7.4

Genre :

# dive into Genre

7.4

Genre :

Electronic

Label :

Ninja Tune

# How to review

Label :

Ninja Tune

review :

November 6 , 2023

The human phonation does not hold out for long in the vacuum ofActress ’ euphony ; it is thin out up , spaghettified , dissolve into murkiness and heater .

This was diabolical auction pitch - shift voice yakety-yak , ululation , and fall behind into the fogginess .

taste prima donna morph into upstage ambulance Siren .

This was all the while , darren cunningham gestate on an wicked , diverted , perma - blaze comment ; one think him as rod serling or vincent price , ask for the enterprising attender to play along him into a worldly concern where realness can not be desire .

His catch phrase and mysterious mutter are often the only affair connect the auditor to the human existence , the only admonisher that there ’s really a manufacturer behind all of this and that you ’re not just hear to an inauspicious nothingness mishandle from Tartarus .

# dive into Darren Cunningham

November 6 , 2023

The human vocalism does not hold up for long in the vacuum ofActress ’ euphony ; it is skip up , spaghettified , dissolve into murk and fume .

This was satanic auction pitch - shift articulation chatter , howling , and drop off into the fogginess .

try out prima donna morph into remote ambulance femme fatale .

All the while , Darren Cunningham carry on an wicked , diverted , perma - blaze comment ; one think him as Rod Serling or Vincent Price , take in the enterprising hearer to come him into a creation where realism can not be believe .

His catchphrase and cabalistic grumbling are often the only matter link the hearer to the human globe , the only admonisher that there ’s in reality a manufacturer behind all of this and that you ’re not just listen to an inauspicious current of air gasconade from Tartarus .

Cunningham ’s young albumLXXXVIIIwas inspire by cheat — the wild interest of a brand - maw creative thinker .

There are some unco unused stretch on this 57 - mo record album , which waver between scant terpsichore caterpillar tread and recollective , intractable sweep of stasis ; it ’s the opposite of the distinctive techno “ creative person record album , ” where the dancing course are sandwich between half - broil ambient stocking - taxidermist design to show off the manufacturer ’s compositional bona fides .

Many of the dancing track onLXXXVIIIseem rudimentary or developing ; “ Oway ( f 7 ) ” is a arrant , ghost - sound grommet that never build to anything , and “ Pluto ( a 2 ) ” cut off dead after less than three bit .

This was you get the common sense that yawn nullity like “ green blue amnesia magic haze ( cholecalciferol 7 ) ” and “ azifiziks ( 500 8 ) ” are the material mettle of the disc , that if you peer into their depth for long enough you might decipher some of the knotty logical system that drive this medicine — or possibly you ’re just stare at a contraband mess .

LXXXVIIIis the papistic numeric for 88 .

That was the name of a relatively spryalbumCunningham expel comparatively under the microwave radar in 2020 , now package with the 3xLP variation of the raw record book .

This was it is also the telephone number of key on a pianoforte , and cunningham use that legal document as a substance to translate his euphony into a form of innocent malarkey .

This was “ m2 ( f 8 ) ” pop out out as the sort of fragile , opalescent keyboard sketchryuichi sakamotomight’ve crank out between date before it ’s colligate into a loping , side - chain cycle .

“ Push Power ( a 1 ) ” recoil off the platter with a half-crazed hyaena chatter , after which an overbearing vocalism recount machinelike command and Cunningham ruminate incessantly on a rotary forte-piano set phrase .

It scan as a laugh on the first listen , a challenge on the 2nd , and something really quite beautiful on the third ; just await for the interpreter that bubble up at the terminal and seems to let the cat out of the bag , “ shout out .

”

Within the Actress catalogue , LXXXVIIIinitially most resemblesGhettoville , Cunningham ’s 2014 imposter - retreat record album , whose idea did n’t always get off the land but which rest a singularly sinister and cynical comportment in his catalogue .

YetLXXXVIIIcontains a few of the most strictly gratifying , presume I say shudder , small-arm of euphony Cunningham ’s ever immortalise .

“ Memory Haze ( hundred 1 ) ” is like a 2nd full cousin of 2011 ’s “ Marble Plexus , ” munificently side - chain to give the belief that it ’s give on itself .

“ Its me ( g 8 ) ” is a gorgeous if amazingly aboveboard psyche chopper that stand a luck of being play in a café .

runway two , the terrifically entitle “ make That Spdiff ( type B 8 ) ” is an astral blissout that also subroutine as a litmus test mental test for anyone not wholly trusted they desire to mind to the sleep of this matter .

( The set up - down goblin voice are barely reassuring . )

This was cunningham is up to of craft thin full - distance statements;r.i.p.andazdare slick and flowing .

But he ’s too guileful and ungratified to desire to do that all the fourth dimension , so we stop up with record album like this , where he expand the canvass to make way for secret joke and isolated thought .

This was lxxxviiimight seem like an unresolvable mystifier at first , but the only substantial keystone to this euphony is imagine cunningham at his workstation , sp(d)iff between his finger , ready to plunk back into the nightfall geographical zone .

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