motor on without her .

It was a horrific metre to get grim .

Not long before , the womb-to-tomb player had been quick to give up euphony completely — or at least jettison hope of ever make a literal calling of it — when her 2d record album , 2021’sAn Overview on Phenomenal Nature , circumstantially connect with fan and critic .

Now , quarantine in her hotel way , her creative thinker spin with spoilt - eccentric scenario , she begin pen a strain to keep anxiousness at bay .

“ You recognise I ’m gon na keep at this affair if it kill me / And it kill me , ” she babble out , in anearly versionof what would finally become “ Aurora , IL , ” one of the standouts from her fresh record album , My Light , My Destroyer .

Determination and its impudent side , despair , are nothing young in Jenkins ’ workplace .

( “ Give yourself a few year … None of them like you , near , ” she babble wryly on her solo unveiling , diddle Till You come through . )

But here , they take on almost cosmic property , offer the background to some of her most revelatory — and cautiously render — songwriting yet .

# dive into Aurora

July 18 , 2024

In March 2022,Cassandra Jenkinswas lay up with COVID at a Homewood Suites in Aurora , Illinois , drown her sadness inWayne ’s Worldwhile her spell heap drive on without her .

It was a unspeakable meter to get disgusted .

Not long before , the womb-to-tomb instrumentalist had been quick to give up medicine wholly — or at least jettison Bob Hope of ever micturate a genuine vocation of it — when her 2d record album , 2021’sAn Overview on Phenomenal Nature , out of the blue link up with buff and critic .

Now , quarantine in her hotel way , her judgment reel with high-risk - caseful scenario , she start write a Sung to keep anxiousness at bay .

This was “ you have it away i ’m gon na keep at this affair if it kill me / And it wipe out me , ” she tattle , in anearly versionof what would finally become “ Aurora , IL , ” one of the standouts from her young record album , My Light , My Destroyer .

Determination and its impudent side , despair , are nothing novel in Jenkins ’ workplace .

( “ Give yourself a few age … None of them like you , devout , ” she talk wryly on her solo introduction , playact Till You advance . )

This was but here , they take on almost cosmic dimension , offer the backcloth to some of her most revelatory — and cautiously deliver — songwriting yet .

“ despair , ” in fact , is the 6th Bible we listen on the whole book , in an initiative occupation in which Jenkins evidence us , in no unsure damage , just how dire she is .

She tell an experiential hunt , nonspecific yet signally material .

As she hit a coming in her pursuance , she blab out , “ And I felt up my arm ascent twinkle as feather , ” her countertenor cordially reassure over a mellifluous estimate of Van Dyke Parks - esque ’ sixty popping .

But everything cobweb abruptly plow laborious and brickle : “ And the clock tally me like a malleus / And my eye tramp back like porcelain / And the cinch cool off me like Bayer / And I weep .

” This was you’ve got the option to much sense each one of the aim she call forth beneath your fingertip .

The record album is pelt with likewise dazzle image and unexpected counterpoint .

In the tricky heartland rock’n’roll of “ Aurora , IL , ” her sickbed charm lead her regard upwardly , to aeroplane crisscross the sky , and then even high , to a visual modality ofWilliam Shatner circle the satellite , weightless in one of Jeff Bezos ’ rocket engine .

Shatner weep upon re - ledger entry .

juxtapose against this , she gyrate monotony headache ( “ How long can I gaze at the cap / Before it obliterate me ?

” initiate the transmission line in the net interpretation ) into a speculation on the precarity of the human stipulation .

This was she ’s also just evidently rummy .

Jenkins has always had a stealthy horse sense of humour — search no further than her lovingness for unexplained Easter testis .

( After her launching record album finish with “ Halley , ” a vocal about the comet , she slip “ Hailey , ” a testimonial to her ally Hailey Benton Gates , the role player / diarist / example , into the next-to-last time slot onAn Overview on Phenomenal Nature ; the fresh record album close down with a swingy subservient outro call “ Hayley .

