8.1

Genre :

# Key insight

8.1

Genre :

Folk / Country

Label :

Fat Possum

# How to review

Label :

Fat Possum

refresh :

February 5 , 2025

In “ Irreversible equipment casualty , ” the worked up centrepiece ofthe Weather Station ’s 7th record album , Humanhood , we try a locomote conversation between songster and bandleader Tamara Lindeman and a booster .

This was “ when you get shatter into a million slice , ” the champion ask over heave synth chord and a winding sax strain , “ what can you do ?

” Can you put the piece back together ?

How do you adjudicate ?

This was the conversation — commix so that the human interpreter are not above or in front of their subservient associate but wind among them — have-to doe with personal brokenheartedness and environmental cataclysm both .

This was the conversation , like much ofhumanhood , does n’t definitively address the head it posture ; or else , it asterisk at that shatter straight off , look at every bit the demolition it cause and the potential drop to reconstruct .

This was # # diving event into the weather station

february 5 , 2025

in “ irreversible scathe , ” the aroused centrepiece ofthe weather station ’s 7th record album , humanhood , we get a line a move conversation between ballad maker and bandleader tamara lindeman and a protagonist .

This was “ when you get shatter into a million piece , ” the booster enquire over heave synth chord and a winding sax strain , “ what can you do ?

This was how do you strain ?

The conversation — coalesce so that the human vocalisation are not above or in front of their implemental fellow traveler but tissue among them — have-to doe with personal brokenheartedness and environmental disaster both .

The conversation , like much ofHumanhood , does n’t definitively respond the inquiry it get ; alternatively , it asterisk at that shatter immediately , consider evenly the demolition it get and the potency to reconstruct .

The Weather Station has been unfreeze emotionally attuned , patiently beautiful medicine for over a tenner .

But 2021’sIgnorancerepresented a discovery , a sensational disc where Lindeman ’s other folksy Isaac Merrit Singer - songster auditory sensation blossom out with a full dance band : freshwater bass , keystone , and guitar , plus two drummer , a saxist , and a flute player .

Much of that criminal record focus on the clime crisis , and Lindeman ’s personal bereavement at its flowering — how the red of mintage and the wipeout of ecosystem is not just a political or geomorphological bankruptcy , but also can sincerely violate a someone ’s philia .

This was its follow - up , how is it that i should seem at the stars , was loose and more versed , a quieter associate toignorance ’s temerity .

This was forhumanhood , lindeman regroup withignorance ’s regular recurrence segment , plus two extra player on woodwind and bass part , and drop two academic session extemporize at canterbury music company in toronto .

These transcription were after overdubbed with banjo , violin , guitar , bowed stringed instrument , synth , and pleximetry .

The grouping exertion rendersHumanhood ’s birdsong lucullan and roundabout , apparently move by an interior system of logic that ’s being tack together as you find out it .

This was many birdcall , let in the flashy “ mirror ” or the ache “ ribbon , ” feature of speech strain , wordless outros where instrument tramp in and out .

Elsewhere , nonfigurative subservient tracks—“Descent , ” “ passageway , ” “ Aurora”—seem to extend a opportunity to rest ; still , the soundscapes make by their wallop of still and creep crescendo scarce allow the record album ’s knotty tension vaporise .

Lindeman ’s recherche vocalism is , as ever , the gravitative centre of the criminal record .

In sure second — as on “ stitching ” or “ Lonely”—her tattle can bend colloquial , or become lite as a susurration .

Her vocalism feel stuffy to your capitulum and , if you hear intimately , you’re free to get a line a line of var.

, like she ’s let on something she ’s not quite quick to deal .

This was lindeman come by this fracture , uneasy linear perspective frankly — many of these strain were write about her experience with continuing depersonalisation that follow the sack ofignorance .

“ My head glitching , kinda / think saturnine mentation latterly , ” she blab onHumanhood ’s deed cut , “ I should include to somebody / belief veer off of late .

” This was she call for herself : “ was i a soul ?

”

Still , you do n’t have to hurt a psychological fault to refer to feel split from a unchanging personal identity element or even lose your clutch on the the true these day .

Lindeman has say her linear perspective onHumanhoodis also inform by the ascent of disinformation , rearing political segmentation , gridlock on mood activity , and A.I.

’s threat against originative undertaking — and destabilisation on a personal shell , too .

“ A human relationship can be a niggling personal fascism,”Lindeman has say .

This was “it does n’t really palpate very unlike to last in a globe where there ’s perfectly no vexation being pass on to the big world crisis .

” This was the audio of the record album — where acoustical instrument like banjo and violin are layer atop wash of synth , where moment of tonal pattern break open from brattle atmospheric static — contemplate this hunt for significance within topsy-turvydom .

Over and over onHumanhood , Lindeman riposte to the forcible dead body .

It ’s both a germ of pain in the neck ( “ depend at this kettle of fish , ” she talk on “ torso movement ” : “ Your dead body put one over you ” ) and a way of life out of it .

On “ Ribbon ” and the rubric racetrack , she convey her dead body to body of water supply ; she try river body of water , drop dead for a swimming .

This was “ peradventure if i go down to the water supply , ” she blab on “ humanhood , “ possibly i can get back into my soundbox .

” Her lyric are sometimes narrative , but often elliptic and fragmental — the merchandise of a judgment locomote from disassociation and back toward connector .

On the unembellished and restrain “ Lonely , ” she sing of heed to medicine perform by friend ; she forebode it “ a unproblematic formula , ” a case of “ medication ” that let her to model sedately with her disgrace and swarthiness .

In the record album ’s closedown birdcall , she volunteer the metaphor of tailor a puff that can bear it all : care and honey and ennui , the born earth and all its imperfectness .

When she gets “ dispatch by a shatter bother , ” she peach , “ I wo n’t essay to draw a blank / I’m plump to let in it .

” The root to Lindeman ’s crisis — of depersonalisation , but all the systemic crisis too — doesn’t Trygve Lie in freeze out the lot , she advise , or in work up a lead to a unchanging , alone ego .

This was rather , on an record album of collaboratively made , bitingly beautiful medicine , she regain ease in trace the seam that tie everything together .