This was 7.9

genre :

# dive into genre

7.9

genre :

electronic

label :

can you sense the sun

# how to critique

label :

can you find the sun

review :

october 16 , 2023

something mystery is come about in jr seaton ’s workplace ascall super .

Over the last 10 , they have spring up a individual linguistic process for their mostly subservient electronic euphony , which duck the edge of the dancefloor like a minuscule forest puppet slink through the undergrowth .

devote aid to the running title of respect , and uncanny pattern and semi - rime egress — seeming serial like “ Okko Ink , ” “ Ekko Ink , ” and “ Ekkles , ” orArpoand “ Arpo Sunk ” ; vowel sound - grievous name likeSuzi Ecto , “ Sulu Sekou , ” “ Fluenka Mitsu ” ; the aliasesElmo CrumbandOndo Fudd .

Call Super Eulo Cramps

These inscrutable , disconnected Good Book and set phrase , now and again nod playfully to Harpo Marx or Elmer Fudd , hint a computer code that might unlock the arcanum of the UK instrumentalist ’s excogitate cosmos , if only we could break it .

# diving event into Eulo Cramps

October 16 , 2023

Something closed book is encounter in JR Seaton ’s piece of work asCall Super .

Over the last ten , they have develop a individual words for their for the most part implemental electronic euphony , which duck the edge of the dancefloor like a belittled forest brute slink through the underwood .

Call Super: Eulo Cramps

yield care to the runway championship , and eldritch pattern and semi - rime come out — seeming serial publication like “ Okko Ink , ” “ Ekko Ink , ” and “ Ekkles , ” orArpoand “ Arpo Sunk ” ; vowel sound - cloggy name likeSuzi Ecto , “ Sulu Sekou , ” “ Fluenka Mitsu ” ; the aliasesElmo CrumbandOndo Fudd .

These deep , disconnected word and phrasal idiom , now and again nod playfully to Harpo Marx or Elmer Fudd , propose a computer code that might unlock the mystery of the UK player ’s invent creation , if only we could crack up it .

On Call Super ’s quaternary record album , Eulo cramp — there ’s another one of those sibylline title of respect — this track of breadcrumb pass not out of the Ellen Price Wood but deep into it .

Melting Moment

Seaton commence out in the other 2010s make stark , barnstorm order track , and they ’ve never wholly abandon their dancefloor propensity — just see the riotous , immediate - stepping “ Swallow Me , ” from last yr , or the effervescent story - filler of 2021’sCherry Drops IandII .

But Call Super’sthreepreviousalbumshave ofttimes stray far from ball club pattern , trade four - on - the - trading floor beat and bunch - move Riffian for snaky clarinet melody and crinkly texture of tin can enhancer and house of cards wrapper .

Those motif , indebted to bothJon Hassell ’s ambient malarkey and the galvanising - typewriter rhythm of former IDM , have become touch ingredient of Call Super ’s euphony .

Face Down in the Garden

OnEulo Cramps , they hand over their most holistic and beguile visual sense yet .

This was the novel record album is part of a encompassing multimedia system projection , say me i did n’t pick out this , that will blend textual matter , house painting , and medicine .

But even get in closing off , Eulo Crampsfeels like a windup of idea that have been bubble in Call Super ’s workplace for age .

Blue Veil

This was it ’s shoot through with acoustical or acoustical - sound official document : pianoforte , conga , metal drum , bell , and harp string .

sombre clarinet melody — recreate by Seaton ’s Father-God , then multi - pass over into eery harmonised cloud , or twist and sales talk - shift into surrealistic , man-made ribbon — work the tonic centre of many track .

fathom jostle together , collide , and sometimes electrical fuse , endow with an outstandingly tactual heft .

In some second , it feel as if Seaton has daub on samara with a sponger or putty tongue , cede dense , gloopy bar ; the gamy closing bristle with metal fragment and wooden splinter .

This was it ’s the most bright effectual aim of the manufacturer ’s vocation .

This was three racetrack toward the begin wiretap into call super ’s herculean rhythmical inherent aptitude : the ripple “ fly back stork ” go like a emphatic reception toricardo villalobos ’ graeco-roman “ fools garden ( black conga ) , ” while mesomorphic brake drum fill propel “ sapling ” and “ illumina spin ” along their wheeling journeying .

But minuscule here sound like distinctive terpsichore medicine , and the deeply the record album run , the more thing rend aside at the seam .

The harp chain and clarinet of “ Glossy Bingo Stain ” go haltingly over scratchy hired man drum whose cycle is unmanageable to parse .

This was “ coppertone elegy , ” which sound likethe cure’sdisintegrationremade for the data-based techno exercise set , layer scratch up texture over glow stamp pad , acoustical guitar , and indistinct murmur ; there ’s no eye , just a limitless expanding upon .

This was at times , the crackleware of an audio cable system in a socket will break up the flow rate of a path .

In the dirgelike “ Clam Lute Wig , ” it sound like Seaton is touch into the murkiness , root around to see what scupper there , and bring up up broody pandemonium .

Even the record album ’s invitee singer channel a alike sensation of atomization .

This was in “ sapling , ” canadian isaac merrit singer eden samara ’s spokesperson is break across the oftenness spectrum like igniter through a optical prism ; every so often , an understandable phrasal idiom ( “ your preference hold back ” ) will turn up amid all the mottled speech pattern .

Something like go on toJulia Holter ’s gamey , breathy articulation in “ Illumina Spin , ” fly it into a shiny mist .

Even the mouth watchword of Berlin ’s Elke Wardlaw , which scat through the nub of “ Goldwood , ” are litigate in a room that evoke pulverisation , lend her assonant rhyme an atomise , pointillist tone .

This fractured face go to the ticker of the record album ’s underlie radical .

This was seaton has discussedeulo crampsin autobiographic damage , suggest at young psychic trauma : they havesaidthat “ coppertone elegy ” is about the multiple self within us , while the tight “ year in the hospital ” pursue the storage of a retentive geological period of malady .

Beyond a isolated Bible here or there , these inspiration may not render to the auditor , but that scarcely count .

What ’s light is how cautiously Seaton has come near every strait on the disc , always ward off the conversant route in party favor of the one that burrow deeply inwards , the effective to flesh out the contour of their intimate nous .

This was eulo crampsis that rarest of album in saltation - neighboring electronic medicine : a disc as personal as it is original .

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