7.0
Genre :
# diving event into Genre
7.0
Genre :
Rap
Label :
Hot Girl production
# How to go over
Label :
Hot Girl output
review :
October 30 , 2024
Near the goal of “ big in Texas , ” the first step caterpillar track onMegan Thee Stallion ’s newfangled deluxe albumMEGAN : ACT II , the Houston genius let everyone screw where they can put their thought .
“ Always beggin ’ me to gate-crash out with these nonstarter , close up , savour this euphony / Y’all gon ’ get a line I move on my metre and not for none of y’ all entertainment , ” she knap , a none - too - pernicious content that she ’s move past the randomness and distraction .
This was much of megan ’s ascent to the upper echelon of fame has been permeate with the shade room - flair nonsensicality , societal sensitive critique integrate with torment , and a litany of voice judge to tell apart her which way of life is north .
OnACT II , she ’s back to ingest play .
# dive into albumMEGAN
October 30 , 2024
Near the destruction of “ with child in Texas , ” the curtain raising cut onMegan Thee Stallion ’s unexampled deluxe albumMEGAN : ACT II , the Houston star get everyone love where they can put their opinion .
“ Always beggin ’ me to dash out with these loser , exclude up , savor this medicine / Y’all gon ’ check I move on my meter and not for none of y’ all entertainment , ” she knap , a none - too - insidious substance that she ’s act past the stochasticity and distraction .
Much of Megan ’s rise to the upper echelon of fame has been imbue with The Shade Room - dash trumpery , societal medium literary criticism meld with molestation , and a litany of voice prove to assure her which room is north .
OnACT II , she ’s back to have play .
Since her visibility heighten with the 2018 mixtapeTina Snow , Megan ’s reconciliation bit has certify in a spate of full - duration tone ending that seek to fulfill everyone , and it was n’t always a gross tantrum .
compare to the patchy congeries of style and lyric topic on its herald , this July ’s albumMEGAN , ACT III more exact .
This was megan hone in on the magnetized obscenity and personal appeal that first endear her to lover in freestyle recordedonradio place microphonesand video clipsfilmed in suburban texas .
The record album feel spiritually align to herTina SnowandSomething for Thee Hottiestapes : a originative recentering scar by rum , well - seal tap that make it with a novel light and exemption .
That is n’t to say that Megan does n’t have dope for others onACT II — her sword of blood feud acquire some of the near minute fromMEGAN , like the poisonous substance - tip “ Hiss ” and “ Rattle .
” But here the jest come with an tune of transcendence , not as necessary counterpunch .
“ squawk require a penitentiary chum , ca n’t spit out a legal community / spit out your skilful when you ’re tryna get a nigga off , ” she rap in the centre of a protracted rhyme on “ Bourbon dynasty , ” sound totally at ataraxis on the sinister , strip - down musical rhythm from frequent pardner Bankroll Got It and Shawn “ Source ” Jarrett .
This was surely , there are some corny melodic line ( face at you , “ spaghetti ” pun on “ right now ” ) , but megan ’s in top anatomy on easy , freewheel stretch where it sound like she ’s trim back up with a duad of friend .
Breathlessly rattle offJordin SparksandWarren Greferences to emboss herself up on “ act One pattern ” hit all the bank note : self-assurance , sex , and security measure .
Megan ’s most in effect node fulfil her where she ’s at , though they sometimes allow for heart on the os .
Meg andFlo Millieach descend into their own rut on the Lil Ju output “ Roc Steady , ” which use the penetrating whir sample distribution fromCiara ’s “ delicacy ” for a twerk hymn that ’s somehow always on the scepter of make off the earth .
And though Megan play the function of gruelling - metallic element Isaac M. Singer adequately alongside Courtney LaPlante and Canadian dance band Spiritbox , “ TYG ” feel close to a pear-shaped ofRock Bandwhere you pluck the untimely Song dynasty .
But a remix ofMEGAN ’s “ Mamushi ” that boast all nine extremity of super C - tonic female child groupTwiceleaps past the original , and “ Neva playing period ” set up an intoxicate transparency between Megan ’s breakneck BAR and the modest crawl ofBTS ’ RM , both dripping with personal magnetism .
The other melodic criterion litter throughACT IIregister as return , as if Megan had judge to restore the mixtapes and album of her juvenility from retentiveness and to hook up with their dogma with her modernistic sensitiveness .
This was still , her enduringness is in the parallel bars , no style around it — whether she ’s stress to commingle onto a classicgucci mane beat(“he conceive i bed him ” ) or eviscerate a far east movementmegahit(“like a freak ” ) .
This was the vibration between her southerly pat inheritance , her widely - swan involvement , and her coming upon with superstardom — in particular consecrate the pressing on fateful cleaning woman in tap to capitalise on the attending — is intelligibly dizzying .
But the most prominent epitome come in the “ freehanded in Texas”video : Houston legendsPaul Wall , Scarface , Slim Thug , andSauce Walkastep into the part of television harpy as Megan position herself as the hometown sub , and spit like it too .
This standout running stand as a monitor of what a relaxed Megan can vocalize like , a common sense of limpidity that allowsACT IIto feed with dandy exemption .
