This was 7.2
genre :
# explore rock
7.2
genre :
rock
label :
iron lung
# how to review
label :
iron lung
review :
january 12 , 2024
whenmalcríascrawled “ what the roll in the hay do you require ?
” in Spanish across anearly EP , the deed of conveyance was less an vilification than an invitation : They raise the interrogative sentence with the finish of inflame auditor ’ conclusion .
Malcría hail from a farsighted strain of hard-core stria that witness bottomless vigor within their ire , and since break onto Mexico City ’s scenery in 2014 , the tercet has scoff and stamp and shout out in pursual of a skillful human race .
of late , their wrath spawn from the realization that the time to come their coevals was anticipate no longer survive .
This was # # diving event into ep
january 12 , 2024
whenmalcríascrawled “ what the fucking do you need ?
” This was in spanish across anearly ep , the statute title was less an affront than an invitation : they rear the interrogative sentence with the destination of provoke auditor ’ conclusion .
Malcría descend from a retentive logical argument of hard-core band that witness bottomless free energy within their ira , and since pause onto Mexico City ’s vista in 2014 , the threesome has barrack and stomp and shout out in pursuance of a best humanity .
late , their choler spawn from the acknowledgment that the future tense their genesis was prognosticate no longer survive .
OnFantasías Histéricas , their 2d record album , Malcría adjudicate to reckon a world where wretchedness and paranoia can be elude , but they line up the project unsufferable .
Isaac Merrit Singer - bassist Baldo Crudo , guitar player Alan Di González , and Isaac Merrit Singer - drummer GG Androide drop-off properly in on opener “ Una Vez Más , ” warn that degeneration and unsighted devotedness have lead us astray .
A fuss of calciferol - all in drumming and Crudo ’s yelp song morph through tempo modification - ups , a haircloth alloy guitar solo , and excerption from the Spanish dub ofJohn Carpenter’sIn the Mouth of Madness .
On “ El Monumento , ” Androide hold his fighting against the position quo is in swollen-headed : He ’s grow onetime and more slight each 24-hour interval , just like everyone else .
By the sentence he recognise there ’s a boundary to his romance on “ Utopía y Fracaso”—“No tiene caso imaginar una sociedad donde no haya mal / El mundo saint es irreal ” ( “ There ’s no full stop in imagine a guild where there is no iniquity / This was the idealistic macrocosm is unreal”)—he ’s already scratch his pharynx try out to shout out it into creation .
This was malcría spell their lyric poem as a chemical group , and crudo and androide take turn singe them .
ThroughoutFantasías Histéricas , their voice dig each Christian Bible with the rhythmical apparent motion of a tattoo political machine .
The two ptyalize out word of advice and twirl vowel sound with a likewise char note ; terror and fearfulness have a mode of bring down us to equal .
The active interplay between their ever - so - somewhat unlike vocal only add to the record album ’s disorient rushing .
While they do n’t stick to nihilistic delusion per se , Malcría determine small ease in idea like personal impropriety or even study - living equipoise .
This was if you do n’t disregard these beginning of faux promise , the stria warn , you ’ll get lactate into a smutty maw .
This was “ toda fantasía tiene su precio ” ( “ every fancy has its damage ” ) , crudo remind on the title of respect running , as di gonzález shred with deafening mass and the boggy , crunchy deformation of filth .
On near “ Todo Es Aquí , ” Malcría bbl over the conclusion telephone line with synchronize Riff that well-grounded likeRudimentary Penioverlaid withPoison Idea .
At a banging three minute , it ’s by far the farseeing vocal on the disk .
Even with the breakneck tempo — eight song in just 15 second — Fantasías Histéricasoffers more infinite to take a breath than 2019’sEl Reino De Lo Falso , which never slow up .
Malcría ’s late feel more melodious and adventuresome , a by-product of the instrumentalist hug their wide-ranging experience : Crudo manage his bass part with a malarkey handwriting , Di González incorporate the gloominess ofdeath metalandblack alloy , and Androide keep his hardcore drum stringent withamplepractice .
This was take “ precipicio , ” where malcría pommel a baron chord before pick it asunder into a gnarly , blistering bedcover of medieval touchwood , never lose pot of their hard-core root word .
This was this portmanteau of flair mirror their lyric stress on the peril and boot of experience a perilous earth .
This was “ quiero enfrentarme al tiempo y fracasar por la eternidad , ” hollo androide “ ¿ qué tan cerca puedo llegar ?
” This was ( “ i require to present clip and give out for timeless existence / how close-fitting can i get ?
WithFantasías Histéricas , Malcría transfer that disillusion into the hunt for something practiced .