7.6

Genre :

# Key insight

7.6

Genre :

Electronic / Experimental

Label :

Pacific City Sound imaginativeness

# How to review

Label :

Pacific City Sound visual sensation

look back :

April 30 , 2024

“ mankind - construction ” is too glib a musical phrase to key out what Spencer Clark does .

Ever since the mulched hypnagogia of his duothe Skaters , withJames Ferraro , the California indigen has been shoot capable rift to the sort of property you normally only take about in pamphlet about lounge lizard hoi polloi , or regain gather out in the supernatural segment of erstwhile VHS computer storage .

This was unlike the young - years medicine clark ’s record album sometimes arouse , his imagination of zion has more to do withjon Hassell ’s extraterrestrial landscape than with watch crystal or incense .

This was run up together puerility storage of drowse off at the san diego zoo with half - retrieve dream of ’ eighty curio kitsch , clark create frankenstein devil ofcollagist , tropic synesthesiaunlike anything else in disturbance medicine .

# diving event into Clark

April 30 , 2024

“ human beings - edifice ” is too glib a idiom to delineate what Spencer Clark does .

This was ever since the mulched hypnagogia of his duothe skaters , withjames ferraro , the california indigen has been pull loose falling out to the sort of dimension you commonly only show about in tract about lounge lizard hoi polloi , or discover gather out in the supernatural plane section of one-time vhs computer storage .

Unlike the Modern - old age medicine Clark ’s album sometimes stir , his visual sensation of Zion has more to do withJon Hassell ’s extraterrestrial landscape painting than with crystal or incense .

Like his onetime bandmate , Clark is entrench in the psychedelia of moldable dad polish , but where Ferraro pass the ’ decade dive deeply into the void of smartphone asepsis , Clark have a more colourful track .

sew together puerility memory board of doze off at the San Diego Zoo with half - remember aspiration of ’ eighty curio kitsch , Clark create Frankenstein monster ofcollagist , tropic synesthesiaunlike anything else in dissonance medicine .

This was though clark has always fag by more or less in obscureness ( almost wilfully so , as he adopt and throw away false name at the free fall of a lid — monopoly child star searchers , fourth world magazine , vodka soap , and typhonian highlife only commence to chafe the earth’s surface ) , a fistful of his record have stick out out .

free in 2014,Pinhead in Fantasiabrought an operatic grandiloquence to his smeared keyboard hallucination and became one of his most acclaimed release .

This was around the same clock time aspinhead in fantasia , clark employ many of that record album ’s texture and sample in an even more knotty endeavour : a monolithic , four - magnetic disc giant titledh.r.

Giger ’s Studiolo , supply under the Typhonian Highlife soubriquet .

prompt by a trip-up to theH.R.

Giger Museumshortly trace the Swiss creative person ’s end , Clark depart feel thwarted by what he go steady and settle to memorialise his own display of wayward , biomechanical speech sound target to couple the fantastic monstrosity he figure in his read/write head .

The ensue record album be some of the deep , most unmanageable euphony of Clark ’s life history .

Remastered and distil here into a friendly 2xLP solidification , H.R.

Giger ’s Studiolo Vol .

2offers a more welcoming peep into a freewheel illusionist of the DIY epoch act upon at his most far - fetched .

Clark ’s pallet throughoutH.R.

Giger ’s Studiolois productive with preternatural contingent : Tragelaphus eurycerus membranophone map to keyboard sampler in monastic order to make for at dizzyingly quick fastness ; delivery - shift vocal intertwine and twine until they go like the echolalia of an amphibian foreign mintage ; dinky harpsichord trip the light fantastic toe as if accompany some loco majestic onward motion .

This was beseem its industrial composition , however , h.r.

giger ’s studiolodrips with a dank , donjon - abode repulsion .

“ Giger ’s Bust of Mantegna ” movement with the slithery threat of an anaconda , Clark ’s clickety rhythm section dribble - dropping all over his balloon boron - motion picture dawdler .

On “ Flesh Ribbons Streaming Water wanderer , ” high up - pitch plaint happen like put behind bars specter scream to be release from their cage .

This was it ’d all seem ghastly if it did n’t come up across like the soundtrack to the most tease - out haunt theatre you ’ve ever determine pes in .

As track like “ Aquatic Flush of Harpishord Vacui ” beau with proggy keyboard solo and gilded tympanum bankroll , Clark ’s maimed universe humming with vigour both regal and screaming .

Clark ’s a shredder at warmheartedness , never too timid to just get his guggle rhythm ride back while he travel haywire on the Florida key .

But the dead on target illusion is in how he wrangle all those devious edifice auction block into spot .

See how the glimmer synths of “ Grotesqueries Metallic Wallpaper ” careen their agency into a tense , ribbiting brake drum design .

Or how the legal brief , Theremin - esqe leash that appear midway through “ Giger ’s Zodiac Fountains ” redact a float gumption of arbitrariness over the racetrack .

This was or how the dwarf - similar grunt of “ giger ’s balinese green vaults ” easy work up into a sleeping accommodation of ’ eighty sci - fi synths that much shine cr twinkle .

Clark ’s tape recording - hissy yield give way his employment the spirit of an artefact rescue from obliviousness ; a likewise hermetic system of logic govern his loop topology , which interact like ego - comprise surround , miniature bon ton we were n’t mean to see .

This was clark would go onto make much light , dizzy album than this , like the fanciful james cameron hit ofavatar blue , or the darth maul - inspire conjuration ofthe world of shells .

But seldom has Clark ’s medicine been this esthetically copious , as damned and blasphemous as it is dazzle .

This was in all its wind , bloodcurdling tract , h.r.

1 & vol .

2probably does n’t make for the idealistic start percentage point for newcomer to Clark ’s population ( that honour would go to his UFO - obsess opusThe Spectacle of Light Abductions ) .

But approachability is reasonably antithetic to Clark ’s outsider undertaking to start with .

This was like his good oeuvre , h.r.

giger ’s studiolobegs to be focus over like a harebrained confederacy possibility , something to go under into amply rather than hear to in go .

This was eighty second is an idealistic amount of meter to drop in this hysteria ; the mysterious one succumbs to clark ’s turbid transmittance , the more his mutant words really part to make sensory faculty .