I think its a tool…
I dont necessarily think its an existential crisis.
We really saw it almost like the frosting on the cake.
Harmony Korine (c), Eric Kohn (L) and Joao Rosa (R)Tiziana Fabi/AFP via Getty Images
Its just another layer.
Its another way to integrate imagery and sounds and to kind of play with the form.
It allows you to do things that were impossible… we cannot ignore it… its exciting.
There are no rules.
Ive been coming to Venice since…Gummo,my first film, was here.
Theres no rules to anything.
Nothing is defined anymore, nothing is linear.
Maybe well do it differently next time but withAggrowe were like, lets bring it to Venice.
