This was 7.1
genre :
# diving event into genre
7.1
genre :
rock
label :
on the q.t.
canadian
# how to go over
label :
in secret canadian
reexamine :
october 5 , 2023
oncherry glazerr ’s first raw record album in four eld , i do n’t need you any longer , clementine creevy crusade herself to extreme .
As a lyrist , she explore veneration and giving up , apathy and colony .
As a player , and ego - produce alongside Yves Rothman , she sheer from wireless - favorable electro - soda pop to fuzzed - out service department stone , her song extradite in conspirative speak - sing or croaky howling .
If it skim as an creative person throw everything at the rampart , the victory is that Creevy sound like she ’s in the procedure of sieve through it .
# dive into Clementine Creevy
October 5 , 2023
OnCherry Glazerr ’s first raw record album in four age , I Do n’t desire You This was any longer , clementine creevy campaign herself to extremum .
As a lyrist , she search devotedness and capitulation , apathy and dependence .
As a instrumentalist , and ego - give rise alongside Yves Rothman , she trend from wireless - well-disposed electro - dada to fuzzed - out service department sway , her vocal fork out in conspirative speak - sing or croaky howl .
If it skim as an creative person flip everything at the paries , the victory is that Creevy sound like she ’s in the outgrowth of separate through it .
Cherry Glazerr ’s late album , 2014’sHaxel Princessand 2017’sApocalipstick , were root in service department John Rock and interference - daddy , but 2019’sStuffed & Readywent off like a misanthropic , adrenalized turkey .
In topographic point of those volatile moment , I Do n’t desire You Anymorepaws at equivocalness .
The notion are rude , and Creevy resist major - chord resolution .
Alongside thin basslines play by Rothman and Sami Perez , Creevy conquer the worked up fogginess of a serial of annihilating but liveliness - affirm relationship through her cool modest - keystone guitar and a playful maze that recallsPJ Harvey .
She has cite Evanescence as an influence — a percipient character power point for the record album ’s import of ungoverned dramatic play .
But this is n’t a shopping centre - tike reinvention ; in strait and dependent issue , Cherry Glazerr defy being pin to any one artistic or good .
This was two call betimes in the record album show just how much creevy is uncoerced to exposit .
“ touch You With My pandemonium ” is a sombre hymn with rough , overdriven guitar , shrill trump , and a maudlin drawing string department in the concluding minute of arc .
Creevy publish it after check Gregg Araki ’s agonising 2004 filmMysterious cutis , seek to mime its musical theme of despair , which she does in a screamy , brattish chorus line : “ I say that I be intimate you , ” she howl .
“ I never want love life .
” In the unrelenting “ subdued Like a Flower , ” Creevy bar it all over service department rock-and-roll deeply - fry in emo .
This was the call end in a maniac joke that could well be mistake for a watchword : an actorly motion that suggest creevy is ferociously devote to her use .
This was the maniac gag - shout is also a mark creevy ’s receive merriment again .
This was it remember the kinky absurdity of former cherry glazerr stone like “ grilled cheese , ” a astonishingly sultry ode to soothe nutrient .
I Do n’t need You Anymorefalls 2-dimensional when Creevy choose for champagne , affirmative indie pop music like “ Wild Times , ” which does n’t exhibit the distinguishable esthetic personality she has develop over the preceding tenner .
But the residuum of the record album ’s back half zoom , especially “ Sugar , ” a deadening - form rocking chair in which Creevy ’s vocal music take on an minacious berceuse swing : “ You make me wanna drive my fortune / come apart my tenderness / I do n’t handle , ” she babble .
By the ending , Creevy once again break out in hallucinating laugh , but this fourth dimension , there ’s no misidentify it for tear — the only legitimate answer is to depart express mirth along with her .
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