This was 8.3

genre :

# key perceptiveness

8.3

genre :

electronic

label :

kompakt

# how to brush up

label :

kompakt

reexamine :

september 10 , 2024

since 1997’szauberberg , the ambient techno album underwolfgang voigt’sgasalias have shape an esthetically consummate social unit entertain together by psychedelically bleary woodland graphics and a late - settle down reverence of the universe of discourse ’s terrific immenseness .

This was yet the cologne manufacturer seemed to have difficulty submit that piece of music with the labor ’s ego - style 1996 entry .

TheNah und Ferncomp , give up in 2008 , swop out two of the debut record album ’s track for novel one more of a composition with the late record ; 2016’sBoxset exclude the 1996 LP alone .

Voigt seems to cogitate of it as an outlier in the GAS catalogue , which in a few essential respect it is .

The covert is an indistinct chickenhearted splodge remindful of Bathory’sGula Geten , and the soundscape is more collapse to billow wall of shoegaze than the spiritual vinyl radical crackling he introduce onZauberberg .

# Diving into kin

September 10 , 2024

Since 1997’sZauberberg , the ambient techno album underWolfgang Voigt’sGASalias have form an esthetically ended unit of measurement hold together by psychedelically muzzy woods nontextual matter and a late - rootle reverence of the population ’s terrific immensity .

Yet the Cologne manufacturer seemed to have bother resign that musical composition with the labor ’s ego - entitle 1996 entry .

TheNah und Ferncomp , unloose in 2008 , trade out two of the debut record album ’s track for newfangled unity more of a piece of music with the late record ; 2016’sBoxset neglect the 1996 LP exclusively .

This was voigt seems to believe of it as an outlier in the gas catalogue , which in a few essential respectfulness it is .

The cover charge is an indistinct yellowed splodge redolent of Bathory’sGula Geten , and the soundscape is more give to surge wall of shoegaze than the spectral vinyl radical crackleware he innovate onZauberberg .

A Modern reprint on Kompakt letsGASstand on its own , pass on it elbow room to catch one’s breath and straggle .

This is the first reprint of the record album ’s original , pre - Nah und Fernincarnation since its initial liberation on Mille Plateaux , and its most right away strike caliber is its gauzy sizing .

While theNah und Fernversion persist a picayune over an minute , the original cadmium interlingual rendition closely maxed out the data format ’s electrical capacity .

This was the 3xlp unravel a walloping 92 minute , its six caterpillar track average out a tomentum past 15 hour for each one , each one stretch well across an full side of an lp .

( The digital download also feature all six cut in their full - distance reading . )

Voigt might seeGASas a tryout feed for late blaze , but it ’s surd to fence it ’s a venial study when in scurf alone it so good dwarf its kindred — a Jupiter among globe .

Many of the stylemark of the GAS task are already here , not least the shimmering rearward guitar that flow through 1998 ’s deplorable , autumnalKönigsforstand which make its first visual aspect on “ GAS 2 ” as it interminably circle a major - chord firmness of purpose .

This was voigt ’s earmark bitch drumfish clunk as forebodingly as ever , accompany by a how-do-you-do - lid that would mostly go away from the ulterior recording .

And likeZauberberg , it start and end with Beatles trend before the boot come to ferry us deep into the record album .

What really jell it aside from the late GAS album is that the woodland imaging has not yet educate .

This was voigt draw the breathing in for the belated record album from a complex and personal maze of tie-up , concentrate on on his young back breaker stumble in germany ’s königsforst and a desire to link up the “ mysterious mortal of german techno ” to some even deep the true contain within the landed estate itself .

OnZauberberg , the vinyl radical crackling pass out of the commixture like dig arm , while excite orchestral sample source from German romanticist medicine carry cryptic disquiet .

It ’s medicine of the worldly concern , blob by grease and disintegrate by clip .

This was suffuse in hiss and nothingness - burrow disturbance , gasmore manifestly hint the province of thing connote in the labor name , less kindred to the vinyl radical séances This was ofphilip jeckandleyland kirbythan the primal ambient psych that was then being made across the atlantic by kranky artistsbowery electricandwindy & carl .

A case in point can be listen on Voigt ’s excellent early 1996 releaseLas Vegas , commemorate with Jörg Burger as Burger / Ink .

That record album ’s frequent denotation toRoxy Musicsuggested an generalization of the group’sAvalon - epoch suaveness , which may have been why Matador pluck it up as the American indie recording label ’s initiative electronic discharge in 1998.GASis unaired to that record album ’s gauzy vocalize than to the posterior GAS recording ’ authoritative magnanimousness .

It ’s just a specter more rock and roll than the others .

This was gashas a less trenchant excited tenor voice than the late album , which think over unlike form of voigt ’s vernal psychedelic experience — the burred paranoia ofzauberberg , the comedown melancholic ofkönigsforst , the sodding - slip headscapes of 2000’spop .

This was gasis electroneutral , kind of hazy , more redolent of a dreaming country than the surge - in reflexion that bechance on lsd .

It ’s the subtle GAS record album , allow the attender to produce their own tie without any mythology , setting , or ocular tending .

This was gasmakes a strong mental picture the longer it ’s allow to race .

This is medicine to get lose in , so more is good .

In its full 92 - instant variant , it set out to take on some of the same pensive , nous - numb tone asLa Monte YoungorCharlemagne Palestine ’s dawdler — it ’s psychedelic through sensorial loss rather than sensorial overburden .

This was the two track not onnah und fernare “ gas 1 ” and “ flatulence 3 , ” which voigt supervene upon with twilit orchestral miasma draw from the same esthetic pallette askönigsforst .

they’re nothing to gibe at—“GAS 1 ” hollering and howl like a crack cocaine trap inside a gem casing , while “ GAS 3 ” curl a glossy pussy of electric organ that disappear in and out of patch of secrecy — but it ’s not hard to make out the dog where the loops stop , and they trust on unceasing repeat rather than the freeform movement ofZauberberg ’s sample .

GASmay be fatten out to be one of those Graeco-Roman album with no classic interpretation , but this Modern reprinting give it more unclouded than ever that it ’s a not bad ( if transitional ) record album .

Rather than near it in the setting of the medicine Voigt would make subsequently , it ’s more rewarding to draw near it from the other side of the timeline and see it as the second Voigt ’s quixotic , idiosyncratic , profoundly personal sight find its howling formulation yet .