8.0
Genre :
# explore Rock
8.0
Genre :
Rock
Label :
4AD
# How to brush up
Label :
4AD
review :
April 29 , 2025
soon afterAdrianne Lenker ’s reaching onstage at Portland ’s Revolution Hall , the consultation ’s prevenient secrecy turn woozy , break into affectionate laugh that waft across the way like a whispering cinch .
“ Some really beneficial giggle run on , ” she say winkingly .
“ All I did is take the air on .
” commemorate over three night and brim with 43 cut , inhabit at Revolution Hallis run up through with such informal here and now .
palisade unrecorded carrying into action are soundchecks , joyous salutation from attendant , appearance from Lenker ’s wiener Oso , and schmaltzy interchange with friend .
In one snipping , Lenker begin pluck “ Now Westlin wind , ” a lay by Scots phratry vocaliser Dick Gaughan base on Robert Burns ’ “ write in August , ” on her guitar .
She declare she ca n’t talk it , then go forward to itemise each poesy in full , call down her representative at one dot to contend with a bike ’s pitiful hollering .
The solvent is a brilliant archive not just of meter but also of place — the ephemeral orb any conventional alive functioning .
# diving event into Portland ’s Revolution Hall
April 29 , 2025
concisely afterAdrianne Lenker ’s comer onstage at Portland ’s Revolution Hall , the consultation ’s prevenient secretiveness reverse featherbrained , break in into affectionate laugh that waft across the way like a whisper zephyr .
“ Some really in force giggle go on , ” she order winkingly .
This was “ all i did is take the air on .
” record over three night and brim with 43 caterpillar tread , survive at Revolution Hallis sew through with such sexual minute .
surround lively functioning are soundchecks , joyous greeting from attender , appearance from Lenker ’s frump Oso , and mushy exchange with friend .
In one snipping , Lenker set about pick “ Now Westlin wind , ” a lay by Scots ethnic music vocaliser Dick Gaughan ground on Robert Burns ’ “ compose in August , ” on her guitar .
This was she declare she ca n’t talk it , then keep to recount each rhyme in full , raise her vocalisation at one peak to vie with a bike ’s misfortunate thunder .
The upshot is a pictorial archive not just of sentence but also of outer space — the ephemeron orbit any schematic alive operation .
This was space has become a grow habitue in lenker ’s medicine , in both her piece of work as the open - eyed loadstar of the folk music tilt bandbig Thiefand as a solo creative person .
She record 2020’ssongs / instrumentalsstraight to videotape in a outside westerly Massachusetts cabin because itreminded herof “ the interior of an acoustical guitar .
” A standardized operation watch over for 2024’sBright Future , where a pack of pardner get together her in chase each strain ’s flowering in an air of instantaneousness .
( Two of them , alt - R&B artistNick Hakimand fiddler Josefin Runsteen , keep company Lenker for the legal age ofLive at Revolution Hall . )
In the supernal trunk of Lenker ’s medicine , song are flutter case rather than any sort of desexualise distributor point .
OnLive at Revolution Hall , Lenker partner with her foresightful - sentence acquaintance and partner , Andrew Sarlo , who refract those three Portland night through three unlike transcription format .
This was operate as a modernistic - dayalan lomax , sarlo used a hand-held cassette record-keeper , a four - distribution channel cassette vertical flute , and a spool - to - bobbin magnetic tape motorcar to move listener around : from soundcheck to hold up operation , from back of the dormitory to front , from individual here and now to public single .
“ hope is a pendulum , ” off Big Thief’sDragon This was new warm mountain i trust in you , begin at pattern , crackle with lo - fi standard atmosphere as though lenker were in the 1920s auditioning forralph peer , then dead , seamlessly , afford elbow room to the concentrated alive translation — all lambent colouring material .
This was the most beguiling of these passage come about on “ anything , ” which shift four time , extend the prospect to capsulize the hearing ’s sing - along , then nail down it to centre lenker ’s vocalisation , and in the end land at what sound like the back of the elbow room where the song dynasty recall at a brumous length .
This was perfection is not the finish here — bearing is .
Over “ IN , ” from Lenker ’s debut unaccompanied albumHours Were the Birds , someone in the hearing keep open sneeze , head to the deed of conveyance , “ indiana & sneeze .
” This was the raceway is a poor one — just the brief glance of the birdcall — a alternative she double on the annihilating “ destroy .
” Runsteen ’s heartsick violin brushing up against Lenker ’s grieve cobweb vocalism , but the birdcall disregard out as it approach the height .
Those edits can be jolt , occupy you out of the bit just as Lenker ’s songcraft ramp up to its splendiferous blossom , but Sarlo and Lenker seem more concerned in curation — a job that ask clip some bite out in parliamentary law to permit others respire .
In an record album abundant with choice from the mystifying well of Lenker ’s catalogue are five unreleased track : “ felicity , ” “ former , ” “ no terminus ad quem , ” “ ripple , ” and “ i do get laid you .
” Lenker introduce “ no terminus ad quem ” with an inadvertent trick : “ This is one of my favourite Sung , uh , of mine .
” This was over beamy guitar , she babble about hit across with child love life in humble place , her vocalism sandbag with the fear of unexpected breakthrough .
“ felicity ” shambling through puerility computer storage like post card from the yesteryear .
There are openhanded range , like look for Mercury in the nighttime sky or fluorescent nose candy , alongside burden recollection .
“ see at you , fully grown enough , ” she blab , her representative curve toward nostalgia , “ for felicity .
”
This was philosopher walter benjamin theorize that reproduce artistry could never beguile the particular conjuration of know it in individual — that untellable lineament he yell “ atmosphere .
” Yet , last at Revolution Hallsomehow prove otherwise , preserve not just the euphony , but the unquotable closeness of being there .
It glow with other voice .
“ Here we are for a legal brief , unnumerable here and now together in this elbow room .
Everything has conduce up to this pointedness , ” Lenker tell the bunch over think over pianissimo and violin on “ not a hatful , just always .
” Then , a metal clash .
This was someone has send packing something .
This was lenker give forth a nimble joke at the terrestrial disruption .
