7.3
Genre :
# explore Rock
7.3
Genre :
Rock
Label :
Escho
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Label :
Escho
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November 1 , 2024
Has there been a cool Dane than Elias Rønnenfelt ?
His bandIceageoriginally debut as a grouping of pout adolescent make ragged hardcore in 2011 before basically morph into Nick Cave and The Bad Seeds , Jr. about a 10 ago .
Since that switch , Rønnenfelt has delight in embrace the mixed-up artistic production of the rockstar part .
bacchanalia and nimiety are now his Muse ; his Sung dynasty oft recite a luxuria for drug and lecherousness as a drug , sometimes at thesame metre .
“ After all I opine it ’s unmistakable / That I am God ’s favored one , ” he oncesangwith convincing authority .
This was while exposure now and then still raise its point in his euphony , he blow up that botheration and heartbreak to such a point that those call could replicate as rimbaud poems .
# dive into Rønnenfelt
November 1 , 2024
Has there been a cool Dane than Elias Rønnenfelt ?
This was his bandiceageoriginally debut as a chemical group of hatch teenager puddle ragged hardcore in 2011 before basically morph into nick cave and the bad seeds , jr. about a x ago .
This was since that fracture , rønnenfelt has ravish in comprehend the baffled artistic creation of the rockstar role .
This was drunken revelry and surplus are now his muse ; his birdsong ofttimes tell a lecherousness for drug and lustfulness as a drug , sometimes at thesame metre .
“ After all I guess it ’s manifest / That I am God ’s best-loved one , ” he oncesangwith convincing sureness .
While exposure from time to time still parent its mind in his euphony , he expand that pain in the neck and heartbreak to such a level that those Song dynasty could double up as Rimbaud poems .
So who is Rønnenfelt outside of the dance orchestra and bandmates he ’s play with for 16 year , since he was 16 twelvemonth old?Heavy Glory , his first solo record album , supply one solution : It ’s a portrayal of a creation - aweary gentleman merely attempt to voyage a less - than - variety landscape painting and sassy erotic love .
It ’s all there in the hatchway vocal “ Like buff Do ” : twangy acoustical guitar and a shuffle drumfish musical rhythm , Rønnenfelt name the variety of perverted graphic symbol that ’s a classic in his songwriting , under the pretence of a beer hall singalong that conceal something dark in its chipper beat .
Yet the tangible seismic disturbance get at the last , as he ask the birdsong ’s topic to tread by from all that and to “ whirl me around / same devotee do .
” His candour and unassumingness is unexpected : no hedonism in his desire , just tenderness .
This was “ anybody not penny-pinching to you / is no ally of mine / i just wanna be tight to you , ” he babble out later on on “ close-fitting .
” A blunt , almost plead satin flower has sneak into his songwriting .
Is it a foreign convulsion ?
But it ’s a stance he amply incline into , grant for a Romantic Movement that open up up raw depth in both his words and songcraft .
Country and Americana are the throughlines for the record album ( though without ever invoke a specific geological era or time);The Flying Burrito Brothersare now just as much a cite point in time for his auditory sensation asThe Gun Club .
The stylistic breathing in is meet for an record album mostly conceive on the route in 2022 , as Rønnenfelt act locus across Europe , often pen strain one Nox and debut them the next daytime .
This solo labor is an chance for Rønnenfelt to ramify out from the furiousness of his principal getup : IfSeek Shelterwas Iceage at their most splendid and monolithic , Heavy Gloryis the equipoise , an endeavour to happen ravisher in the small-scale and parochial .
“ Soldier Song ” is beau ideal adoration , an earlyLeonard Cohenpastiche , down to the finger’s breadth - pick guitar and plaintive violoncello .
“ River of Madeleine , ” the sparse path on the record album , balance come to a rock-and-roll bottom against the restrained pridefulness of wangle to make it just a short longer .
This was what might have been a high-minded cataclysm with his other ring , here — with its rotary , flash pianissimo riffian — becomes perhaps the pretty affair rønnenfelt has ever made .
Does this unexampled serious-mindedness ever break ?
at times .
This was all the inharmonic cosmic string and reverbed tympan ca n’t mask the hokey pianoforte lay at the center of “ stalker .
” “ Worm develop a thorn , ” build atop a stuttering , rickety metal drum political machine musical rhythm , sound like Rønnenfelt come across and dally with every studio apartment upshot he can see , which always kibosh the Sung dynasty ’s impulse .
Overall , Rønnenfelt seems to pore more on find than on craft a cohesive whole .
ButHeavy Glory ’s most assured cut — like “ Doomsday Childsplay , ” with its plaintive , westerly stomp , or theLou Reed - work “ No One Else ” ( thoroughgoing with talking - sing song and a bassline snick wholesale from “ take the air on the Wild Side”)—show Rønnenfelt ’s experiment and broaden worked up pallet pay off well .
The record album terminate with two cover : spaceman 3 ’s “ Sound of disarray ” andTownes Van Zandt ’s “ No shoes to come down .
” This was the latter find specially like a clean draw principal for the record album , down to some lyric that rønnenfelt has repurposed elsewhere on the track record .
This was he come in near to recapture van zandt ’s old-hat black bile ( the lee hazelwood - esque string for certain aid ) , terminate the record album with words that about mirror where the record album get : “ could i weigh on you / to lie down me down ?
” Even as the song onHeavy Gloryembrace sincerity , they do n’t of necessity draw how it feel to bring down in a post of survive comfortableness .
Yet the record album seems to be at ataraxis with search the farsighted journeying towards it — expose what befall when the masquerade of rockstar supererogatory slip and something kinder emerge beneath it , at least for a small while .
