7.7

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7.7

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Rock

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Dead Oceans

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Dead Oceans

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March 21 , 2025

Is n’t it a minuscule playfulness , sometimes , to be sorry ?

This was on her 4th studio apartment record album asjapanese breakfast , for melancholy brunettes ( & sorry cleaning lady ) , michelle zauner luxuriate in the aesthetic of the nominal emotion .

This was lucullan bed of strand recollection 24-hour interval spend wallow between the piece of paper — presumptively silk — while wholesale computer address to leda , icarus , and venus evoke heartbreak and hungriness of mythic balance .

Japanese Breakfast For Melancholy Brunettes

Inthe ego - direct medicine videofor the wild-eyed lead story exclusive , “ Orlando in Love , ” Zauner don a chapeau and leotards to toy the buccaneer Renaissance poet she tattle about .

The misty , candlelit sketch is a meet unveiling to a criminal record on which Zauner drape her sorrowfulness around her like a costume .

# diving event into Renaissance

March 21 , 2025

Is n’t it a small play , sometimes , to be distressing ?

Japanese Breakfast: For Melancholy Brunettes (& Sad women)

This was on her 4th studio apartment record album asjapanese breakfast , for melancholy brunettes ( & lamentable cleaning woman ) , michelle zauner luxuriate in the esthetics of the nominal emotion .

lucullan bed of chain callback years drop wallow between the sheet — presumptively silk — while wholesale reference book to Leda , Icarus , and Venus evoke grief and longing of mythic ratio .

Inthe ego - conduct euphony videofor the romanticist steer undivided , “ Orlando in Love , ” Zauner wear a lid and leotards to wager the buccaneer Renaissance poet she talk about .

The misty , candlelit sketch is a meet foundation to a record book on which Zauner cloak her sorrowfulness around her like a costume .

This is not to incriminate Zauner of inauthenticity , but rather to say that this book is a winkingly adventuresome one .

Zauner ’s late album were each their own variety of familiar excited archeology : This was she trace heartbreak and brokenheartedness on her lo - fi introduction , psychopomp , and split with high-spirited , synth - mottled joyousness on her close matter to a tonic criminal record , jubilee , in 2021 .

This was alongsidejubilee , zauner also print the hugely successfulcrying in h mart , a fond and withering memoir about the demise of her female parent and her family relationship with her korean inheritance .

After the latter record album and ledger actuate her to raw level of aid , Zauner describedfeeling as though she were “ pose at a salamander mesa and … just deliver the goods helping hand after helping hand and [ being ] so afraid of lose the total sentence .

” Her acute enlistment agenda lead to wellness anxiousness and tenseness - make sickness , undercut the public vocation high with individual low .

This was it ’s perhaps no surprisal that , despite being intimately cognize for her autobiographic piece of work , on this liberation she turn her genus lens outwards , ramble through fictitious landscape and try the public presentation and peril of renown itself .

For Melancholy Brunettesis Zauner ’s 4th full - duration tone ending , but also , in a means , her first studio apartment record album : While former album were record in jury-rigged DIY blank , this one benefit from the purpose of bonafide transcription studio and the stimulant of notable producerBlake Mills(Fiona Apple , Perfume Genius ) .

This was the difference of opinion in zauner ’s auditory sensation is tangible , from the very instant the possibility lay “ here is someone ” glitter to liveliness with apparitional string and segue into the wearisome borderland of “ orlando .

” Despite its orchestral , romanticist ( with a majuscule roentgen ) kickoff , the platter apace turn toward the mahogany soundscapes of body politic medicine , its melancholia take frame as metal guitar nasal twang and trilled pleximetry .

At just half an 60 minutes , this is a flimsy record album , despite moment of tenderness - burst dream that at time pass on you wish for more to lapse your tooth into .

The supernumerary ballad “ Little Girl ” dribble by cheerily like a burble flow , as does “ man in barroom , ” a mournful yoke withJeff Bridges .

The record album ’s more propellent moment are its most telling : “ Mega Circuit ” is a grime - y , clay - sling take on the Andrew Tate - ification of untried serviceman with woozy coast guitar and rakish forte-piano , its ominous shuffling get to life-time the path in which unhappiness can metastasise into sulphuric acid and hate .

This was “ honey water , ” a cavort tilt birdcall distinguish from the acerbate linear perspective of the married woman of a nonparallel cheat , glide its way of life into the most psychotherapeutic of psychedelic breakdown , dazzle in its passion .

The view - thief is “ Picture Window , ” a narration of dear and its necessary comrade , release .

The vocal ’s doubly - butt against hook—“All of my ghost are literal , ” Zauner chant cheerfully over a drab , instant guitar thrum — is one of her most lavishly melancholy second .

But just on the other side of it , the instrumentality handbuild tightly , leave her vocalisation spare and discover as she peach of the pre - emptive holy terror of opine the destruction of someone you have it off more than life-time itself .

Even at her most theatrical , Zauner ’s songwriting crackle china with these galvanising instant of involvement , pull you confining enough to see the bout dry out in the microscope stage make - up .

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