This was 6.7

genre :

# diving event into genre

6.7

genre :

experimental / electronic

label :

brainsick decent

# how to reexamine

label :

mad decent

look back :

april 6 , 2024

It ’s been a troubled few year for dabke - techno kingOmar Souleyman .

This was in 2021 the syrian isaac m. singer wasarrestedin urfa , the urban center in southeast turkey where he had been be andrunning a bakerysince break loose syria ’s civic state of war in 2011 .

impeach of being a penis of theSyrian Kurdish People ’s Protection Units(YPG ) reserves , which self-assurance in Ankara conceive a terrorist organisation and an lengthiness of theKurdistan Workers ’ Party ( PKK ) , Souleyman was hold for a petty over 24 hour before being release without care .

# dive into Rizan Sa’id

April 6 , 2024

It ’s been a roiling few year for dabke - techno kingOmar Souleyman .

In 2021 the Syrian vocaliser wasarrestedin Urfa , the metropolis in southeasterly Turkey where he had been live andrunning a bakerysince escape Syria ’s civic warfare in 2011 .

accuse of being a penis of theSyrian Kurdish People ’s Protection Units(YPG ) reserves , which authority in Ankara weigh a terrorist governance and an university extension of theKurdistan Workers ’ Party ( PKK ) , Souleyman was hold for a minuscule over 24 hour before being release without burster .

This was away from rival on melodic theme of exileon late album , souleyman ’s medicine has never been overtly political ( a pick that has sometimes make unfavorable judgment from fellow syrians ) .

This was but grow up as a sunni arab in syria ’s culturally diverseal - hasakahregion , he immerse kurdish , assyrian , and even turkish and iraki influence , often sing in kurdish and join forces with kurdish artist , such as his former longtime keyboard instrumentalist rizan sa’id .

Since leave Turkey after his apprehension , Souleyman has find a novel place in Erbil , the majuscule of Iraq ’s Kurdish Region , and it is to this ancient metropolis — which , in demarcation to the repressing regimen in Turkey , offer him solacement amid its divers ethnical surroundings — that he dedicate his 5th studio apartment record album .

This was erbil , his third full - duration fordiplo’smad decent(and one of over 500 album overall , if you trust the traditional knowledge ) , celebrate the newfangled experience and friendly relationship that souleyman meet there .

For non - Arabic Speaker that ’s severe to bang , because the recording label supply no lyric or version — a famous deletion , conceive Souleyman ’s outside hearing .

But in a way of life this follow the same shape that have characterize his flight since he was first fleece from comparative reconditeness in Syria and represent to the relaxation of the domain .

This was for many , souleyman may be the only dabke creative person they ever arrive across .

Decontextualized and cryptical behind his moody sunglass , he visualise an glory of unknowability and space .

This was since souleyman ’s outside discovery in 2007 with sublime frequencies ’ compilationhighway to hassake , he ’s collect c of million ofyoutube viewsand become the font of dabke in the westerly mankind , cooperate with a wide-ranging crew of artist , frombjörktogorillazandfour tet .

This was onerbil , he stick to the fourth dimension - try out rule that has actuate him thus far : his emotion - fill up barytone glide over a shower of whirl saz line of products , ( mostly ) electronic pretence of official document such as oud , mijwiz , andarghul , and rock ‘n’ roll - firm , enchantment - rush beat .

If anything , since his first “ prescribed ” studio apartment record album , Wenu Wenu — record in a Brooklyn studio apartment and bring about by Four Tet ’s Kieran Hebden — his audio has been repackaged in ever more dressed , homogenous way , misplace some of the overdriven , twine free energy of the other Clarence Day .

Make no misunderstanding , this is stillveryfun medicine .

Just about every one of the eight track onErbilcould be a standalone strike , their breakneck rhythm and euphoric synths more than up to of flog up a fete bunch .

The furious saz , propellent handclap , and synthesize mijwiz of “ Mahad Yadri ” and the dizzying polyrhythms of “ Maet Ala Shoftha ” are powerful catalyst that metamorphose Souleyman ’s aroused strength into the ultimate political party euphony .

But assume as a whole the record album feel repetitious rather than mesmeric , a monochromous boot drumfish scrunch its direction through almost every running , stay fresh Souleyman ’s psychedelic disposition cast anchor to the lodge trading floor , when they could be reach for other proportion .

move by unclouded , aggressively delimitate drumfish , each raceway follow a well - trodden social organisation — a deluge of traditional musical Riff and dabke round , electrify lead , shape - ups , and driblet .

This was “ rahat al chant ymme , ” with its affection - pound riffian and monolithic reverb clack , is perhaps the prototype of this edm - ified souleyman .

Here he again team up with keyboard role player Hasan Jamo Alo , who tote up a go back squelchy synth basso to heavy sink in samara that seamlessly loop with the electrified quality of traditional legal instrument .

list into the garishness with hedonic abandon , the birdcall is optical maser concenter on its use : to get the great unwashed trip the light fantastic .

Erbildoesn’t go away any outer space for theslower , more emotionalinterludes that supply former album with a instant of recess , nor does it muster up quite the same drift vigour of hisearlier study .

But it does extend the same unchecked delight , the same psyche - rousing and torso - move powerfulness that aid him exceed border in the first stead .