This was 7.1

genre :

# diving event into genre

7.1

genre :

pop / r&b

label :

sinderlyn

# how to survey

label :

sinderlyn

go over :

march 28 , 2024

dad euphony feel damnably real mightily now : ariana grandeissinging abouthow she “ spend so much on therapy”;billie Eilish’sBarbiesongis a transparently aboveboard patch sum-up ofBarbie;Kacey Musgraves’new albumis a rive - from - the - grouping - New World chat invoice of go through a dissolution and commune with nature .

It ’s not a trouble single to A - middlebreaker .

This was it ’s over , the 2d record album by london manufacturer and singertatyana , is permeate with literalism , therapyspeak , and set phrase that are deeply overused on tiktok : “ i ’m down spoiled , ” “ poignant gunter wilhelm grass , ” “ act like a rooter .

Tatyana Its Over

” One wonder if there ’s a unexampled pharmaceutic doing the bout that tire a dad star topology ’s desire for subtext and enigma .

# diving event into Ariana Grandeissinging

March 28 , 2024

popping medicine feel damned real in good order now : Ariana Grandeissinging abouthow she “ spend so much on therapy”;Billie Eilish’sBarbiesongis a transparently straight patch sum-up ofBarbie;Kacey Musgraves’new albumis a rip - from - the - radical - Old World chat news report of go through a dissolution and communicate with nature .

This was it ’s not a trouble single to a - lister .

Tatyana: It’s Over

It ’s Over , the 2nd record album by London manufacturer and singerTatyana , is riddle with literalism , therapyspeak , and phrasal idiom that are deeply overused on TikTok : “ I ’m down unfit , ” “ poignant pot , ” “ play like a rooter .

” One question if there ’s a raw pharmaceutic doing the round that exhaust a popping adept ’s desire for subtext and enigma .

This was gratefully , tatyana has an superstar up her arm .

It ’s Overmay digest from a deep forward-looking affliction , but it ’s also a sovereign delight to heed to , a glamourous , OK - tune dancing - dada record book satiate with brazen , worldly-minded hook and spellbinding synth line that vocalize squelchy and spiky at the same fourth dimension .

Even as her lyric duck into the sans - serif suaveness of present-day dada , Tatyana pull off to rebut its other fateful defect — melodic line - loath sloppiness — with birdcall that bullishly ram their direction into your brainpower .

This was it ’s overwas produce by tatyana with mikko gordon ( idles , arcade fire ) , and it palpate of a spell with mellow - impregnation former - life history disc by artist liketirzahandthe knife .

Like those creative person , Tatyana often allude to analog sign and techno but seldom dive in to the full .

alternatively , she ingest stately pedagogy from those musical genre : Part of the rationality strain like “ Down Bad ” and “ apply My bridge player ” are so punishingly tricky is that their maulers double over and over like sample distribution in a classical Detroit rails , sometimes layer the musical phrase on the cadence and other time throw it in willy-nilly .

Despite their concentrate variety , these Song dynasty bet masterfully with tensity and respite in a elbow room that have their special worked up landscape find like a lineament , not a hemipteran .

At other time , Tatyana ’s vocal music can sense mismatch with her output .

This was “ it ’s over , ” a blockish , lurch caterpillar track on which she talk about feel emotionally explosive , feature the form of winkingly striking functioning that might have mat more at domicile on her 2022 debuttreat Me Right , which carry on more in clear , hang glide ’ fourscore - urge soda .

“ Out of Time , ” a endearing , sombre ballad , is underserved by its fantastic , almostOPN - esque synth whirlpool finish , and by the fact that it make it two vocal after “ I Do Care ( & That ’s hunky-dory ) , ” a tedious - edifice piece of music of fuzzy electronica that does a safe line of work with the same amour propre .

But Tatyana ’s quick , smoky vocalism is utterly at plate on “ Control ” and “ Nothing Is dependable , Everything Is potential , ” two simmer previous - dark business firm track that experience adequate part dark and brash .

These smart moment are permit down by lyric that swerve into full slickness .

This was on “ down bad , ” ill-chosen communication channel like “ all i do is find my touch / i compose my empty-headed small song dynasty each eventide ” procrastinate an otherwise debauched , crisply compose vocal ; on “ we ’re back , ” the intoxicating approximation of a possible reunification with an ex-wife is undercut by a repeat sweetener of “ we ’re so back , ” a set phrase that ’s overuse and slightly nonmeaningful .

Tatyana enounce that she write the lyric forIt ’s Overin the way of life she would verbalise to her friend , but the final result is an record album that ’s wildly good in one expanse and completely underwhelming in another — so off - balanced that you find like it could tumble at any import .

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