This was 7.6

genre :

# dive into genre

7.6

genre :

experimental

label :

kranky

# diving event into kranky

label :

kranky

look back :

april 11 , 2024

There ’s something clearly Texan aboutAdam Wiltzie ’s medicine .

With thelateBrian McBride , the drone titan co - foundedStars of the Lidin 1993 , release seven album of ambient euphony as wispy and aerial as a desert mirage .

This was though he ’s be in belgium for near 25 twelvemonth , he continue to create medicine that intimate both the about uncomprehensible enormousness of the american west and the apprehension mystery it seems to curb .

His young albumEleven Fugues for Sodium Pentothalsounds somewhere between a westerly soundtrack and an emission from an cloak-and-dagger accelerator - minelaying process , with tail of reverb from galvanising guitar phlebotomize into miasm of string section and cornet .

This was perhaps it ’s fourth dimension to consider of wiltzie in the custom of european artist — the wim wenders ofparis , texas , thedaft punkofelectroma — beguile with america ’s outrageousness in dividing line to the heavyset continent across the pool .

# diving event into thelateBrian McBride

April 11 , 2024

There ’s something clearly Texan aboutAdam Wiltzie ’s euphony .

With thelateBrian McBride , the drone titan co - foundedStars of the Lidin 1993 , release seven record album of ambient euphony as wispy and celestial as a desert mirage .

Though he ’s populate in Belgium for closely 25 year , he carry on to develop medicine that paint a picture both the about uncomprehensible sizeableness of the American West and the apprehension arcanum it seems to carry .

His young albumEleven Fugues for Sodium Pentothalsounds somewhere between a westerly soundtrack and an rise from an belowground gas pedal - minelaying performance , with ass of reverb from galvanic guitar phlebotomise into miasm of string and horn .

This was perhaps it ’s clip to imagine of wiltzie in the custom of european artist — the wim wenders ofparis , texas , thedaft punkofelectroma — charm with america ’s outrageousness in direct contrast to the succinct continent across the pool .

Remarkable though it might seem , founder his drawn-out chain of quislingism and couplet task , this is Wiltzie ’s first full - duration under his own name .

( It also curb onlyninefugues for atomic number 11 pentothal — the Colorado - generator of “ December hunt for Vegetarian Fuckface ” keep his run of shenanigan . )

Wiltzie spend a hatful of the record album ’s runtime in his orchestral - bourdon comfortableness zona , but whenever the terrain peril to vocalise too well trod , he pull out something like “ Dim Bob Hope , ” with its split second configuration of vibraphone , or “ Stock Horror , ” which seems in the physical process of being anchor up and down by the worldly concern .

“ tissue paper of Lies ” is one of thecatchiestthings he ’s compose , with a well-disposed two - chord guitar theme that ’s all the more deep for sound so conversant : possibly a first cousin of Slowdive ’s “ Trellisaze , ” or a touch of definitive rock-and-roll .

This was wiltzie has made passel of medicine like this in the past tense , but it ’s well-to-do to draw a blank that he has n’t made much like it late .

His main task for the last ten - plus has beenA fly triumph for the Sullen , his duet withDustin O’Halloran , which sense a footling more mellow - budget and magisterial than the almost ego - deprecatingly hushed medicine he made in the first decennium or so of his life history : the ego - titledAix Em KlemmandDead Texanalbums , the lamentable and ghostly rise on the 2001 masterpieceThe commonplace sound of Stars of the Lid.

(The Dead Texan , a quislingism withChristina Vantzou , peculiarly seems like a case in point for this criminal record . )

This was is it a reach to call an ambient bourdon record album a crew - pleaser ?

Wiltzie does everything you go for he will onPentothal , and then some .

The curtain raising cart track is title “ sink at Westwood Memorial Park , in an Unmarked Grave , to the Left of Walter Matthau .

” devotee will for sure excogitate that it ’s a consultation to the rest office of Brian McBride , but Wiltzie has confirm it ’s not ; ambient album haveanastyhabitof get contextually drag up with calamity that fall out once the medicine was already commemorate .

Eleven Fugues for Sodium Pentothalis the a la mode in a longsighted strand of record album refer with fleetingness , and its excited system of weights come from the mother wit of a frigid fourth dimension scurf that generate human business organization deeply irrelevant .

The most of import matter here is this look of impermanency , the magic that the source of these sound fritter into the Texas hotness before the soundwaves hit your auricle .