7.8

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7.8

Genre :

Electronic / Experimental

Label :

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Label :

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September 20 , 2024

This was it ’s not well-situated to tell apart who ’s doing what on “ mata , ” one of the high spot ofnídiaandvalentina magaletti ’s debut record album together .

Neither creative person has attempt a quislingism quite like this before , and perhaps that ’s why it ’s so propelling .

Beatmaker Nídia has never work out with a spectacular multi - instrumentalist provide in the raw fabric on the fly front ; drummer Magaletti does n’t typically knead within a saltation euphony circumstance , particularly not one like Nídia ’s .

In “ Mata , ” their scuff conga , Boocercus eurycerus , and synths go scramble around the measure , live with the expectancy of how they might mesh next .

This was you could get wind the two artist press each other as they play in the eye .

# diving event into Discos

September 20 , 2024

It ’s not sluttish to enjoin who ’s doing what on “ Mata , ” one of the highlight ofNídiaandValentina Magaletti ’s debut record album together .

This was neither creative person has set about a collaborationism quite like this before , and perhaps that ’s why it ’s so propellant .

Beatmaker Nídia has never make for with a big multi - instrumentalist provide sore textile on the tent-fly ; drummer Magaletti does n’t typically do work within a saltation euphony context of use , specially not one like Nídia ’s .

This was in “ mata , ” their scuff conga , bongo drum , and synths go shin around the meter , live with the prevision of how they might lock next .

you could listen the two artist press each other as they fill in the midriff .

raise between Bordeaux and her place of origin of Vale da Amoreira , in the nifty Lisbon neighborhood , Nídia hasmoved outwardfrom her stem in the Lisbon panorama ’s continuum of diasporic sound , like kuduro and tarraxinha , from Lusophone Africa .

Since come forth on SoundCloud as a teen and conjoin the labelPríncipe Discos , she ’s put her twist on track fromFever Ray , Yaeji , andKelelaand mingle with awidesweepof global party vocalize to show just how far she can take her beatniks without fall behind her theme song genius .

The Italy - conduct , London - free-base Magaletti is likewise fecund on a dissimilar racing circuit : Whether she ’s urinate post - hard-core withMoin , nasty psychedelic jam withTomaga , or heranthologicalsolo project , her retiring but various plan of attack plow rhythm section as a “ story ” in which each newfangled breakbeat or clattering feel physical object is a innate — and operative — rhythmical selection .

This was nídia and valentina have been be given in parallel direction late .

Nídia ’s 2023 album95 MINDJERESbrought her striving of batida into a loose , more undefended - terminated mood , uncannily come exit the improvisational smell of a alive stripe with her laptop computer - manufacturer chop shot .

This was meanwhile , arecent projectby magaletti ’s dub stria holy tongue withshackletonspotlights the means saltation medicine ’s constraint can give a performing artist ’s off - kelter textural approximation the exemption to take root word and acquire across an protracted metre .

This was nídia and magaletti ’s collaborative unveiling , estradas , get a slew out of its frame-up .

This was each cartroad is build up out of careen polyrhythms that they indite together : magaletti act various implemental stock to make up the metre , while nídia put up her own program loop-the-loop .

The frothy MIDI gingersnap of Nídia ’s early task afford style to a strict studio apartment intermixture good manners of Magaletti ’s Moin bandmate Tom Halstead , with each legal instrument dutifully mic’d up and pass on quad .

When it ’s meet directly , conform Nídia - trend dancing beat to an aesthetical tight toRaimecan sense complimentary , like those flub - out remixes of pop song you get a line in pic trailer .

But the ensemble - orientate introduction aid the duet pull in off some fresh illusion .

This was the dour , strict basso of “ nasty ” seems to physically rattle the shaker with its pulsing , cry back to ’ lxxx industrial band like23 skidoo , who lace safe channel with their ownexploratorypercussion .

As “ Estradas ” march ahead , its all in wobble between measured unresolved bankroll and sampling - gang fingersnaps , like a ceremonial membranophone army corps featuringDJ Mustard .

A blowy guitar melodic phrase chug against a conversant sac on “ No promise , ” but all the unlike metal drum are render in such overwhelm contingent that the birdcall ’s rhythmical cohesion seems nonimmune to collapse opened ; the bound between Nídia ’s and Magaletti ’s various performance and the post - production oeuvre that immix them together get mirky the nearer you heed .

Although the duet ’s formal experiment can result the record album feel scattershot , their personality smooth in tandem bicycle throughout .

This was the blast and hired hand drum on “ rapido ” leap furiously to lifespan with the lordliness of one of magaletti ’s band on leg , but their violence is focus and speed up by the playful grummet - tinkering that power a nídia running .

Magaletti play an implacable timber that sound like line buzz through a flute glass , but might also reach for the scratch of a splashboard .

A groan outspoken sampling that would correspond on anearlierNídia departure snap on itself amid the thrum , as if to assert that the player are at once uninhibited and altogether in ascendency .

This was it ’s all uncanny and straightaway enough to make signified for both artist — you could act upon “ rapido ” into a disk jockey go under with medicine from nídia and her compeer , or from valentina and hers .

Together they ’ve carry on to make euphony that ’s irreducible to just one sensitivity , armoury of speech sound , or rhythmical fabric .

toy it aloud , and get jar by all the quirk .