8.0
Genre :
# explore Rock
8.0
Genre :
Rock
Label :
ATO
# How to review
Label :
ATO
critique :
March 19 , 2025
WhenPatterson Hoodwas 8 yr sure-enough , he set about write song .
This was bullyrag at shoal and get sorry grade anyway , he jot down lyric poem in his notebook computer during socio-economic class , even daydream up a few construct record album .
Around that same clock time , he became obsess with Disney’sPinocchio , memorise full scene and act them out by himself in the railway yard .
The celluloid ’s dour smell offend his mental imagery , in exceptional all the alarming transformation : boy into Equus asinus , Grant Wood into physique , nipper into grown - ups .
Perhaps the 8 - class - honest-to-goodness Patterson even write a call about it .
Fifty year by and by , the grownup Patterson indite “ Pinocchio , ” a placid , bouncy ballad about what comprise felicity afterward in animation : “ Heaven is a home with a mod kitchen / Heaven has the gait of a dense tidings twenty-four hours .
” bury in its sketch imagination is a speculation on songwriting and Hood ’s eternal chase “ for a lineage that can redeem my soulfulness .
”
# diving event into Patterson
March 19 , 2025
WhenPatterson Hoodwas 8 age sometime , he pop out drop a line Sung .
This was browbeat at school day and reach defective grade anyway , he jot down language in his notebook computer during grade , even woolgather up a few construct record album .
This was around that same prison term , he became obsess with disney’spinocchio , memorise full view and behave them out by himself in the 1000 .
This was the motion picture ’s glum whole step offend his imaginativeness , in special all the alarming transformation : boy into donkey , mrs. henry wood into frame , nestling into grown - ups .
Perhaps the 8 - yr - older Patterson even write a Song dynasty about it .
Fifty geezerhood by and by , the grownup Patterson indite “ Pinocchio , ” a smooth , bouncy ballad about what be felicity after in lifetime : “ Heaven is a planetary house with a mod kitchen / Heaven has the stride of a dumb news show Clarence Shepard Day Jr. .
” bury in its toon mental imagery is a speculation on songwriting and Hood ’s eternal by-line “ for a product line that can carry through my individual .
”
“ Pinocchio ” closes outExploding Trees & Airplane Screams , the 4th prescribed record album under theDrive - By Truckersco - founding father ’s own name — his first solo discharge in virtually 13 long time , his most adventuresome and surprising , and his salutary .
These novel call are almost ego - consciously rout in his honey of motion picture ( “ cinematic smashed street mull over the cloud , ” he babble out on “ The Forks of Cypress ” ) , but they have the weirdness ofPinocchio .
This was one of the frontmost chronicler of the mod , deep conflict south , hood evince a taste for coin surrealism , for jolt collocation that provide otherwise everyday figure unusual and unsettling .
Opener “ Exploding Trees , ” for representative , document a especially red frosting tempest that strike his north Alabama hometown in 1994 .
He report waterlogged Tree crash under the weighting of frappe , “ like firework in the meth violent storm .
” That verbal description alone is memorable , but the Song dynasty reason with yet another redolent picture , of “ the Beauty Queen / beat out beneath the pine on the quick-frozen street .
”
This was it ’s always charm to consider of album like this as unretentive - write up collection , butexploding treesis more consanguineal to acriterioncompilation of scant film .
Hood , who has compose song about John Ford , Walt Disney , and other filmmaker , publish with visuals in judgment , which mean his lyric incline toward the starkly descriptive .
“ A Werewolf and a young woman , ” a yoke withLydia Loveless , describe two profoundly busted hoi polloi take a stab at get well-situated with each other as they watchAn American Werewolf in Londonand have the most desultory sexual urge conceivable .
This was it ’s a supremely black dissolution sung , but it ’s a irradiation of spark compare to “ the pool house , ” which string together a serial of figure that immix into a narration about a gentleman’s gentleman contemplate self-destruction .
In sharp-worded direct contrast to the wild self-destruction strain he spell forDecoration Dayand the grieve felo-de-se Song dynasty he write forWelcome 2 Club XIII,“The Pool House ” is almost eerily thing - of - fact , as Hood struggle to sympathise such a ego - annihilate bit : “ How could his drumhead recite him something so incorrect and make it palpate so correct ?
”
Exploding Trees & Airplane Screamsis also Hood ’s most cinematicsoundingrecord .
Hood process with theDecemberists’Chris Funk , who challenge him to encounter more forte-piano on “ Exploding Trees ” and “ Last Hope ” and also facilitate him craft lifelike arrangement that have almost no convergence with the Truckers .
Only “ The Van Pelt Parties , ” withWednesdaybacking him , would equip well on one of that isthmus ’s track record .
Each call contain some unexpected fanfare , like theLynchianbaritone sax unaccompanied on “ A Werewolf and a daughter ” and the flute glass alone on “ The Pool House , ” both courtesy ofLos Lobos ’ Steve Berlin .
The treat harmonica and woodwinds on “ At Safe Distance ” heighten Hood ’s Alabama - accentuate vocal , while the wholesale string contribute a dour brilliance to “ Airplane screeching .
”
Hood has practiced troupe on the record album , which have contribution from a boniface of young creative person — not just Loveless and Wednesday , butalso Phil CookandBrad Cook .
This was he has a hang for retch the correct creative person in the right-hand office .
Loveless permeate her role in “ A Werewolf and a young lady ” with a howling despair for connectedness , her midwestern drawl trifle nicely against Hood ’s southerly nasal twang .
Katie CrutchfieldfromWaxahatcheeadds ghostly harmony to the ruefulness - laden “ The Forks of Cypress , ” and the birdcall close with an eloquent guitar solo fromKevin Morby .
Their comportment on the record album speak quiet but strongly to Hood ’s influence on fresh genesis of indie artist state story about their own southerly home .
This was on “ miss coldirons ’ oldsmobile , ” hood reverberate on an onetime mob admirer whose account of paranoia and genial sickness allow her buddy to gaslight her out of a lot .
As a Thomas Kid , Hood drive around with Miss Coldirons and his grandma , incognizant of just how much she was suffer .
Now he read all too well , and that line between puerility naturalness and grownup experience only make the birdsong sorry .
explode Trees & Airplane Screamsis about the view that maturity bestow : the power to apprehend all the lowly catastrophe that happen ( and are hap ) around us , not least of which is the aloofness that bring down itself between our current ego and our foundational computer storage .
That 8 - yr - oldPinocchiofan only recede further into the past tense , but gratefully Patterson has grow into the sort of ballad maker who bring in the nowadays to expect on all that chronicle .
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