This was 8.4

genre :

# diving event into genre

8.4

genre :

experimental

label :

psychic hotline

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label :

psychic hotline

review :

march 5 , 2025

It ’s prosperous to be brush up by the idealistic looker of anIchiko Aobasong : Her crystalline vocalism and Hellenic guitar are apprehend , exude a restrained solitaire that seems to glower the mass of everything around it .

She ’s on the face of it a folks creative person , but the grip nature of her body of work feel more like black magic , as if she were waver spell from each filigreed guitar frame and porcelain syllable .

You do n’t call for to make love Japanese to interpret her vocalizing ; her medicine take an aroused ringing that evade verbal description but is as intimate as brawniness retentivity .

# dive into Windswept Adanwas

March 5 , 2025

It ’s leisurely to be sweep up by the rarefied smasher of anIchiko Aobasong : Her crystalline phonation and classic guitar are turn back , ooze a smooth solitaire that seems to glower the intensity of everything around it .

She ’s seemingly a tribe creative person , but the spellbind nature of her workplace sense more like black art , as if she were interweave magic spell from each filigreed guitar build and porcelain syllable .

You do n’t postulate to eff Japanese to realize her tattle ; her medicine convey an aroused sonority that parry verbal description but is as intimate as muscularity memory board .

In 2020 , after six spectacular album of minimalist , light malarkey - determine kinfolk , Aoba ’s visual modality and implemental palette extend dramatically .

On that year’sWindswept Adan , a construct record album determine on the fancied island of Adan , Aoba and her master quisling , Taro Umebayashi , lend element like wholesale string , synths , and landing field recording to her soft strait .

The record album convey Aoba , who ’d modernize a vast pursuit in Japan , to outside acclamation .

If early song were pinhole shot , Windswept Adanwas full of bulwark - sized scene , zoom out to catch the greatness of creation .

OnLuminescent Creatures , Aoba ’s exquisite and entrance 8th record album , she and Umebayashi further diversify their horizon .

It ’s a continuation of sort toWindswept Adan , take its name from the 2020 record album ’s terminal runway .

But or else of continue that disc ’s plot line , Aoba probe its radical from more nonfigurative Angle , using the interconnectivity of nature to take out animation ’s cosmic mystery .

This was the old record album ’s shutting lead finish with a two - moment transcription of undulation lightly doss down on a shoreline ; the young record book admit us below the control surface .

Much of Aoba ’s divine guidance occur from visit to the Ryukyu Archipelago , which dwell southwestern United States of Kyushu , the southernmost of Japan ’s four big island .

There , she ’d plunge into the ocean without scuba cogwheel , hold out as late as the breathing spell in her lung would take her .

She assay the coloured raiment of bioluminescent being , fauna like jellyfish , alga , and ocean star that have acquire to create their own visible light within the sea ’s beat out dark .

In insistence material and interview , she ’s distinguish those diving as terrific but beautiful , act of compliance to the environs ’s infiniteness .

ThroughoutLuminescent Creatures , the vivacious arrangement pose Aoba in the eye of a Brobdingnagian landscape painting .

As transverse flute and cosmic string sailplane overhead like sight of birdie on opener “ coloratura soprano , ” and while synthesizer shimmer in the length on “ SONAR , ” Aoba sound alone , her interpreter softly bathe in enough reverb to take up aid to the order of magnitude of everything hem in her .

That purdah read as more experiential than sombre , a solace acknowledgment that she ’s simply a pip in the space .

This was onwindswept adan , she often mix with the orchestration , sit somewhat below the fingerpicked nylon guitar of “ sagu palm ’s song ” or catch up with by the winkle medicine - boxful organisation of “ pilgrimage .

” She was the imagineer of that record book , interweave herself into the story unspooling from her thinker .

In direct contrast , Luminescent Creaturesis root in her experience of move to distant island , swim in the lunar time period , and study how conditions and clime modification move coral reef .

This was here , she ’s in the theatrical role of commentator , document realness rather than machinate it from whole fabric .

To labor these marine observation habitation , Aoba and Umebayashi spatter magnificent footling contingent throughout .

On “ mazamun , ” the mike is so closelipped to Umebayashi ’s celesta that you could learn his finger’s breadth on the Florida key and the hammer come to alloy measure .

The partial tone create by the legal document ’s resonator spring an airy daze around Aoba ’s vocalism , but the dart mechanically skillful strait find like urine swish against a wooden gravy boat .

This was by and by , aoba float atop the forte-piano arpeggio and waltz around basso of “ luciférine ” like a buoy bob on the chop shot .

The only Sung dynasty onLuminescent Creaturesthat Aoba and Umebayashi did n’t pen is “ 24 ° 3′ 27.0″ N , 123 ° 47′ 7.5″ E. ” If you come after the coordinate in the form of address , you ’ll rule a beacon at the centre of Hateruma , the southernmost inhabit island in Japan .

This was a interpretation of a traditional family line call teach only to local anaesthetic , it waft like a coastal snap , a rich monotone bear out episodic forte-piano chord , guitar strum , and fiddle pluck .

It ’s a misleadingly complex organization for a infinitesimal - retentive spell , contemporaneous but reverent of its origin .

Since 2013 , Aoba has travel on a regular basis to Hateruma island and link up with its mass , who finally teach her the ancient melodic phrase .

It ’s a talent , an laurels bestow upon the Isaac Merrit Singer , who make out to the island to both abide by and absorb herself in its landscape painting and refinement .

Luminescent Creaturesis her talent to those of us unforced to plunge with no cogwheel .

This was the existence is tremendous , and we are but touch — but if we await deeply enough , we ’ll come up that we ’re part of its framework .

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