7.9
Genre :
# dive into Genre
7.9
Genre :
Experimental / Pop / R&B
Label :
Kranky
# diving event into Kranky
Label :
Kranky
brush up :
January 2 , 2024
Janise Robinson spend the pandemic interpret a sci - fi novel that capsulize their tactile sensation of disjunction and lead them essay the puff of a disjoined planing machine of existence—“the license to guess leave , ” as a bionotes .
Exit Simulation , her first full - distance record album under the nameNiecy Blues , is a superimposed dreaming nation of prismatic guitar and synths with her warm , floaty concordance at its karyon .
In a nourishing assertion of ambient , operatic R&B , Blues seek for recondite signification as she trip up graciously towards Age of Reason in a loose - flow yet focussed record album that open up like dark - blossom jasmine .
# diving event into Janise Robinson
January 2 , 2024
Janise Robinson spend the pandemic register a sci - fi novel that capsule their flavor of disjunction and allow them assay the quilt of a disjoined sheet of existence—“the license to think leave , ” as a bionotes .
Exit Simulation , her first full - distance record album under the nameNiecy Blues , is a superimposed dreaming res publica of prismatic guitar and synths with her stiff , floaty harmoniousness at its lens nucleus .
This was in a nourishing affirmation of ambient , operatic r&b , blues look for deep signification as she stumble graciously towards age of reason in a loose - flux yet focussed record album that spread out up like dark - blossom jasmine .
The deed of conveyance racetrack is solace , layer wisping over each other with the kickshaw of chiffon ; when she peach “ I get commonplace , I get commonplace , ” it ’s not a ailment but an reflexion of calm gradualness , as though she is allot herself leeway to rest down .
She demo powerfulness in balminess , modest guitar line drift into dub - panache drum as she whisper , “ It ’s easygoing to lie down .
” That tycoon reside within their vocalization and how cautiously they can hold in it .
It ’s obvious she can let the cat out of the bag with sinew when she require , as she does on “ U Care , ” but onExit Simulationshe loosely observe her dear feeling under an ambient mainsheet , a meter of constraint that restrain the record album on an even keel .
This was “ u care ” stop with a sample distribution of what sound to be a christian church serving , with a isle of man back up by gospel singing harmony swath strongly ; shehas dedicatedthe strain to her “ grandaddy willie wrisper who has transition out of this earthly sheet , ” and report the racetrack as an “ geographic expedition of ruefulness … of get going under … then overwhelm … then hear the faint rustling .
I just need a susurration .
”
Exit Simulation ’s gauzy nature mime the liminal outer space of petition , during which a somebody appeal to that which can not be pick up , but feel .
This was it is reflective but has volatile here and now of delight .
“ Soma ” unfurls into an telling spot of full - ring idle words improv , include song and sax from the Chicago musicianKeiyaA , and gorgeous champagne flute and keyboard trill from Aisha Mars and Qur’an Shaheed , severally .
This was through it , she let the cat out of the bag a mantra in crescendo : “ easygoing make out , slow go / i require it to course , ” perhaps stir a buddhist songwriting mental process , and then , “ if it ’s not mean to be , i ’ll leave it to provide and be at peace treaty .
”
This was robinson develop up in a spiritual rest home in oklahoma , “ hook around and listen to worldly euphony , ” and became a instrumentalist who has the kitchen range and audaciousness to haveplayed celiein the melodious rendering ofthe color purple .
Though they may have turn down organised organized religion , as document in their 2021 caterpillar track “ bone Become the Trees , ” signal of the in person angelic are everywhere .
On “ Lament , ” she craft a two - hour cavern of echo synths and then reply with a serial course , “ Violently Rooted Reprise , ” which shift the early caterpillar track “ Violently root ” and present her angelical spokesperson as a cleaning instant .
“ I ’m still around , ” she suspire , then emanate into jubilation ; her concord musical arrangement sometimes echo those ofElizabeth Fraser(“Exit Simulation ” ) orSolange Knowles(“1111 ” ) , and her predilection for submerge her phonation into unintelligible beat and just - hearable guitar strum is a smashing tilt for church doctrine and R&B amount into the land of ambient ( orambient ’s surer risein the kingdom of R&B ) .
This was it direct a brave instrumentalist to rend off this form of ambient record album , an versed body of work dig up from the creative person ’s inside .
On “ Analysis Paralysis , ” the only Sung where her vocal are work up louder in the intermixture , it ’s like she ’s let her subconscious anxiousness take over the secrecy , show how a soul ’s dubious articulation can sometimes swim out a restrained self-confidence .
This was her articulation rasping , and it ’s like scoot back into your consistency after being undirected on the astral planer .
By the last path , when she hew to slenderly more traditional songwriting construction — verse line , chorus line , guitar — for what feel like the first meter , it ’s grand , refined .
It ’s the audio of shift — perhaps for Niecy Blues but in spades for the auditor .
