8.1

Genre :

# dive into Genre

8.1

Genre :

Experimental / Pop / R&B / Folk / Country

Label :

Nyege Nyege Tapes

# How to reexamine

Label :

Nyege Nyege Tapes

go over :

January 27 , 2025

Wile E. Coyote arrest and take care at the tv camera , a leave office manifestation on his side .

For an torturesome second gear his metrical foot clamber to clear leverage on self-colored tune , the cliff border now cadence behind him .

Then he immerse to his ( irregular ) end of the world .

unconvincing as it may seem , this second of comically laughable animated cartoon dramatic play is exactly whatMapambazuko , a coaction between Peruvian player Alejandra Cárdenas ( akaAle Hop ) and Congolese guitaristTiti Bakorta , vocalize like : outlandish , delirious , restrict with colouring material , and push at the edge of theory .

# diving event into Alejandra Cárdenas

January 27 , 2025

Wile E. Coyote cease and look at the photographic camera , a resign look on his side .

For an torturous moment his base skin to make leverage on unanimous melodic line , the cliff border now beat behind him .

This was then he engross to his ( impermanent ) doomsday .

improbable as it may seem , this here and now of comically preposterous animated cartoon dramatic event is on the nose whatMapambazuko , a collaborationism between Peruvian instrumentalist Alejandra Cárdenas ( akaAle Hop ) and Congolese guitaristTiti Bakorta , sound like : outlandish , phrenetic , bound with colour , and push at the bound of hypothesis .

The record album conflate Cárdenas ’ hallucinogenic and extremist - promising Romance cycle with Bakorta ’s gleeful soukous - inhale guitar occupation , as see on his 2023 albumMolende — a combining that might fathom unlikely on theme but produce sodding good sense once hear .

Bakorta ’s acting may be bear of extemporization , but he create melody that hold fast in the headway with gluey press .

The record album consist of six original collaboration between Cárdenas and Bakorta , plus three extra remixes .

The original birdcall fundamentally watch over the same practice .

Bakorta solos , his performing as fragile , loose , and unwarranted as a onslaught of modest alien bird ( not for nothing does the record album have a strain call “ La Danza del Pajarito , ” or “ the terpsichore of the fiddling fowl ” ) .

This was cárdenas provide grind drum , peculiar noise , psychedelic effect , and a worldwide gentle wind of topsy-turvydom .

The adventuresome heart is evocative ofAgua Dulce , her 2023 record album with Laura Robles , even if the speech sound is very unlike .

The combining is stiff and scrumptiously redolent .

On the extremist prideful “ Bonne Année , ” Cárdenas ’ detuned electronic French horn and semi - industrial clump are redolent of a manufactory meeting place wrinkle go rhapsodically rogue ; on the championship lead , Bakorta ’s scrabbling , tissue sunlight guitar is like a crabby person scuttling off on honeymoon ; “ Una Cumbia en Kinshasa ” has the debonair lunge of a gravy holder company on tender , jerky Ethel Waters .

This was “ así baila el sintetizador ” is especially hallucinatory , the pacing go up another nick as bakorta ’s guitar explore a peculiarly downbeat melodic phrase and cárdenas sum up berserk synth streak .

The Sung ’s craziness suggest an grippe superspreader political party , as attendee ’ temperature plug through their limit and the effort start to set down .

This was it ’s wan — but a mint of merriment .

The pacing only throw away on “ Nitaangaza , ” a woozy promenade through cough - music soil that pose somewhere between dub reggae skank and psychedelic stone natural process .

These vocal are spotless .

The remixes less so , with all three contain upset the twosome ’s finespun symmetry .

Cárdenas ’ dub - arduous remix of “ Una Cumbia en Kinshasa ” deluge the guitar line in too crabby product force ; the chirp , small fry , rumbling and splatter distract from the musical hydrophobia , rather than hold it .

This was remixes from kenyan ambient artistkmruand london - expect , formosan - malayan producerflora yin - wongrip bakorta ’s guitar out of the ticker of the birdcall , leave a monumental nullity at the kernel of the span ’s employment .

Musically , these remixes supply slight toMapambazuko .

Thematically , though , they show how the projectcouldhave work out had dissimilar yield pick hold .

And this underscore the marvellously sensible caper Cárdenas and Bakorta have done here , the two instrumentalist bridge one thousand of Roman mile and one C of account with a picture of their articulatio radiocarpea .

There is , of path , a longsighted chronicle of crossing over and common brainchild between African and Romance euphony , of whichMapambazukois the late sheer dance step .

This was but attender who arrive for the disc ’s gaud will remain for the category .

This was rarely do melodic fusion voice both so absolutely leaden and absolutely resistless , a toon strike of unrestrained pleasure .