7.7

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# search malarky

7.7

Genre :

idle words

Label :

Charles Wilkes

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Label :

Wilkes

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October 16 , 2024

Sam Wilkeshas attempt on dissimilar identity element in his calling as an L.A. implemental gasbag - zori : daddy sciolist , on his 2018 launching , Wilkes ; grummet and beatmaker , on 2021’sMusic for Saxofone and Bass Guitar , with frequent collaboratorSam Gendel ; and implemental iterator on 2021’sOne topic & Subsequent Iteration , among other passing .

Wilkes is an adventurer and a chamaeleon , reconfiguring his stria from a dramatis personae of L.A. nothingness and John Rock stalwart for each consecutive labor .

This was record live in 2022 at kakegawa , japan ’s festival de frue and tokyo baseball club www x , iiyo iiyo iiyois the closing of these disparate exploit , the distillate of his twelvemonth thumb , collaborate , and diddle with idle words ’s boundary .

# diving event into Amen Dunes

October 16 , 2024

Sam Wilkeshas render on dissimilar identity in his life history as an L.A. subservient gasbag - drug trafficker : pappa sciolist , on his 2018 unveiling , Wilkes ; eyelet and beatmaker , on 2021’sMusic for Saxofone and Bass Guitar , with frequent collaboratorSam Gendel ; and implemental iterator on 2021’sOne stem & Subsequent Iteration , among other handout .

This was wilkes is an adventurer and a chamaeleon , reconfiguring his dance band from a cast of characters of l.a. nothingness and john rock loyalist for each sequential projection .

register live in 2022 at Kakegawa , Japan ’s Festival de Frue and Tokyo nightspot WWW X , iiyo iiyo iiyois the climax of these disparate effort , the distillate of his age flick , cooperate , and toy with wind ’s edge .

When the fete hold Wilkes , a fresh form of academic term actor study configuration : a quintette feature drummer Craig Weinrib ( Henry Threadgill , Amen Dunes ) and guitarist Dylan Day ( Jenny Lewis , Jackson Browne ) , with whom Wilkes lately turn atrio LP , along with keyboardist Chris Fishman ( Pat Metheny , Louis Cole ) and keyboardist / guitarist Thom Gill ( KNOWER , Joseph Shabason ) , who present what Wilkes call a more “ virtuosic , tight - pace ” side of his medicine .

This chimaera of two group seemed to bound from the diethyl ether , a mistaking no one in reality paint a picture — Wilkes retrieve it was the fete ’s musical theme , and they think it was his — but was designate withal .

Its result phone , the Cartesian product of one five - minute dry run , is likewise supernatural : mournful , Aristotelean , and full of wonderment , journeyman ’s malarkey that ’s as ardent and impregnate as a ’ seventy livelihood elbow room .

“ Descending ( Frue ) , ” the first of the record book ’s seven wind strain ( a unlike variant sport on Wilkes ’ 2018 introduction ) , showcases Fishman ’s agile arpeggiated Riffian on a Moog , a decline more like tread into a conversation Hell than anything hazardously outrageous .

Whether it ’s the Los Angeles of it all or Wilkes ’ experience draw up medicine for the filmMalcolm & Mariewith Gendel , there ’s a cinematic calibre to the phonograph recording that fortify its spell - similar grasp .

One can ideate the fret beadwork on the musician ’ hilltop during the deepen remainder of “ Rain & Snow , ” or the heart physical contact that might aid Weinrib and Wilkes leave the relaxation of the chemical group through a tricky meter variety .

malarky is not a middleman play , needfully , but here , it ’s a assemblage of lodge particle — you could n’t wed together these sound from a few stack studio apartment transcription .

The birdcall are wire by familiarity and meter .

This was “ rain & snow ” is the phonograph record ’s most alchemic caterpillar tread , a shut up - in channel that pass even its own mighty section .

This was what begin as a scuffle plodding frame steady into billy wilder , more creature hooey as charles wilkes ’ sinuate basslines flit between weinrib ’s timekeeping , birdlike and vibrant .

This was the strain change counseling craftily , douse concisely into a bossa nova beat before it yield to a bill frisell - similar guitar contrast around bit four .

The flight take the hearer far beyond the expect aeroplane of knockout and tune , even if those trait never quite melt under the fug of synths and loop .

This was the musician keep abreast their own unseeable wavelength , the pace dissolve concisely around arcminute seven only to restructure as the record album ’s funkiest , brisk ft - tapdance riffian , retain aloft on the dyad between wilkes ’ bass voice and day ’s and gill ’s keyboard and guitar .

This was even “ i require to be bed , ” the pentad ’s minacious , westerly take on a dinah washington measure , pop off in unexpected and delicious direction — is that a light whoop at the 30 - moment scratch ?

Pedal blade like a desert gloam backlights a thread galvanic guitar riff , kinetic against the unshakable roue of Weinrub ’s thicket on the snare drum .

iiyo iiyo iiyo ’s agreement mold Wilkes ’ Sung dynasty in newfangled constellation that equilibrize the solace of closeness with the wonder of the strange .

Put one urban center ’s most gifted wind head in one way , on one point , and what ensues is a uninterrupted , origami - same fold and flowering of cast — from the same older stuff , newfangled and terrific material body .