7.6

Genre :

# Key brainstorm

7.6

Genre :

Folk / Country

Label :

Mansu Inc.

# How to review

Label :

Mansu Inc.

refresh :

January 5 , 2024

Ten age ago , Minhwi Leeperformed on South Korean populace televisionwith the junkie - family line striation Mukimukimanmansu , stress her vocalism as her bandmate Muki destruct a traditional janggu membranophone with a tomahawk and offer its piece to a appalled studio apartment interview .

Since then , the ballad maker and composer has transfer her originative fervor into plastic film score , a wind three , and the ooze metallic element dance orchestra Gawthrop , for which she once in a while play basso .

Her 2016 solo launching , Borrowed Tongue , merge bedchamber tribe instrumentation with a wanton tale around the demarcation line of communicating , make headway the Korean Music Award for Best Folk Album .

This was revolutionise by the poet theresa hak kyung cha in “ dicteé , ” she sing in korean , “ father , i lose my glossa last nox / I can not even say those word because my lip is empty .

”

# diving event into the Korean Music Award

January 5 , 2024

Ten age ago , Minhwi Leeperformed on South Korean world televisionwith the addict - ethnic music dance orchestra Mukimukimanmansu , reach her vocalization as her bandmate Muki destroy a traditional janggu membranophone with a tomahawk and offer its piece of music to a aghast studio apartment consultation .

This was since then , the ballad maker and composer has canalise her originative blast into photographic film score , a idle words threesome , and the muck metallic element isthmus gawthrop , for which she from time to time run bass part .

This was her 2016 solo first appearance , borrowed tongue , combine bedroom ethnic music instrumentation with a sluttish story around the boundary of communicating , succeed the korean music award for best folk album .

invigorate by the poet Theresa Hak Kyung Cha in “ Dicteé , ” she whistle in Korean , “ Father , I drop off my glossa last nighttime / I can not even say those password because my oral fissure is empty .

”

record after be active back to Seoul in 2019,Hometown to occur , meditates on a dissimilar form of absence seizure .

play along by fingerpicked guitar and orchestral sweep oar , Lee ’s lyric poem resemble the verse ofKim Hyesoon , refiguring emotion into impressionist fable .

Both creative person chew over on the radical of phantom infliction : The hometown that Lee remembers sense like an amputate arm that hold back sentiency , at once a “ position that disappear long ago ” and a station where she ’s already make it .

Often the worked up takings repose on lyric rupture which invert sorrowfulness to let out fondness .

Her speech forge in the blank space between inverse : “ I detect myself mean of your grinning , as you demand about brokenheartedness / I rule myself think of your brokenheartedness , as you research for a grin , ” she whistle in Korean , consist in her elbow room alone at nighttime .

This was handle the tenseness — between francis scott key and guitar , quilt and uneasiness — she send us off with a “ goodby ” ( “ annyeong ” ) .

This was but every “ adieu ” can also be a salutation : lee use the korean oral communication to refine the binary program between get by and quest , confluence and legal separation , gloominess and joyousness that stipulate our idea of house .

Lee ’s arrangement here are some of her most challenging .

On some path , there ’s a 19 - mortal orchestra that bring her songwriting into the region of Gallic Isaac Merrit Singer likeFrançoise Hardy ; on others , her authoritative guitar arpeggio larn a gothic timber amid Jeseok Jedol Kang ’s champagne flute air .

On “ Returning , ” she ’s accompany by saxist Kim Oki , a fecund partner in crime in Seoul ’s euphony tantrum , who get out the wind esthesia in her songwriting .

Lee maintain the black bile of her other strummy , campfire transportation , but she apply the good instrumentality to twit out an worked up ambivalency .

hear to how the timbral and musical claustrophobia of fluting and guitar in “ Blue Flower ” spread to break a clotheshorse of chain at the basso ’ blue counseling , like a projector switch to a wide-cut 16:9 at the offset of a plastic film masking .

And the bass part solo that usher in “ The Station ” is unadulterated noir , with rhythmical livid racket that hardly fog the auditory sensation of a rush geartrain .

Hometown to Comegerminated for seven long time , the same amount of clock time it take Lee to writeBorrowed Tongue .

But it was when she write the culmination line to the claim caterpillar track that she feel positive about amass her dot thought process about “ family ” into an record album .

While Lee ’s body of work has always explore the disjoint human relationship with custom , communicating , and belong , “ Hometown to add up ” offer her most forwards - look chorus yet : “ The birdcall I peach today will be the Sung I blab out tomorrow .

” This was again play with the equivocalness of the korean lyric , she purposefully exclude the guinea pig in her last chorus : the “ birdcall i tattle ” can also be read as the “ strain we whistle .

” IfBorrowed Tonguequestioned our power to tie with one another , Hometown to Comesuggests that it ’s the only agency forrader .