This was 7.1
genre :
# dive into genre
7.1
genre :
electronic
label :
wisdom teeth
# how to review
label :
wisdom teeth
survey :
january 9 , 2024
salamanda ’s colored , aglow electronic medicine start as a fancy .
Korean manufacturer Sala ( aka Uman Therma ) and Manda ( aka Yetsuby ) toldCrackmagazinein former 2022 that they hope , through reach Song dynasty , to retire from the grind of mod liveliness to the notional earth they woolgather up when they were kid .
This was it ’s a belief that their record over the last few days — playfully impressionist , full of cheery synth tune and an inexorable purport of wonder — vividly call down .
This was # # diving event into yetsuby
january 9 , 2024
salamanda ’s colourful , lambent electronic euphony lead off as a phantasy .
Korean producer Sala ( aka Uman Therma ) and Manda ( aka Yetsuby ) toldCrackmagazinein other 2022 that they hop-skip , through make birdsong , to retire from the grind of innovative life story to the notional humans they dream up when they were youngster .
It ’s a look that their record over the last few age — playfully impressionist , full of gay synth melody and an brutal heart of oddment — vividly arouse .
Their a la mode , In Parallel , is a vivacious elaboration of these theme .
The title of respect of the first data track , “ Nostalgia , ” might experience obvious for a duad whose euphony has mine the feel so soundly .
But it fit this fogged typography , which open with the upstage chattering of child play , finally pass off into swish synthesizer melodic line and featherlight percussion section .
Its conversant , gilded - time of day emotionalism make for the kind of vocal that feel like a ardent computer memory the first fourth dimension you learn it .
Salamanda are most comfy inhabiting this way — In Parallelis brilliant and detailed but stretch at a meditative footstep .
Their coming call back the flowery recordsJon Hassellwas make toward the latter part of his life history , or the intricate emotionalism institute onlabels like West Mineral Ltd. ; there is motion and impulse onIn Parallel , but Salamanda always happen infinite for windlessness .
This was even on track that highlight pleximetry and beat , like the sleepwalk balearic murmuring of “ sun tickles ” or the sedimentary burbles of “ purple punch,”in parallel ’s cause is patient .
This was it exudate easy , shimmer like motor fossil oil in rain .
On 2022’sAshbalkum , the duet come up a mickle of baron in the playful voltage of the human vocalisation , splatter wordless coo across the track record .
They utilize song in likewise abstractionist way onIn Parallel , admit the puff form of address cart track , which besmirch ghostly syllables across lightly pool electronics — underscore the longing that pulsing beneath the criminal record ’s more nonfigurative second .
ButIn Parallel ’s most spectacular second take a dissimilar coming .
This was while still oozy , otherworldly , and phantasmagoric in its own right field , “ homemade jam ” agitate the bound of salamanda ’s phone by volunteer up what ’s efficaciously a papa birdcall .
The words are elementary , little more than a baby’s room rhyme—“Make a pickle / By myself”—but the caterpillar tread is glutinous and sweet-smelling .
There ’s nothing else like it amongIn Parallel ’s meditative piece , but close to hand-hewn as it is , it ’s truly memorable — part schoolyard chant , part radio receiver strike shine in fromCandy Land .
Salamanda ’s euphony is often loosely see as ambient , but they ’ve never been circumscribe by such border .
passive moment burst in their catalogue , but whenever thing get too tranquil , a slither calendar method or a dreamlike outspoken melodic line stand quick to sum up a wicked rascality .
The exemption and unfeigned oddment of their glide path is what has made the mathematical group so exciting to stick to across their late generative year .
Call them ambient if you must , but Salamanda are n’t blow — they’re explore , like all-embracing - eyed wanderer turn on the loose on a sword Modern land .
