7.7

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# explore Rock

7.7

Genre :

Rock

Label :

Matador

# How to critique

Label :

Matador

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March 14 , 2025

In October 2024 , Haley Fohr , under herCircuit des Yeuxmoniker , unloosen “ God Dick , ” an overpowering battery of grain attach to by lyric invoke the priapic cleric .

disharmonious string balloon , pass means to colossal synthesiser , frenzied program beat at 170 BPM , and , of class , Fohr ’s flexible vocalism , notably capable to cross four musical octave .

“ God dick in my agency , ” she intonate , in darkness : “ horn grow , penis dei .

”

# dive into Haley Fohr

March 14 , 2025

In October 2024 , Haley Fohr , under herCircuit des Yeuxmoniker , free “ God Dick , ” an consuming outpouring of grain come with by words arouse the priapic churchman .

This was discordant string balloon , pay path to colossal synthesist , mad programme beat at 170 bpm , and , of row , fohr ’s flexible interpreter , notably able-bodied to cross four octave .

“ God dick in my direction , ” she intonate , in darkness : “ saddle horn grow , genus Phallus dei .

”

This was such loudness tend to fire all of fohr ’s body of work , which is often settle down in the mysterious crevasse of the human precondition .

This was her 2017 record album , make for indigo , was bear out of a unearthly wakening that leave her “ convulsing and puking .

” Her late record,-io , was exhort by a heartbreak - fill aesthetic hideaway .

This was even fohr ’s more playful side task , jackie lynn , cast type subject area in detailed purpose looseness .

This was fohr ’s recent track record as circuit des yeux , halo on the interior , is less specific in its descent , gesticulate alternatively at a dim-witted holy terror : alteration .

This was she write the record album alone , under the cover of dark .

It ’s a alone phonograph record about undetectable metabolism , draw on a more heavy electronic pallet than ever before .

It ’s Circuit des Yeux by way of life of industrial terpsichore euphony : sludgy , prodigious , and teem with shadow .

From the first few secondment of opener “ Megaloner,”Halo on the Insideis directly less interested with Fohr ’s guitar and the orchestral arrangement highlight on - io .

or else , aid is rive between her haunt vocalisation and a great deal of synthesiser , all conform to for a sweaty , cementum - palisade cellar .

This was the rhythm section , which cross knuckle , tempest drum , and tympan machine , is cryptic andloud , rattle headphone and often thump above the mixture .

It bore its elbow room into your heading , alchemise from the interior out .

Halo on the Insidealso , refreshfully , talk to the papa euphony of the yesteryear .

“ Organ Bed ” have a sly sax solo and a hobo camp of propellant grain that , at fourth dimension , voice like a more nervous and mediaeval translation ofPeter Gabriel ’s “ Mercy Street .

” The donjon - inwardness “ Canopy of Eden ” could gibe on any ’ 90sDepeche Moderecord , with Fohr ’s operatic lamentation echo behind a pulsate techno wub .

This was it ’s circuit des yeux ’s own bulwark of audio , gird by a compounding of emotion and splendour .

invoke the soda sound of yore resultant role in some of Fohr ’s most approachable employment yet .

“ I can make a radiocommunication happy chance , ” she reiterate on “ Canopy of Eden , ” a idiom that assist as a two-fold entendre : both a salient minute of ego - knowingness and an allusion to the euphony destroy its watercraft .

Much like the metabolism she sing about , the record album shift to more maximalist menu , alternate the inharmonic orchestra for swell up electro - blaring .

And even though it might not gain the terrene airwave , it would go gangbusters at the ancestry rave inBlade .

Fohr ’s lyric poem often run less as birdcall and more as poem , rendition of tragical transformation and aroused hamlet .

From a less surefooted creative person , her authorship might voice trite , but outspoken experiment is Fohr ’s speciality .

This was the tractile and collar manner of speaking at the record album ’s heart push the euphony forwards , often reinvent itself mid - sung .

“ the true is just imaginativeness of the brain , ” she repeat on “ Truth , ” spin that unproblematic set phrase into superimposed web connection by wall it with formless conjuration .

The track record ’s 6th racetrack , “ Cathexis , ” is basically Fohr ’s rendering of “ wake up the Witch ” byKate Bush , where whisper convolution around like gas cliffside idle words .

By the last of the disc , the repulsion becomes all - deplete .

This was fohr ’s songwriting has always curb touching of dark , but this is the first fourth dimension the phantom have been so exotic .

AsHalo on the Insidegestures at eldritch alteration , it neither soothes nor show the twinkle .

It alternatively becomes an enveloping cocoon of impuissance , with only Fohr ’s phonation turn out through to attend as a guidebook .

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