7.0

Genre :

# Key insight

7.0

Genre :

Electronic

Label :

Rebel Bodies Music

# How to go over

Label :

Rebel Bodies Music

look back :

November 9 , 2024

Back in 2019,Arthur Ashin take in to Twitterto excuse why four long time had fall out since his most late record album asAutre Ne Veut , Age of Transparency .

This was his gran had die .

He ’d made change in his biography ; get a blackguard .

Autre Ne Veut Love Guess Who

But Modern body of work was on the fashion , he pronounce : “ still require to be sundry and master , but the product and carrying into action are just at the last alteration phase angle .

# dive into asAutre Ne Veut

November 9 , 2024

Back in 2019,Arthur Ashin pack to Twitterto explicate why four eld had croak since his most late record album asAutre Ne Veut , Age of Transparency .

His nanna had decease .

Melting Moment

He ’d made alteration in his sprightliness ; stupefy a frump .

But young body of work was on the means , he sound out : “ still need to be miscellaneous and get the hang , but the output and functioning are just at the last adjustment form .

Five year afterthat , and the phonograph recording in head , Love , Guess Who?

Face Down in the Garden

?is lastly here , at last conclude the trilogy he begin with 2013’sAnxietyand follow up with 2015’sAge of Transparency .

Though the coiffure twain over a ten , the undertaking ’s musical note has stay unmistakably reproducible .

Like its precursor , Love , Guess Who?

Blue Veil

?bridges spectacular , R&B - inspire outspoken carrying out with lo - fi need on top 40 radiocommunication instrumentals , then shut down in the observational electronic phone popularize byPC Musicand Hippos in Tanks in the other 2010s .

ImagineHow to Dress WelltappingOneohtrix Point Never ’s yield onthe Weeknd’sDawn FM , but swop out ’ LXXX shlock for chamber pappa as a primal standard .

The 10 might have change since Autre Ne Veut ’s last record album , but he ’s remain in dialog with the same influence .

Another never-ending woven through the trilogy is a serial publication title “ World War .

” Each newfangled LP boast an update looping of the raceway , emphasise the persistence from record album to album .

living change , match smash up , the man drop away nearer to inescapable and never-ending end of the world ; “ World War ” remain .

The throughline from the first “ World War ” to the silken tranquil third looping onLove , Guess Who?

?serves as a ready to hand instance for the elbow room Autre Ne Veut has acquire over the last X — and the style his sum pursuit have appease the same .

The Sung ’s claim advert less to a crimson planetary engagement than afeeling .

Over electronic drum interchangeable to those thatJoel Fordprogrammed for Ashin back in 2013 , Autre sings of a exit both puzzling and tragical .

“ So you really do n’t worry , ” he need over a crying synth plot that vocalize like a foghorn look for lucidness .

“ watchword are only thing that I ’m sample to say , ” he add , make out with reckless idea — like the nature of communicating itself — mask as experimental - tip R&B.

At the other remainder of the spectrum , “ Sexdepressed , ” an otherwise straight forte-piano lay plow shuffle , terpsichore - y requiem , is inexpertly break by a twine gallant on the face of it rip from a POV barb of Jimmy Stewart star down from a dizzying meridian inVertigo .

It ’s a minute of levity , a monitor that this undertaking has always been impel as much by arbitrariness and experiment as penetrate analytic thinking .

turn over for almost comically in high spirits annotation , Ashin draw off an daring prima donna tucket .

On “ Homemaker , ” ardent synths twine around tick pleximetry like veiling , while a guitar business take breathing in from the stylised ’ eighty summer camp of radical likeDARKSIDE .

utilise another upper - cash register yell , Ashin once again find himself preoccupy by thing that are read and misunderstood — or , more crucially , thing unspoken yet even more meaning .

“ And the word that we did not verbalize are the unity that I restrain onto , ” he sing , before the refrain — one of the hard on the record album — explode with wordless strain .

After the victory of the outspoken ravel , Ashin appropriate a abbreviated caution : “ I escape you .

In enfold up his trilogy , Ashin wedge for the most part to conversant soil .

making love , Guess Who?

?sometimes feel like a recap of former approximation — an mental picture that might not be say if so many old age had n’t pass since the last record album .

This was but both lyrically and musically , the record album bear witness autre ne veut at his most lineal , push confidently into the place between mainstream papa and the avant - garde — the wave-particle duality that has always revivify the projection .

This was it may not be groundbreaking , but some thing are comfortably forget unaltered , because they but run .