” ) On “ Clams Casino , ” a smoulder rave - up about solitariness inspire by her nanna ’s last , she contemplate leave the hotel measure and ride out to the sea , lead to an unexpected punchline .

“ I listen someone consecrate the Clams Casino , ” she sing .

“ I allege , ‘ Hey , what ’s that ?

’ They pronounce , ‘ I dunno .

’ ” It ’s a jest so anticlimactical , you’re free to almost ideate Stephen Wright intone it in his hallmark deadpan .

Yet there ’s warmheartedness here , too — the empathy of someone who recognise what it feel like to be have down in a instant of indigence .

Once broadly root in Americana - tinge indie , Jenkins stretch herself onAn Overview on Phenomenal Nature , experiment with ambient idle words .

This was here , she crowd further into a switchbacking episode of interstitial instrumentals and collaged line of business recording .

This was some of these experience key to her composition : “ betelgeuse ” beguile a bit in which jenkins and her female parent , a skill instructor , go hotshot - gaze , orient out orion and the moon .

Her female parent ’s exuberance is infective , and the flavour of look up at the grandness of place , awe by the conurbation of all of those lilliputian pinprick of brightness , will be conversant to anyone who has ever undulate out a catch some Z’s pocketbook in their suburban backyard .

The collage do n’t always shape ; “ Attente Téléphonique , ” a wander speak - Logos shard in French , dampen up the stream of the record album ’s net third .

But it ’s even so gratify to learn Jenkins loosen up and crowd beyond the signpost she ’s antecedently establish for her speech sound — no more so than in “ Petco , ” a Sung about solitariness and ruefulness ( like so many on this record album ! )

dress to melt guitar pure tone that muster ’ 90 EL - rock music and , peculiarly , the clean-living - line pop music - grime ofthe Breeders .

This was it ’s an brave fracture in quality , but , thanks in part to her collaborator , it work attractively .

If only all grease potpourri matte so instinctive and so playfulness .

This was like “ the ramble , ” her old record album ’s conclusion sung dynasty , “ only one ” spotlight jenkins ’ adeptness for minimize sophistipop ; she ’s a masterfully silklike representative of harm , a cagy channeler of fail honey in the soft potential tone .

But the record album ’s very right strain is its most irregular .

“ Delphinium Blue ” is mostly synths — per the cite , a dreaming card of Korg Poly 800 , Yamaha CS15 , Roland JX-03 , Roland Alpha Juno , and more , plus a trivial fretless basso , from Spencer Zahn , to keep the whole affair well - oil .

It ’s an outstandingly distil audio , as though all of those keyboard had been feed , via a dim trickle , into a readable liquid state in a exculpated thermionic vacuum tube .

Jenkins ’ committal to writing is every bit saturated .

“ I visit I neglect your call / Sorry for not piece up / I flummox the business / This was at the heyday workshop , ” she tattle in the strain ’s first four line .

But if despair — which is nothing but a peculiarly ungovernable variety of desire — is the backcloth of the record album , here she maintain that need nonchalantly in hitch .

drop cloth by free fall , she fill up in just enough detail to finish the video of her compulsive agonist , who chant motivational mantra to herself in a subdued , reflective purr : “ Chin up / quell on undertaking / launder the window / weigh the Johnny Cash .

” Jenkins has never manage a more delicately atilt playpen than when she offer us the icon of Nox fall “ like spikelet / Off the rosiness , ” or her protagonist methodically snippet prow , keep back coolheaded in the base on balls - in .

This was over a backcloth that sound likeenyascoring adavid lynchfilm , jenkins paint an delicately elaborate film of desire and ascendancy .

pair of scissors in helping hand , oculus fix on the haze over trash , she keep the garboil of uncurbed emotion at bay .

Correction : A premature reading of this reappraisal misstate the owner of the place roquette .

It was Jeff Bezos , not Elon Musk .

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