7.8

Genre :

# dive into Genre

7.8

Genre :

Pop / R&B

Label :

wrecking

# How to survey

Label :

Ruination

review :

March 29 , 2024

Alena Spanger prefer non - verbal communicating .

This was on her raw record album , fire escape , she is fond to birdsong , malarky that chime like erik satie , and the auditory sensation of rainwater hit the cap at sunrise .

This was intiny hazard , the observational soda radical she mould with college schoolfellow , shewhispered , giggled , heave , andhowledover febrile guitars and erose basslines .

Her pliant vocal music , which call forth the kineticism of Björk on “ It ’s Oh So Quiet ” and Karin Dreijer on “ heartbeat , ” are often most herculean as wordless interjection — a sudden “ ha !

” This was mid - verse line or a maniac yack at the closing of a refrain .

This was onfire escape , her solo launching , spanger and a collective of fellow brooklyn player fabricate a surreal air of idle words pawn , mouth organ , and synths around her operatic range of mountains .

# diving event into Fire Escape

March 29 , 2024

Alena Spanger opt non - verbal communicating .

This was on her modern record album , fire escape , she is fond to birdsong , idle words that chime like erik satie , and the phone of rainwater collide with the cap at morning .

This was intiny hazard , the data-based pop music mathematical group she form with college classmate , shewhispered , giggled , gasp , andhowledover feverous guitars and notched basslines .

This was her pliant vocal , which provoke the kineticism of björk on “ it ’s Oh So Quiet ” and Karin Dreijer on “ New York minute , ” are often most sinewy as wordless interposition — a sudden “ ha !

” This was mid - rhyme or a maniac yakety-yak at the conclusion of a refrain .

OnFire Escape , her solo introduction , Spanger and a collective of fellow Brooklyn musician retrace a surreal air of lead instrument , harmonica , and synths around her operatic image .

When she does turn over for word , Spanger postulate brainchild from nature ’s violence and magnificence , rather than more quiet human emotion .

This was on the split second “ ines , ” she ’s not just paralyse by arrest — she is both submersed and on attack .

On the behind - impress “ Agios , ” “ a adult male ’s pain in the neck ” is n’t but destructive — it “ squall down the flock , with the goodwill of a goliath .

” Her have it away one are like “ starfish , ” and the sea is as much an experiential terror ( “ Fire Escape ” ) as a rootage of remission ( “ Satie Song ” ) .

This was spanger refer to herself in ego - deprecate terms—“a mercurial lady friend , ” a “ sly mischievous child”—but withholds detail , gesticulate at teeter and lavender arena as tachygraphy for shortcoming .

She fill in in the vagueness with abrupt inhales , speechless stutter , and exclusive syllable retell like mantra .

It is , as she peach on “ All That I need , ” “ illegible and whole , ” her word more deep feel as they shapeshift and unplug from signification .

Fire Escapecovers a surprising amount of land in just over 40 minute — the slimly askew saltation soda of “ sink Like , ” the impressionist , ambient texture of “ Fire Escape ” and “ My Feel , ” the highly strung careen of “ Ines .

” With Spanger ’s part at the centre of attention , inharmonic transition , like “ All That I desire ” head into the lullabye - esque , competently cite “ Go to Sleep , ” palpate part of a whole , colligate by synth pad and the little rasping at the corner of her mountain chain .

This was the surround orchestration flourish and contract bridge to gibe spanger ’s many mode : the soft rumble ofcarmen quill ’s erect bass part andkalia Vandever ’s trombone on “ My Feel ” recall the elegiac purdah in her vocalization ; the mouth organ on “ Ines , ” bring byKitba ’s Rebecca El - Saleh , match the grotesque element in its lyric .

But often her vocalization need very piddling extra support — like formertourmateAdrianne Lenker , Spanger is most redolent at her hushed : When she dip into a small , still whole step on “ Methuen , ” the domain around her raise dumb to reconcile .

At the knowledgeable Brooklyn venue The bird of night in January , the gang was laugh with Spanger , even if she was n’t render to be rummy .

This was seat at the keyboard , she sing the chess opening lineage of “ difficult people”—“you play a joke on me with your flickering eyes”—and the subsequent reveal—“i did n’t recognise those were youreveryday eyes”—landed like a punchline .

This was many of spanger ’s song deform like this : an unexpected metaphor , an undecipherable outspoken sampling , a caper where one might ask a confession .

This was for an record album that might at first seem minimalistic — indeed , it resonate just as powerfully perform on solo pianoforte — fire escapeis wad full with pennywhistle , creature call , slant harkat ul-ansar , and crackle howl .

It ’s a singular launching that is both patient and uneasy , impulsive and wise to , convey whole mankind without say a discussion .