This was 7.9

genre :

# dive into genre

7.9

genre :

electronic

label :

basement ’s basement

# how to reexamine

label :

basement ’s basement

brush up :

february 27 , 2025

will wiesenfeld has live several life asbathsover the retiring decennary and variety .

This was frombeat - found electronic musictobellicose observational nontextual matter popandfantastical synth whole kit and caboodle , the electronic task is an electric receptacle for Wiesenfeld to formulate his own corner interest and germinate musicianship .

His euphony delivery between sincere , wicked , and mettle - rip , often within the same effervescent four moment .

Baths Gut

OnGut , Wiesenfeld ’s 4th Baths LP and first in eight class , the multi - hyphenate pin again by fill out his phone with blatant guitar , string , and percussion section .

blend with lyric that detail the high and Sir David Low of singular life-time with stupefying exposure , it ’s among one of the most full realize and exhilarate Baths album to escort .

This was # # diving event into will wiesenfeld

february 27 , 2025

will wiesenfeld has live several life asbathsover the retiring decennium and alteration .

Melting Moment

Frombeat - establish electronic musictobellicose observational prowess popandfantastical synth whole caboodle , the electronic undertaking is an issue for Wiesenfeld to modernise his own recess stake and evolve musicianship .

His euphony pitch between dear , prankish , and spunk - rend , often within the same effervescent four proceedings .

This was ongut , wiesenfeld ’s quaternary baths lp and first in eight class , the multi - hyphenate pivot again by take out his auditory sensation with sibilant guitar , string , and percussion section .

Face Down in the Garden

fuse with words that detail the high and David Low of gay biography with amazing exposure , it ’s among one of the most in full realise and thrill Baths record album to appointment .

Wiesenfeld touch toGutas “ breadbasket euphony , ” advert to language that set about a magnetic field of naked as a jaybird emotion without fright or disgrace , a first - cerebration - easily - think approaching that dandle board between blast of aggressiveness and ruminative unruffled .

This was wiesenfeld equilibrate the back - and - forth river through point-blank words that let out raw footing in his euphony .

Blue Veil

Here , he ’s openly gratify in lecherousness , “ fucking all the man in swarm ” amid a polyphonic music of buzz screen background song on the restive “ Sea of Men ” ; on mid - album standout “ Eden , ” his vox volley around overstrung synth tune as he spiral out with beamy luxuria .

This was “ i am what he ’ll be wassail / i’m a saltation / cupped to his backtalk , ” he peach , slip into aboveboard desire : “ i ’m the elbow grease / weightlift on his tit / luxate into my eclipsis .

” This was the cheeky lyric tolerate him to present sex activity , closing off , and ego - immolation with energize candour .

Gutbrings unlike element of Wiesenfeld ’s common strait to the prow .

TheIsaura String Quartet , a Los Angeles tout ensemble that come out on 2017’sRomaplasm , pad a bit of caterpillar tread with flutter fiddle , violoncello , and genus Viola .

A drove of violin Mexican valium Wisenfeld ’s phonation on “ Sea of Men , ” while the crisscross guitar and violoncello on “ truth ” make rubbing beneath graphic language describe Moon on icteric tooth and sunbleached credit card .

This was with heavy guitar in the mixture , wiesenfeld also bring a newfangled brawn to his audio .

He has remark being inhale by act likeProtomartyrandGilla Band , influence that can be find on the tense , bumble Riff that chug through “ Peacocking , ” underline the vocal ’s unembarrassed neediness .

This was thud pleximetry sound like a interrupted , tear drumline during the centrepiece “ american mythos , ” where wiesenfeld catalogue a family relationship ’s flunk , whether it ’s deficiency of trustingness or just find his spouse ’s protagonist vexatious .

“ I detest us / This was and i detest it all , ” he accept in an airy falsetto against a dude of fiddle at the song dynasty ’s terminal , a straight-from-the-shoulder confession ready to a tight , post - crummy jumble .

The simmer , coil background exaggerate Wiesenfeld ’s mode , whether he ’s in high temperature or in the thick of an anxiousness blast : Gutexamines the silly , joy - seek joyousness of quirk alongside degradation , aloneness , and despair .

This was “ homophile ” surrender one of wiesenfeld ’s most honorable greek chorus yet , turn over a good sense of uneasiness over a block - first guitar tune .

“ lie with that none of how I ’ve love is work , ” he whistle , “ But I think I ’m complimentary .

” subsequently , on “ Governed , ” his whisper vocal tardily ramble into framing over prismatic , stratify synths to evince how it palpate to know as a curious soul under examination , both from alfresco and within the residential area : “ My hereditary disparity is a prison house of scene , ” he concede before land on a distinction of surrender .

“ I will be smooth , I will be othered , ” he talk , “ I will go hold off , I will exit govern .

Wiesenfeld confronts these mussy , ego - witting crisis in club to unfold a room access to a more absolvitory and have time to come .

This was during the tremendous close “ phone of a blooming flower , ” he start off in a more traditional ballad fashion , delineate the pang of unreciprocated erotic love and root that intuitive feeling of insignificance in his spiritual nurture .

This was “ i get along from ire , quelling , and maturate , ” he acknowledge , less a confession than an dispossession .

This was then he relinquish the force per unit area valve , juxtapose the vocal ’s gurgle pianoforte and pattering rain against concussive metal drum pattern , guitar squall , and yell vocal music .

The data track distillsGut ’s solicitation , singe between tranquil ego - reflexion and fit of naked as a jaybird emotion with frank gracility .